Recently, I was talking to Wanuri Kahiu, director of the Kenyan science fiction short film Pumzi (she's also set to direct Who Fears Death: The Movie). I asked her how she came to science fiction . She said that she didn't grow up reading or watching science fiction, that it was organic. "The story led me to science fiction," she said.


I had a similar experience. As a kid, I read everything, including some science fiction but not much (I didn't see a hint of myself in science fiction novels back then- no girls, no blacks. I didn't purposely shy away from sf, I simply was never drawn to it and I didn't have anyone to turn me on to it). Yes, I grew up consuming Isaac Asimov books like crazy...but not his science fiction novels, his science books (though I did read I, Robot...I enjoyed reading about the robots). As the story of Pumzi led Wanuri to science fiction, the stories of Zahrah the Windseeker, The Shadow Speaker and Who Fears Death led me to it.

My short story "Spider the Artist" was pivotal for me. It was my first time consciously writing "pure" science fiction. One day, editor John Joseph Adams had come to me and asked me to write a story for his anthology Seeds of Change. He said, no fantasy, just science fiction.The idea was a bit foreign for me because my world on and off the page is full of magic and fantasy. However, I always like a good challenge so I took him up on it. "Spider the Artist" was the result.

After writing it back in 2008, I was sure of two things: 1. That I was on the right path with Who Fears Death (I was editing it around the time I wrote "Spider the Artist" and I remember going back to it and turning the volume up on some things). 2. That I would write more science fiction. I liked the taste very much. I thank John Joseph Adams for gently nudging me to the table. I think he changed the direction of my work.

A burst pipeline in Nigeria
Originally printed in Seeds of Change, you can now read "Spider the Artist" (a finalist for the WSFA Small Press Award) online in Lightspeed Magazine.

Here's a brief description: "In “Spider the Artist,” Nnedi Okorafor takes us to Nigeria of the future, where Big Oil protects the pipelines with spider-like AIs known as zombies, and tells the tale of a woman who faces down one of the murderous machines armed only with a guitar."

It's a story about the Niger Delta conflict, domestic violence, and Anansi Droids 419 who decide to weave their own destinies ...some reviewers have called it a love story, too, heh. It remains one of my favorite short stories. Hope you enjoy reading it as much as I enjoyed writing it.

-Nnedimma Nkemdili Okorafor-
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