Sun Ra has always been a tough listen for me. Out from his disciples though I found vibes I could comprehend. I couldn't do John Gilmore (will have to) but Archie Shepp strikes and explodes my imagination. The album "On This Night" I play over and over again. What is crazy is when you listen so many times you submerge down into the texture of the playing. I done the same with John Coltrane. Now he said in his interviews that he had a number of musical devices that he is experimenting with. From that I tried to identify them. I listen to Coltrane play "My Favorite Things" at different periods of his life side by side. Not just his searching growth comes out, his musical devices. Now John Coltrane was on a quest and I'd say a spiritual one.
My other two favorite sax guys were different. Archie Shepp was/is an explorer, an adventurer. Eddie Harris the inventor. Archie Shepp in his most lyrical used the Sun Ra sound as the instrument. He zooms in and out of noise, texture, tune and percussion. Hisssss, growl, sing, hummm, croon.........
Now Eddie Harris was a different sort. His use of the electronic sound on sound (echo) and multi-channel effects on wind instruments was cutting edge. I wonder why musicians playing electronic wind instruments today don't pay him greater homage. He could ballad, blues and jive but to me his spacey techno grooves are the blade. He practiced with Coltrane, I heard, and he did some tunes that Trane would approve, Eddie had some skills. He also had this desire to do funk, I don't know why?
Wayne Shorter is another guy I listened to. He passed through the Art Blakey school. He has some wonderful vistas and Weather Report still haunts me. I saw them play in person.
I listen to others and because of my immersion into the aforementioned I appreciate a greater depth.
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