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Why Science Fiction

In life we all need role models, someone that shines the light of inspiration to fuel our aspirations. The entertainment media, like books, usually provide that inspiration through strong characters doing the right thing during difficult situations. I am using science fiction to interject positive African American role models into an entertainment media that is bombarded with negative characters that somehow have become role models.

As a child I watched many action adventures, read comic books of superheroes and was captivated by science fiction television shows. However in the seventies, as I entered my teen years I noticed that the role models on television shows and in movies as well as in books were white. Upon further review, I concluded that in the entertainment media African Americans were portrayed as comic relief characters, sidekicks, pimps, hustlers or thieves. I remember having an argument with my friends over who was better, "Shaft" or "Superfly." Needless to say, I was in the minority. Then I noticed most of my peers who feared they would not go to college aspired...actually aspired...to become pimps, hustlers and drug dealers. Unfortunately, about ninety percent succeeded. I attribute this to the lack of role models and the bombardment of negative stereotyping in the entertainment media. So as a teenager, I created my own role models through story form.

In my English and Creative Writing classes, I wrote police dramas, adventure and science fiction stories, with African American protagonists. The story of the Osguards is my science fiction creation that began as an honors English class writing assignment in 1978. It garnered laughs from both white and black students in the class because they could not fathom African Americans as leaders, especially commanders of complex and intricate spaceships. But I received praise from the teacher for a bold effort.
Several years ago, due to a professional setback in my career, I resolved to focus my frustration in a positive manner. So I decided to write. I chose science fiction because of the freedom of imagination the genre allows. It also allows me to inject other genres like mystery, crime, love or adventure stories into it.

My question to you...why do you read science fiction?

Malcolm "Rage" Petteway
http://osguards.com/
http://ragebooks.net/
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IN LIKE FLYNN 9:30PM CST - THE BOOK OF ELI REVIEW!



Listen to In Like Flynn on internet talk radio

Tonight Penelope & Otto review "The Book of Eli" where all the black women at?! We discuss the Obama Healthcare summit, wonder what's with Atlanta and these ant-abortion 'endangered species' billboards, *Spoiler Alert!* - When is it okay to reveal the big reveal? We give you The In Like Flynn weekly giveaway and bring you the phrase of the week. as well as discussing ways to get you back to work. Come join us on the 100% grown folks weekly update where Penelope & Otto will deliver all you need to know in news, entertainment politics, current events and finance. This and more on this installment of In Like Flynn!

Saturday 2/27/2010 9:30pm CST 90 Minutes CLICK ON THE LINK AND JOIN US TONIGHT AT 9:30pm CST and call 718/508-9683 and TELL US WHAT'S ON YOUR MIND!

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TODAY, FEB. 27TH, 2010; NOON Eastern/11AM Central @ www.blogtalkradio.com/nadraenzi to hear or call (347) 426-3902:
Are Dr. King and Malcolm X similar to real life superheroes? What about President Obama?
Do Black "real life superheroes" differ from their peers? Tune in to the Capt. Black Super Show's Black History Month episode www.blogtalkradio.com/nadraenzi where heroism and all forms of creative concerned citizenship are explored.
-NADRA ENZI AKA CAPT. BLACK
Safety Rights Activist/Urban Security Consultant.
(912) 272-2898






















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My take on the killer orca goes a little like this:

Orca1: I'm through with this gig. I want out.
Orca2: Yeah, this is getting old . . .
Orca3: But they give us food.

Orca1: As if that were enough. I've been eyeing some of those
seals in the morning show . . . they look damned tasty. I'm outta here.
I'm not doing a thing they say for the next week. That will make them
think about releasing me.

Orca2: Yeah, no whale games. I'm not bouncing any more balls. Do
I look like Flipper to you? I'm a Killer Whale, dammit! Uh huh. Next
one of them come up to me with that damn whistle and I'm going all
National Geographic on 'em.

Orca3:But . . .

Orca2:Nah, don't get soft! Work stoppage - tomorrow - first show. WHO'S WITH ME?

Orca1: You know I'm in. Got a little sumpthin' for 'em tomorrow.

Orca3: I don't know . . .

Orca1: Shut up before I eat you!

Orca2:Damn, that's harsh. BTW, trainers taste like chicken.
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Date: Wednesday, February 10, 2010, 12:44 AM

Black Author wins The Matrix Copyright Infringement Case
http://webmail.earthlink.net/wam/MsgAttachment?msgid=1008209297&attachno=1">This little known story has met a just conclusion, as Sophia Stewart, African American author of The Matrix will finally receive her just due from the copyright infringement of her original work!!!
A six-year dispute has ended involving Sophia Stewart, the Wachowski Brothers, Joel Silver and Warner Brothers. Stewart's allegations, involving copyright infringement and racketeering, were received and acknowledged by the Central District of California, Judge Margaret Morrow presiding.
Stewart, a New Yorker who has resided in Salt Lake City for the past five years, will recover damages from the films, The Matrix I, II and III, as well as The Terminator and its sequels. She will soon receive one of the biggest payoffs in the history of Hollywood , as the gross receipts of both films and their sequels total over 2.5 billion dollars.
Stewart filed her case in 1999, after viewing the Matrix, which she felt had been based on her manuscript, 'The Third Eye,' copyrighted in 1981. In the mid-eighties Stewart had submitted her manuscript to an ad placed by the Wachowski Brothers, requesting new sci-fi works..
According to court documentation, an FBI investigation discovered that more than thirty minutes had been edited from the original film, in an attempt to avoid penalties for copyright infringement. The investigation also stated that 'credible witnesses employed at Warner Brothers came forward, claiming that the executives and lawyers had full knowledge that the work in question did not belong to the Wachowski Brothers.' These witnesses claimed to have seen Stewart's original work and that it had been 'often used during preparation of the motion pictures.' The defendants tried, on several occasions, to have Stewart's case dismissed, without success.
Stewart has confronted skepticism on all sides, much of which comes from Matrix fans, who are strangely loyal to the Wachowski Brothers. One on-line forum, entitled Matrix Explained has an entire section devoted to Stewart. Some who have researched her history and writings are open to her story.
Others are suspicious and mocking. 'It doesn't bother me,' said Stewart in a phone interview last week, 'I always knew what was true.'
Some fans, are unaware of the case or they question its legitimacy, due to the fact that it has received little to no media coverage. Though the case was not made public until October of 2003, Stewart has her own explanation, as quoted at aghettotymz.com:
'The reason you have not seen any of this in the media is because Warner Brothers parent company is AOL-Time Warner.... this GIANT owns 95 percent of the media... let me give you a clue as to what they own in the media business... New York Times papers/magazines, LA Times papers/magazines, People Magazine, CNN news, Extra, Celebrity Justice, Entertainment Tonight, HBO, New Line Cinema, DreamWorks, Newsweek, Village Roadshow and many, many more! They are not going to report on themselves. They have been suppressing my case for years.'
Fans who have taken Stewart's allegations seriously, have found eerie mythological parallels, which seem significant in a case that revolves around the highly metaphorical and symbolic Matrix series. Sophia, the Greek goddess of wisdom has been referenced many times in speculation about Stewart. In one book about the Goddess Sophia, it reads, 'The black goddess is the mistress of web creation spun in her divine matrix.'
Although there have been outside implications as to racial injustice (Stewart is African American), she does not feel that this is the case. 'This is all about the Benjamins,' said Stewart. 'It's not about money with me. It's about justice.'
Stewart's future plans involve a record label, entitled Popsilk Records, and a motion picture production company, All Eyez On Me, in reference to God. 'I wrote The Third Eye to wake people up, to remind them why God put them here. There's more to life than money,' said Stewart. 'My whole to the world is about God and good and about choice, about spirituality over 'technocracy'.'
If Stewart represents spirituality, then she truly has prevailed over the 'technocracy' represented in both the Terminator and the Matrix, and now, ironically, by their supposed creators.
Stewart is currently having discussions with CBS about a possible exclusive story and has several media engagements in the near future to nationally publicize her victory. June 13th 2004. Sophia Stewart's press release read: 'The Matrix & Terminator movie franchises have made world history and have ultimately changed the way people view movies and how Hollywood does business, yet the real truth about the creator and creation of these films continue to elude the masses because the hidden secret of the matter is that these films were created and written by a Black woman...a Black woman named Sophia Stewart. But Hollywood does not want you to know this fact simply because it would change history. Also it would encourage our Black children to realize a dream and that is...nothing is impossible for them to achieve!'
Greg Thomas, Editor
Please circulate!

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Reconcilliation Please!!!

Lord knows I love me some Brother President. But I have lost patience with him when it comes to his trying to negotiate with Republicans.
Facts:

#1 290 bills passed by the house are sitting in the Senate because Republican Senators refuse to vote on them
#2 The Gop is misusing filibusters to hold up legislations (they have "spiked") since Obama took office
#3 Democrats have allowed the GOP to chip away at Obama's health care plan (killing the public option) and haven't gotten a damn thing for it.</p>
#4 Obama's health care would save billions over a ten year period and create jobs.

Its time for President Obama to scrap bi-partisanship and the Democrats to call for up or down (majority) votes. In other words reconcilliation.
Sisters and Brothers what say you?

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Matrix Controversy...What's the deal?

Can anyone fill me in on the deal concerning true ownership of the script (or charged "theft" of it) by a black woman sci fi writer? What is the scoop? Most importantly, what are the opinions and facts by some of our members on this site. Last I read, the author filing for the charge did not show in court and the case was dismissed contrary to other reports saying she won the case. What is the deal? Thanks
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Gems of Memory (Revisited)

It was not so long ago that I posted this poem, but I wish to revisit it because it represents something special.

Loss of a loved one can be sorely devastating, and it may take years to come to terms with it. Someone once told me that the pain of a loss doesn't diminish, but rather someone develops the strength and endurance tobear it. Jewelery can sometimes seem to possess a part of a loved one;a little piece of their soul. The wedding band, engagement ring, familyheirloom; these hold such significance to our lives in relation tothose who have gone before us.

Theevents in this poem are based on truth, something that happened. Ittells of the journey of two loved ones who experience an incrediblebond, as the life of one of them nears the end. The other has to musterall the courage they can to watch the one they love pass on. It is truesome bonds can never be broken, their substance undiluted even untodeath.




upon six gems we struck a covenant,

to be as one among the chaos of our youth
to bond our hearts of jade and azure,
to an unlikely perfect graft

a mystic of sentiment you were
a chestful of gold-lings and shinies
the sparkle at the summit of passion found
the gentle whisper of a diamond brook

but your brilliance hid the crack in your refraction
a weakness you hid to preserve my integrity
and as you slowly splintered,
I motioned you make house with me

you slowly lost your luster
and I shuddered in silence
as deep down I knew,
the Gem Maker was calling you home

at the failing of shines,

we made our vows
the imprint of our eternal memory,
and the band of six jewels a testament to our union

you were broken and I could not mend you
and I tried to shine brighter for the both of us
but I could not fix your center
and you gave up your last light in mine hands

image created by Antony Kamau

Originally posted at:

http://gladysmoore.blogspot.com/2009/11/gems-of-memory-revisited.html




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Book Review on Shadow Valley

By Steven Barnes

Del Rey Books

Hardcover: 272 pages

Publisher: Del Rey (May 5, 2009)

Language: English

ISBN-10: 0345459032

ISBN-13: 978-0345459039

Product Dimensions: 9.6 x 6.6 x 1 inches

Steven Barnes is probably one of the best science fiction writers of our time. His poetic mastery of the written word paints a beautiful worlds and characters that charge a story for the reader into a fantastic fantasy. Mr. Barnes has ignited African folklore with his Great Sky Woman, into the main stream and continued the explosion with his book Shadow Valley.

Shadow Valley picks up where Great Sky Woman left off. A majority of the Ibandi people wander north from Mount Kilimanjaro, hoping to escape the mighty spear of the Mk*tk. They are led by Great Sky Woman and Frog Hopping, the two people who survived the climb up the mountain to speak with their god. The trek is trek is long, perilous and very arduous. Many turn back, and some of those that remain, are full of doubt. Meanwhile, a new leader rises from those who remained in the shadow of the Great Mountain…a leader full of anger and power, just the right potent mixture for revenge. What he believes he brings to the Mk*tk is death, but in reality, he brings the devastation to what is left of the Ibandi people left at the foot of Mount Kilimanjaro. Eventually, the two strands of Ibandi survivors meet and a struggle for power consumes them, while their enemy the Mk*tk approach. The survival of their people rests on their decisions and actions. Do they fight amongst themselves and let the victor lead, or do they band together to fight a common foe?

Mr. Barnes writes with such vivid realistic detail that the reader feels they are there, witnessing history unfold in front of their eyes. Mr. Barnes makes the Ibandi become family, pushing buttons of fear, love and hate. I have become a fan of African folklore science fiction.

I recommend Shadow Valley as a must read. But you must start with Great Sky Woman to really appreciate this read.


Malcolm “RAGE” Petteway
Rage Books LLC

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PRODIGAL DROPS on the 24th

It's coming, folks.

WIRED! magazine gave us an awesome review.


We've started actually building our official website.


If your local comic book shop owner won't order it, you can order PRODIGAL online.
Here are some places you can get issue one


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Among the Rubble



silence
silence in the heart of a thousand cries
all alone among those whose hearts cry out in agony
the silent pitch gains volume
and she has to press her hands to her ears

she wakes up and stumbles along through the rubble
her dress is tattered, she is covered in white dirt
she is numb and feels no pain in the wound on her left leg
the picture of her mother laying motionless...
she blanks it out and now limps among wailing souls

she feels a hand upon her shoulder but walks on
half unconscious, her arms hanging loose at her sides
she can hear her heartbeat now in this virtual silence
someone dressed in white steps in front of her and stops her
holding her by the shoulders

she stops walking, she stops thinking
she longs to stop breathing; mother...
and she is in front of her, her mommy
her smile comforting as she looks into her eyes
she involuntarily hiccups a stifled sob; oh mother..

it will be all right, her mother says
mom, she calls out
and the lady in white embraces the little soul
as her body is rocked by sobbing; mother..
and she will be all right in time, mother is now with God

Originally posted at:
http://gladysmoore.blogspot.com/2010/01/among-rubble.html


Image: Roosewelt Pinheiro/Abr, Haiti earthquake camp
Creative Commons License
This image is licensed under a Creative Commons Attribution 2.5 Brazil License.


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War Made Easy

After watching A People's History of American Empire by Howard Zinn (which was shared by Djeli) and then sharing the video with my older brother, he recommended that I watch War Made Easy. I tend to put off reading or watching the things my brother recommends, but with A People's History... so fresh in my mind, I simply couldn't bring myself to offer up the usual set of lame excuses.I'm honestly glad I took the time to watch War Made Easy as well.The below video is the first of an eight part series.
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Blue Light for Quinton Veal

Let your tongue fingers open my gardenwhat you find there is yourstaste my blackberriesnibble my datetheir sweetness is unparalleledjuicy enough to satisfy your cravingand quench your thirstI surrender…my mouth hands open your gardenwhat I find there is mineripe plums to savorpapaya aplentyto feed my hungerlarge enough to mountas we ride into Eros's realmrocked by wavescradled in cries,whispers long and deepthrough moist cavernsdark snug tunnelswet sugared valleysbetween caramel vinesJourney with me‘neath the blue light of my dreamsamid sunset/sunriseWhat we'll find there is oursThis is one of the poems that was supposed to appear in in Little Black Book Vol II. My BSFS family gave me so much support when I first posted it -- and I was scared to death (laugh). Ya'll are the best!!Copyright Valjeanne Jeffers 2008, 2010 all rights reserved
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Darkess and the Elder Soul - Battle Cries

paenae, speako mistress of the shadows,our master has struck upon a comely endeavorhis constitution, I fear, will not withstand the challengeand what say you vaelera?the master's soul pines for amelioration,o dark onea fair one has caught its contemplationmaestra, influence on my sovereign wanes,speak his mindalas, o spirit of our hostonly a vestige of my reach is allowed thereinhe hides his designs in cahoots with the old soulaelira, my pun - is his laughter ours or of that alien?downcast, I abase myself before your eternal duskmy tickles he no longer feelsadora, a fairy, nests upon his heartbeat and her wings,fanned me away from my domain - ticklistamy patience wears thin, and where is aerotika?aerotika is mine, nowtogether we shall deliver the master from your mischiefand with adora, we shall give the master delectationwhich you have endeavored to keep for yourselfhow dare you! you may be the elder soul but I am his spirityou shall not succeedadora prevailed upon my person,o obscure oneI only seek to serve the masterhis passion is my very existenceyou have betrayed me for the last time aerotika,behold, paessionada!o mistress of the hidden,I shall battle for the sovereign's benevolence and ecstasyadora will be broken and aerotika will be rendered unto dustthis I sweardepart, my minions and protect your master from desolationhis pain is my agony, the elder soul cares not for thisdarkess, selfish symbiontyou only serve the master to feed yourselfI, the elder soul shall defeat you this timethe temptress is my ultimate weaponso be it, ineffectual fool, my shadow will be your downfall,my sword, desira shall neuter you!Originally posted here: http://gladysmoore.blogspot.com/2009/07/darkess-and-elder-soul-battle-cries.html
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"Epitomizing the Black Panther"

Before I go into my topic I want to weigh in on the animated series. After viewing the first four episodes I want to say job more than well done. Everything about it feels right. The theme music is excellent, the casting is superb and to my surprise the animation works as it uniquely stylizes the Panther. Reggie your dialogue works better in the cartoon than in the comic. The characterizations and guest appearances were well chosen (especially replacing the Rhino with Juggernaut). A final note, the politics you have seamlessly interwoven into the story gives the Panther a depth that no other cartoon or film has yet to achieve. Congratulations!!Now my topic. In order to achieve the subject heading, "Epitomizing the Black Panther," the writers of Black Panther must be able to fictionalize Afrakan culture. This means detail must be given to the defining aspects of an Afrakan people who have never been conquered. It means creating a neo Afrakan centeredness. This can be extremely challenging for many Afrakan writers as we are taught to view ourselves as slaves, criminals and helpless victims. This too speaks to non Afrakan writers. (I use the word Afrakan instead of black, colored or negro etc.). Here are some specific examples of what I mean.The Wakandans are a sovereign and unconquered people. No writer stated this more emphatically than Reggie. He along with team Hudlin gave BP readers an Afrakan conurbation in Wakanda. They showed us the Wakandan Space Program, which to my knowledge is the only fictitious Afrakan nation in Marvel maybe even in comics to have such. Team Hudlin is also responsible for advancing the aesthetics of Afrakan women. Shuri and the Dora Milaje are excellent examples of diversifying the beauty of Afrakan women. Priest's contribution during his tenure produced something extremely important to successfully fictionalizing Afrakan culture. He gave the Wakandans their own language. These are a few but exemplary examples of what must be done in earnest. Fictionalization of Afrakan culture should be imaginative in its Afrakan centeredness, creative in its countenance and responsible to the icons and images of the culture it represents.Other factors to be addressed in "Epitomizing the Black Panther," are consistency, continuity and rationale. For this I examine the following.Wakanda has often been depicted as a village or group of villages as opposed to a country of numerous diverse regions and multiple cities. I site JA vol. 1#8,1973; Marvel Atlas #2,2008 for proof of the latter. Its political structure implies an all too easy vulnerability to coup de tats and one man take overs. Could one conceive of such events occurring in the US? These take over stories are more appropriate to WDG, an international corporation, than to the country of Wakanda. This would have worked well for the arcs "Deadliest of the Species" and "Power." Since there was already a "queen," Shuri being made CEO of WDG and confronting a hostile take over would have been a great way to introduce her as a novice Panther with aspirations to the throne. Thus the sidelining of Storm and T'challa could have been greatly reduced.The political structure should have a council, regional representatives and city administrators in addition to a king and queen. Elaborations on the sophisticated fail safes in case of death or take over of the king or other royals. No more of the Achebes or Rosses being enthroned.This will render a greater sense of community and nationhood. Showcase Wakanda's antiquity as it compares to Kemit, Atlantis, Sparta and Subterrania to name a few. Embellish Wakandan explorations into the oceans, deep space and alternate dimensions. The Wakandans should have been exploring space perhaps a century before the US and Russia. They should have moon bases from Earth to Saturn. Colonies and defense satellites through the solar system. One could tell the tales of Khanata (BP vol. 1#13,1978) a great Wakandan adventurer and his crew traveling in an N'yami cruiser. Their trek through the stars in search of the source of the vibranium meteor leads to chance encounters with the Shi'ar, the Kree, The Skrulls and the Brood. The exploits of these Wakandans are sung even in the hallowed halls of the Klingon empire.Visually depicting the military power of a nation bred for war was something Priest, Valutto and Almond excelled at. A cursory examination would yield N'yami battle cruisers and Prowlers. It would be advantageous to highlight its special forces like the Hatut Zeraze and the Dora Milaje. I think the Hatut Zeraze should answer to the king and the Dora Milaje to the queen. The separation of the two could give rise to the rites of passage that separates males and females in Afrakan culture. The most exceptional two Dora Milaje being candidates for queendom and the rest the most desirable and sought after women in the nation.The same could hold true for the Hatut Zeraze. Both would be second only to the scion of the Bashanga clan. One of the best things Reggie and John did was to give the Dora Milaje a distinct cultural appearance. Storm as queen should reflect this. Storm should have cut her head bald and defeated the best Dora Milaje in combat as part of the marriage ritual. She then could have grown her mohawk back to show some solidarity and to distinguish herself.The Wakandans should be the physical and mental pinnacle of humanity. The average Wakandan should be far superior to the average person. T'challa and his family are the pinnacle of the Wakandan people. Nuff said. T'challa should be bald as are all the great warriors of Wakanda exemplified by the Dora Milaje and Hatut Zeraze. Storm being the notable exception gets a pass due to her foreign birth and exceptional power.Wakandans are not xenophobic as much as they are "Wakandan-centric." They are long lived averaging about 150 yrs of age due to their environment and diet. Focus can be on their highly developed healing arts, medication and healthcare to all its citizens. Mental and physical disciplines based in the evolved traditions of Afraka. There shouldn't be a need to kill or domesticate animals due to their advanced agriculture and robotics. No combustible engines and fuel exhaust from tail pipes or engines. Let us delve deep in the spirituality of a people whose religious practices have not been imposed upon by Christianity or Islam. The BP animated series (episodes 1-3) is canon for this. Lets go to school with the children of Wakanda without the need to superimpose American values and failings such as teen pregnancy, drug use, graffiti or gang violence. Illustrate an education system that graduates student into the community as functional members never having to leave and prostitute themselves outside of it. Show us examples of what we could be if we reached our potential and if need be create new and original challenges for these children. Give us a new sense of commerce, business and trade. Show us what a debtless society looks like. Wakandans should be immune to the shifting patterns of global economics yet still be able to greatly influence it if they chose to. Let's not look at contemporary Afrakan societies that are failing but focus on the Afrakan societies that are succeeding. Meld the triumphs of the Afrakan diaspora into a myth of epic proportions.The rogues gallery… How about reinterpretations of Killmonger? Imagine him more along the lines of having the business acumen and political savvy of a Lex Luthor, Tony Stark and Bruce Wayne. He could be founder and governor of the N'Jadaka region and some mayoral like title for N'Jadaka city, building on BP vol. 2#16,2000. I would have Killmonger take control of the Desturi, his answer to the Hatut Zeraze. Combine this with Luke Cage level strength and durability and you may have the ideal antagonist for T'challa. Solomon Prey, a eurocentric aristocrat and drug lord who transforms into a gargoyle like creature, is an expatriate who operates out of Paris (cue the Goth). Achebe, no brainer. An Afrakan version of the late great Heath Ledger's Joker. Man-Ape,(who I think was vastly improved under the aegis of Priest) could have a new name i.e. Silverback and a new costume without the gorilla head. The Jabari tribe from which he hails should be Hulk-like in size and stature as they live in one of the harshest environs in Wakanda, the Crystal forrest, home of the white gorilla from which their ancestors based their religion. Another reinterpretation would be that of Sombre (JA vol. 1 #13, 1974) as he or she is the charismatic religious leader of a cult (think classic Brother Blood from Teen Titans) that worships at Resurrection Altar delivering salvation to adherents through exposure to those "hellish rays." The Supremacist (BP mini series #2,1988) evolves into a Hydra/A.I.M. like organization with advance technology and super human agents. Their particular brand of centuries old eugenics creates a new kind of mutant who sees their antithesis in the Wakandans.Finally we come to T'challa himself. Synthesizing his physical and martial prowess, intellectual acumen, technological propensity, spiritual evolution and psychological cognizance with challenging and innovative quandaries is the foundation upon which everything rests.Special attention should be paid to his personal habit and weapons. He should always wear the morphing vibranium microweave costume (BP vol. 2 #1,1998). It can resemble any of the styles Black Panther is known for and makes him bullet proof (BP vol. 2 #7,1999), impact resistant (BP vol. 2 #40,2002), immune to magnetism (BP vol. 2 #48,2002) and vibration (BP vol. 2 #49,2002). His cowl should be equipped for underwater respiration (Defenders vol. 1#84,1980). T'challa cowl should also include special lenses (BP vol. 2#4,1999) and chemical gates as filters to prevent inhalation of toxic gases and other substances (BP vol. 2#16,2000). Further adding to an already impressive personal defense we now move to offense. His gloves have the anti-metal vibranium claws (BP vol. 2#14,2000) which arguably could cut or damage adamantium or even Cap's shield. His footwear comes with special "vibranium powered active phase resonator" soled boots (BP vol. 2#14,2000).These allow the Panther to scale walls and leap from great heights. They also rob projectiles of their momentum (BP vol. 2#15,2000) and allow T'challa to stand or run on the surface of a body of water (BP vol. 2#29,2001). Let us not forget a retractable cape (BP vol. 2#16,2000).Last but far from least is the light armor that transitions out of the above mentioned costume (BP vol. 3#19,2006). This would be extremely useful against more powerful opponents, say the Hulk for example. He may not be able to beat him physically but it's infinitely superior to spandex, thus giving T'challa the necessary time to strategize and out think the Hulk. The armor would be useful in hostile environments say the moon for example. While visiting the Inhumans he morphs it off indoors and it instantaneously comes on outside the comfort of the blue area. Since T'challa was kind enough to give the gift of flight to the Falcon, it would be ignorant for him not to have it. Thus this armor would also include glider wings like those used by Shuri (BP vol. 4#11,2010). This would be helpful if T'challa is thrown out a plane (Black Axe vol. 1#6,1992) or falling from a rocket (BP mini series #3,1988).Throw in an energy dagger and Kimoyo card for good measure and you have well outfitted, ready for anything Black Panther. To be a prep master you gotta be a prep master. For transportation and operations outside of Wakanda he has a specialized T'chaka heavy cruiser. Think N'yami battle cruiser only bigger and deffer. It comes complete with all the standard amenities plus limos and sky cycles.I neglected to mention that the Black Panther can cloak…think about it.The Panther has had the fortune of the creatively intrepid vision of Lee and Kirby, the mature lyrical prose and composed raconteur of McGregor. The politically evolved continuity based and definitive T'challa from Priest. The holistic cultural and conscious expansion coupled with an unprecedented marketing campaign culminating in an animated series from Hudlin. As we await to see the affect Mayberry will have, I leave you with this.The great writer who does Black Panther faces insurmountable odds with a confidence and demeanor that beguiles his detractors. He inspires admiration and devotion from his team. Why? Because the great writer knows that the Black Panther may simply be the most complex, diverse character in comics. The great writer knows it is their honor and privilege to present him well.
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Queen Thaelea walked on the holcus mollis l, her feet barely leaving a mark on it. The flowers seemed to smile at her presence and sing at her touch."My children," she purred, her wondrously enchanting voice drawing the butterflies to her. She knew them all by name, even though their beautiful lives were fleeting. For that moment, she forgot her sorrow, her sadness at the loss of a lifelong friend.She walked to where she had left her oaken staff, its upper third studded with rubies, emeralds and sapphires. Tiny branches spiraled up and inward from its tip to encircle the Eye of Wonder, a diamond of unmatched value. Her transparent wings, catching the sun-rays in an ever-changing rainbow sheen, spread out and she took flight. As she approached the grand tree, home to her subjects, she saw what she surmised to be a spectacle."Leave me please!I mean none of you any harm!" The plea came from a distressed human child, slightly taller than the queen. She had been restrained to the ground with silk thin threads, strong as any rope man can weave.Var, dressed appropriately as the queen's guard--a snug black leather coat, fastened onto him by three large belts from which depended the large dagger sheathed on his back, and red cotton leggings tucked into petaled black leather boots--explained."We found her trampling our precious daffodils. She has dared to come to our forest unannounced, uninvited."The queen seemed not to be listening to Var. Instead she considered the child for a spell, the large dark eyes shining out in sincerity, and fear."Untie her," she said, her order clear, leaving no room for contention. Var, determined to keep true to his charge, hesitated. "The threads are tight and sharp, they are bruising her skin. Undo them. Now."As some of the fantastic creatures helped Dyvelin to her feet, the ornament bequeathed her tumbled out from the folds of her dress. In an instant, the queen had her staff at the child's throat. "How come you by this ornament, human child!?""Your majesty!" Var exclaimed, meaning to come to his queen's aid. She however warded everyone off, knowing they did not fathom the potential danger that had just presented itself.Dyvelin, startled by the queen's sudden change in temperament, involuntarily stepped backwards, lost her footing and fell, landing on her backside. She tried to speak, but fright had rendered her dumb. It was then that the queen saw the tattoo on her skin and slowly lowered her staff. A bewildered Dyvelin watched as Thaelea's fingertips slowly traced the winding black curves of the tattoo, glowing as they touched it; the tattoo itself glowed in tandem with her touch."Amars!" she exclaimed softly. The queen knelt next to the child, her wings outstretched in excitement. Tears streamed down her face as she looked softly into Dyvelin's eyes with her own deep sapphire blue ones. "I must apologize, child... I had no idea." This as she cradled the young girl's face in her palms.Despite her confusion, Deyvelin could not help but feel the Fairy-Queen's sorrow; then understanding--like a glow in her heart, deep and profound-passed between the two. Thaelea helped the child to her feet and turned to address her winged subjects. "This is Dyvelin, heir to the Grand Sorcerer." She paused to let the emotion of the moment pass. "she shall come with us to Engrund Circle."
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"I have waited for so long, and now it seems that my mortality will be my undoing." the man, dressed only in a white bed garment said, his voice still strong even in his last hour. The little girl, hardly ten years old, standing next to his bed shook her head, while tears streamed down her pale cheeks. "It is true, my child. I shall go to the Wonderlands upon my passing, but it shall not be by the Celestial Chariot."Amars, Grand sorcerer of Sentilla, stretched out his feeble shaking hand and the little girl took it."Teacher..." she started, but the old man hushed her with a squeeze of her little hand."Elur -vith adanvantil.. enua!" Amars whispered the incantation, almost unable to say the last word. At that moment, there was a faint rattle, and an ornament the young girl had never seen before tugged at her neck as the pendant settled on her chest. She looked at the old man to inquire of this feat, but only an empty white garment remained where he had lain. His hand had turned to mist, which now wrapped itself along the length of her sleeveless arms, then branded upon her brown skin a black, winding mystical tattoo.She had been passed the reins of the Celestial Chariot.It took a moment for the young Dyvelin to grasp the enormity of the great responsibility-nay, burden-that had been conferred upon her. Softly she collapsed on the bed, clutching at the empty white garment, and wept her heart out.
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Alina and the Ice Jewel (Intoduction)

In the days preceding the coming of the Comet, Alina had taken possession of the coveted 'Ice that Never Thaws'. Frozen at the heart of the forever cold pendant was believed to be an inter-dimensional pixie.For the wearer, the comet was their chariot to a world of magic and wonder that would never be seen by those who did not possess it.She walked the enchanted woods of Tharkin alone, her dark-chocolate complexion glowing a dark blue in the misty moonlight, which made her look like she was gliding in her white dress. As she approached the clearing where her grandmother had finally been laid to rest, she saw Veruna seated on the tombstone, dressed all in black."That did not take long..." the witch smirked in a gravelly voice, crossing her legs. She did not move from the tombstone, looking squarely at Alina, gauging her reaction."I see you have made a pastime of profaning tombs, Veruna of Elkior," Alina said, in perfect calm."Come, come now." Veruna pushed herself up off the white marble tombstone and approached Alina, eyes on the coveted jewel. "What is a tomb to you who are not destined to rot like the rest of us?"Alina involuntarily covered the pendant with her hand; almost too late she caught the gleam in Veruna's eyes. The motion of the dark witch's hand was fast and sudden, and the ball of blue fire singed her lace sleeve as she moved sideways to dodge it. She was unaware that the movement was a feint, a diversion-until she saw the biggest wolf she had ever seen, charging out of the woods straight at her.She gasped, her hand tightening around the pendant, which was now glowing, brighter and brighter...
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My Flow

How do you flow?What's your copesthetic?I churn like rivers rich and muddypast a southbound railroadthe smell of molasses,honeysuckle and fatbackin my nostrilsI move angry and gentlefloating on a peach horizonthat wakes the day and kissesit goodnightRotate with an R& B bassBlues not far behind -- the jazz androck n roll it spawned in my earLike the rich, black soil of Georgiaa sponge giving and receivingfantastic creatures thatgyrate in your nightmareswhisper in your dreamsLove-doings hot,funky, savoredflavor my flowand I dare to speaketernity to my manI leap on the sceams of my ancestorsa drumbeat pounding in my spiritthat will not be deniedLet me strain and give birthto those riding under my skin --these fierce, hot beingsthat yearn to awakenWhat's your flow?What's your essence?Tell the story....Copyright Valjeanne Jeffers 2010 all rights reserved
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