Saturday 4/17/2010 9:30pm CST 90 Minutes CLICK ON THE LINK or call 718/508-9683 and TELL US WHAT'S ON YOUR MIND!
Saturday 4/17/2010 9:30pm CST 90 Minutes CLICK ON THE LINK or call 718/508-9683 and TELL US WHAT'S ON YOUR MIND!
Steven Barnes was born in Los Angeles and lives there with his wife, author Tananarive Due. He has written episodes of The Outer Limits, Baywatch, Stargate SG-1 and Andromeda. Barnes first published piece of fiction, the 1979 novelette "The Locusts," was written with Larry Niven, and was a Hugo nominee. He is a science fiction writer, lecturer, and creative consultant.
His true passion, other than writing, is martial and physical arts. He is a Black Belt in Kenpo Karate, and Kodokan Judo. He holds an instructor certificate in Wu Ming Ta, and has an instructor candidate ranking in Filipino Kali stick and knife fighting.
Barnes has co-author his wife, Tananarive Due and actor Blair Underwood to create the Tennyson Hardwick series: Casanegra: A Tennyson Hardwick Novel (2008), In the Night of the Heat: A Tennyson Hardwick Novel (2009), & From Cape Town With Love (May 2010).
What inspired you to write your first book?
The opportunity to write with one of the great science fiction writers, Larry Niven.
Are there messages in your novels that you want readers to grasp?
The universality of human experience, and the boundless potential of our spirit, if we are true to our values.
If you had to do it all over again, would you change anything in your latest book?
No.
Is there anything you find particularly challenging in your writing?
Balancing being true to myself with finding and building an audience.
Do you have to travel much concerning your book(s)?
A fair amount. I've toured internationally, and traveled to Africa for research. But that's nothing compared to some other writers!
What is the hardest part of writing your books?
Actually doing the basic work of a first draft. Every-day discipline.
Do you write an outline before every book you write?
Yes.
Do you ever experience writer’s block?
No.
What is your favorite theme/genre to write about?
Human potential.
You’ve collaborated in the past with other authors. How were those experiences?
More of a dance. You have to understand each others' process and comfort zones, as well as clearly defining responsibilities.
You’ve collaborated with Blair Underwood and your wife, Tananarive Due to create the Tennyson Hardwick series. Will that collaboration eventually come to an end or do you plan to continue working on the series with your wife and Blair for the unforeseeable future?
For the foreseeable future. We'll see.
Are you collaborating with any other authors? If so, can you tell us about the project?
Working with Charles "Middle Passage" Johnson--I'll say it is a near-future project.
You’ve written books in both the Star Wars and Star Trek universe. Is it strange writing about characters that are so familiar to science fictions fans across the globe?
Yep. Very strange. The fans are, well...fanatical. And if you get something wrong, boy, are they gonna let you know it.
With you and Tananarive being authors, does it ever get competitive at home between you and your wife?
Not directly, but we do have...ummm..."spirited debates" about writing and storytelling.
Do you have any advice for other writers?
Write 1000 words a day, and read 10,000 words a day.
Thank you so much Steven for agreeing to this interview. Is there anything you like to say in closing to the group members of Black Magic and Science?
Thanks for having me! Check out my websites: http://www.diamondhours.com and http://www.thewriterscircle.ning.com
Clare Dargin is a writer who loves science fiction, fantasy, romance and the military. She enjoys weaving those worlds together. Her first novel Cold Warriors was published with Aspen Mountain Press. Her second novel is entitled Speculative Sky which will be published July 2010 by Red Rose Publishing.
About Cold Warrior
When Caitlin Driskoll is awakened from a cryogenic stasis, she's got a lot of adjusting to do. It's a new century and the planet is at war. Once married to a Navy JAG, she now experiences life from the viewpoint of a Jarhead, and the view isn't pleasant. Colonel Medoro Keegan lost the two most important things in his life during his Marine career: his wife to friendly fire, and his ability to fly combat missions. Now, he's stuck aboard the Blanchard as the XO. The Corps is the only family he has left and he's not about to lose the last thing he values. Until he meets Caitlin, who isn't shy about telling Medoro what she thinks about his Marines. How can such beauty wrapped in an icy body have so much fire? It's the future, and a new kind of prejudice has replaced the racial prejudice Caitlin experienced in the last century. After all, when you've been given a second chance at life, you are expendable.
About Speculative Sky
A star gazer her entire life, April Mullen jumped at the opportunity to be an astronomer on a far away planet. Finally she had the chance to live out her dream--to discover intelligent life among the stars. However when her dream starts to become a reality, things are not as they seem.
She is working on a few more projects. If you'd like to check out her work, you can visit: The Haven at http://www.thescifihaven.bravehost.com or Cold Warriors at http://www.coldwarriors.bravehost.com
Steven Barnes was born in Los Angeles and lives there with his wife, author Tananarive Due. He has written episodes of The Outer Limits, Baywatch, Stargate SG-1 and Andromeda. Barnes first published piece of fiction, the 1979 novelette "The Locusts," was written with Larry Niven, and was a Hugo nominee. He is a science fiction writer, lecturer, and creative consultant.
His true passion, other than writing, is martial and physical arts. He is a Black Belt in Kenpo Karate, and Kodokan Judo. He holds an instructor certificate in Wu Ming Ta, and has an instructor candidate ranking in Filipino Kali stick and knife fighting.
Barnes has co-author his wife, Tananarive Due and actor Blair Underwood to create the Tennyson Hardwick series: Casanegra: A Tennyson Hardwick Novel (2008), In the Night of the Heat: A Tennyson Hardwick Novel (2009), & From Cape Town With Love (May 2010).
http://heroesinthenight.blogspot.com/2010/04/hero-profile-16-captain-black.html#comments
NADRA ENZI AKA CAPT. BLACK
(912) 272-2898
He was born June 9, 1973, in Waukegan, Illinois. He was raised in Zion, a suburb north of Chicago. He currently resides in metro Atlanta.
He originally self-published his first novel, THUNDERLAND, and after managing to sell a few thousand copies on his own, Kensington Publishing Corp. offered him a two-book contract. Kensington published a new, revised edition of THUNDERLAND.
Massey writes in several different genres including horror, thrillers and suspense.
When did you first realize you wanted to be a writer?
The idea that I wanted to write for a living clicked when I was fifteen. I’d been an avid reader since I was a child (thanks to my mother), loved to write for classes in school, and finally realized one day that I should aspire to doing it as a career.
How long does it take you to write a book?
It varies, really. I’ve written books in three months; others have taken a year. It just depends on the length of the novel and the deadline I’m facing. Ideally, I would get nine to eleven months.
What is your work schedule like when you're writing?
When I’m working on a book, I write every day. I do my best work in the mornings, when my mind is well-rested. I can accomplish a lot in a solid two-hour writing session.
What would you say is your interesting writing quirk?
I always brew a strong cup of black coffee before I sit down to write. I’ve been doing it for decades.
Where do you get your information or ideas for your books?
Ideas are everywhere. I like to take a realistic scenario, something everyone can relate to, and put a twist on it. I’ve never had problems generating ideas.
When did you write your first book and how old were you?
I wrote my first novel when I was nineteen. The title was THUNDERLAND. It took ten years for me to get it accepted by a traditional publisher.
What do you like to do when you're not writing?
I enjoy spending time with my family and watching movies.
How many books have you written? Which is your favorite?
I’ve written nine novels and dozens of short stories. I don’t have a favorite, but the reader favorite is definitely DARK CORNER.
I would like to thank Brandon Massey for taking time out of his business schedule to do an interview with me. Show your love for Brandon. You can find his books at any brick and mortar and online bookstores. You can click the books above to purchase his novels.
About Brandon Massey's book:
Don't Ever Tell
DARK SECRETS.
With a new identity, a new city to live in, and a wonderful new husband, Rachel Moore believes she's finally free of the demons in her past. But nothing could be farther from the truth. For the deadly secrets she thought were long-buried are now on the brink of being exposed.
HAVE A WAY.
Someone has a vendetta against Rachel. Someone whom she betrayed a long time ago.
Someone who is determined to make her pay-no matter the cost.
OF COMING BACK WITH A VENGEANCE.
Now Rachel knows it's just a matter of time before her dangerous past meets up with her present-and destroys everything she's worked so hard for. Because if there's one thing that can be counted on-her enemy never forgets or forgives and will do whatever it takes to see Rachel suffer...
I've been reading a lot of articles about we Steampunks of Color and while it's cool to know that we are out there, some of the over-analyzation about being a minority in this subculture is kind of self-defeating, not to mention borders on the whiny. I’m far from naïve, and know that perception is everything, but why are we iconoclasts of color—in whatever realm we choose to call home—still trapped in that maze of culture consciousness that Caucasians never seem to have to deal with?
I mean really, is dressing in semi-Victorian fashion somehow a rejection of our culture? If that’s the case, then perhaps us anime geeks had better find another hobby as well, since anime is well Japanese. It’s a rather silly argument because there were black Victorian women who DID wear corsets and bustle skirts.
The irony here is, Steampunk isn’t REAL. It’s history (somewhat) with a mechanical edge. This means that anyone can grab their goggles and take off to parts unknown in a dirigible. True, most Steampunk is set in a Victorian-era London, but that’s because way too many authors and participants limit themselves as to what Steampunk can be (sort of like most genre fiction). Who says that a Steampunk novel can’t be set in the African Diaspora in which the wealth of gold, diamonds and natural resources has created a pan-continental superpower rivaling that of Europe? Or set in Hawaii where Queen Liliuokalani kicks major butt against the imperialists trying to take her throne using steam-powered surfboards? Oh man, remember Will Smith as James West in The Wild Wild West?
(Oh snap, brainstorm!)
Steampunk is about ALTERNATIVE HISTORY, which means perhaps the British Empire doesn't get to colonize the world and that other cultures can (and should) come to the fore and participate. Like science-fiction or any speculative work, we writers get to play god and create this mechanized world in our own image. We can flip the historical/social context on its stuffy little ears and make these worlds believable—and hopeful. It also means that we geeks of color shouldn't feel strange because we might be the only one at any given gathering. If Steampunk provides us anything, it's an impetus to really look into history and see that people of color weren't always victims and that we have great people whose names should be taught alongside the usual cast of historical characters. That's the best reason of all, I think, for more people of color to participate--to tell and even re-imagine our vibrant history, and perhaps educate the poor fools who still think Paul Revere made that famous ride.
He didn't, by the way, but William Dawes just lacks that poetic ring.
Steampunk allows for the creative artist to re-imagine a world where everything is possible. Want to wear a walking suit made of African mudcloth? Go for it! Dragons and airships can co-exist (unless you piss off the dragon or it ate someone really spicy and has a case of the burps). Steampunk is a playground of the mind. It encompasses novels, fashion, jewelry, performance art, music—anything and everything can become a part of this world. That’s as it should be. There are no signs that read ONLY EUROPE CAN BE THE SETTING FOR STEAMPUNK. How boring would that be?
Granted, there will always be one or two troglodytes in the Steampunk subculture (as in any subculture) who feel the need to question why we are there, but honestly, if those people are that concerned, maybe they need to find another place to play and let us grown-ups don our merry apparel and mod-out our modern electronic devices with gears and wheels.
The real question we really should be asking is WHY AREN'T THERE MORE OF US? It's the same question I’m sure we’ve all asked when in garb at a Renaissance festival, headbanging with our favorite metal bands, attending sci-fi/comic/anime conventions, and windmilling at goth clubs.
Where the hell are we?
The answer is simple and it’s uncomfortable and few want to talk about it, but it needs to be said. In a nutshell, only white people get to be individuals. That’s the perception that continues to linger in many communities of color. That to step out of some preconceived notion as to what we are and should/should not be means that we’re “selling-out”, our ties to our culture questioned and even challenged. We see this when many of us chose to date/marry outside of the race or pursue learning rather than accept ignorance. Those of us who read/write science-fiction tend to get "the look" from family and friends who don't quite get why we dig "that white boy stuff".
I find it amazing that the negative images in the mass media have become not merely accepted, but expected, and the irony in this is how angry those who are guilty of perpetuating stereotypes become when the dominant culture uses those selfsame stereotypes to maintain control of our images…and of us period.
Maybe it’s me, but it strikes me as odd when one of the criticisms leveled at President Obama—when he was still Candidate Obama—was that he wasn’t “black” enough. This crap came from the typical suspects, but it was interesting that even whites weren’t (and many still aren't) certain where to place this guy with the prestigious university education and measured cadence in speech. His pants didn’t sag to his kneecaps and he wasn’t calling his wife “my ho”.
So imagine the teachable moment that happens every single time one of us ventures into the places we choose to be a part of. Imagine how, even when nothing is ever said, that another brick in the wall (with apologies to Pink Floyd) in the myth of white supremacy, has just come crashing down around their ears. And imagine stepping out in public in full-on whatever gear one chooses. Some will laugh, some will make stupid comments, but it’s the silent rebel who sees us and finds the courage to be true to themselves. I might have read Arthur C. Clarke and Isaac Asimov as a child, but when I read the brilliant Octavia Butler, that was the moment when I realized I could play here too.
I believe one of the unspoken but important tenets of the Civil Rights movement is the right of self-determination. That means the right to not be limited by skin color, to determine for ourselves what blackness is. I don't allow white people to determine that because they always get it wrong. I don't allow blacks to determine that for me because THEY always get it wrong too.
Saturday was a big day for Outerregion. In the afternoon, Camille participated in a panel discussion with two of the other artists who are featured in Truth or Fiction?
The artists’ works in the show all have elements of challenging the notion of a single story of Canadian history. Have we been told the truth? Whose story is being told? Who is absent? Can we make our own narratives and tell stories in our own ways? Can we create new
realities? Can we change the future?
Very interesting discussion. Camille was asked some questions that were new to us, i.e. – given our appearance [heads covered], and in the current political [anti-Muslim] climate, have people ever interpreted our work as militant or as an invasion. To answer – no, this has not been our experience thus far. For the most part, people have only related to us as peaceful beings. However, we do wonder whether people would relate to us differently if we were of a different race or if we covered our faces.
Saturday evening was the Truth or Fiction? Launch and opening party. The Final Frontier presentation was visually spectacular! The gallery’s contractors constructed a spaceship bridge for us. Inside the bridge, were two consoles we shipped from Toronto, upon which two of the videos played the footage from our travels across Canada thus far. When
sitting at the consoles, equipped with various lighted buttons and levers, with a video of the earth spinning in front of you, you really feel that you are in a spaceship careening towards earth. Outside of the spaceship, a video plays the interviews from people on the street
who participated (or didn’t) in our performances.
The show seemed to be very well received. Many people congratulated us and had a lot to say about our work. Several people, with roots in other cities, questioned when the aliens would be arriving in their home towns…
The presentations from each of the artists in Truth or Fiction? were all thought-provoking and engaging. One that I will comment on is a piece by Kent Monkman as it will stay with me for very long time. Kent has a persona, Miss Chief Eagle Testickle, who often appears in his work. In Truth or Fiction? Kent presented a piece, entitled “Queen-Sized Body Bag”. The piece is a critique of the federal government’s delivery of body bags to reserves in northern Manitoba to help them ‘respond’ to swine flu outbreaks. The piece is a huge – about
10 foot high – body bag. On one side is a photograph of Miss Chief Testicle and on the back is a Hudson’s Bay wool blanket. (above description adapted from
http://www.trepanierbaergallery.com/uploads/documents/news207.pdf)
An accompanying written piece comments on the outrage and offensiveness of planning for the death of a peoples. Shameful…
I am definitely a fan of Mr. Monkman. For more on his work, go to: http://www.kentmonkman.com
Today’s accompanying clip is a short video of the opening – taking you inside our spaceship. I hope you will see the real thing one day if you haven’t already.
Imaro’s mother surrendered her five year old son so that he could become a great warrior of the Ilyassai tribe. His mother’s people treated him with disdain and ridicule. Through it all, Imaro grew to be the biggest and strongest of the Ilyassai children. When he reached manhood and the time had come for him to truly become an Ilyassai warrior and be accepted by his mother’s people, an evil magician strip him of that reward, spiraling Imaro’s life into a world of slavery, murderous thieves, and black magic.
Charles R. Saunders takes the reader through an Africa untainted by Europeans influences, whose history is quite different than the one we have always known. Imaro is to become a great warrior in a world he doesn’t feel he is apart of. Through his adventures, Imaro becomes a threat to enemies who work within the shadows and manipulates the weak willed and innocent to do their bidding. Imaro soon realizes if he is to survive, he must take the battle directly to the evil that plagues him.
Imaro is a must read novel and is the first book in a series. I’m looking forward to getting my hands on the sequels and continuing with the further adventures of Imaro.
I’m Karen – Camille’s sister and Outerregion co-collaborator. Camille has given over the reigns to the blog for now. This is my first post & likely the shortest as I am suffering from a horrible case of jetlag. I promise you this – I will never fly into Kamloops on a tiny little propellor plan again! My heart (& stomach contents) nearly left my body several times throughout that ordeal…
Here I am in Kamloops. So far, a very interesting city. Beautiful surroundings – majestic mountains, clean, fresh air….and then the waft of smoke winding its way through the mountains from the Domtar Factory nestled amongst the trees.
Tonight (really this afternoon – not used to the 3 hour time difference as yet), we met with some of our film crew. I realize how difficult it is to explain what we do to people. We, The Final Frontier, have come to Kamloops to interact with people through interventions to heal the earth, themselves and ourselves. This is what we’ve done when we’ve ‘appeared’ in other sites. What is difficult to explain is the intervention itself. This is because we don’t know what the intervention should be. In Lethbridge, we celebrated the harvest, and communed with each other, giving each other gifts of grain. The townspeople eagerly joined in, bringing their children, and used the intervention to teach their children how to share and how to embrace and relate to people who look different from themselves.
For Kamloops, we have much to figure out. We’ve brainstormed ideas, such as looking at the relationship of paper to the people – the Domtar paper mill both hires people, and pollutes the town, and throughout this, people are not environmentally conscious and callously throw away paper items (such as cups) without thinking. The difficulty in our brainstorming is that our interventions are successful, not because we’ve planned them well, but because we’re willing to develop the intervention spontaneously with the people who are in effect our
clients. The process itself is what is most important. Often, we don’t know what we will do, but it comes together as it’s the relationship between our clients and us that is important. In addition to our physical actions, we want to know what people who are observing from
afar think and say about us. They are also an important part of the intervention. All of this is difficult to explain to a film crew. We can’t tell you where to go, what to say, who to focus on. It will all reveal itself.
CHAPTER 13
Daaneen was a thriving world close to the heart of the Empire. It was once part of a proud and ancient protectorate that could trace its history back before the rise of the Amengalish. In that far away time the area was known as the Harvarian Protectorate, named for the sentients who founded it. Now, it was known as the Harvarian sector, simply a small part of the Empire. Still, many still referred to it as the Protectorate
“Communications protocol and security parameters have been established,” said the Khallad’s comman. “The Planetary Director of Harfi sends his personal greeting to the Imperial Guard, and the Emperor, and welcomes us to the Daaneen system.”
“Put him onscreen,” said Vardakos, the ship’s commander. The director’s image appeared on the bridge’s main screen.
“The Emperor’s Own honors us with this visit,” said the Harvarian. “How may we be of service?” Vardakos simply stared at him, saying nothing.
“Commander?”
“Stand by for the Emperor,” said Vardakos.
“Standing by,” said a suddenly nervous director.
Vardakos left the channel to the director open, and turned to a small holoscreen floating at his side. “Your Highness, we have the outpost director onscreen.” The Emperor was in the Khallad’s throne room, seated on his throne.
“Shall I put him through?” Asked the Commander.
The Emperor laughed. “Whatever for Vardakos? Deliver my judgment immediately.”
“Understood your Highness.”
Vardakos had intentionally left the other line open, so the director could hear. Fear immediately took hold of him. “Judgment? What judgment? Commander?”
“Outpost Harfi targeted sir,” said the ship’s weaponsman.
“Excellent, weaponsman. Destroy Harfi.”
“They are raising base shields and arming plasma cannon,” said the senseman.
“It does not matter,” said Vardakos. “They have no idea what we’ve brought with us. Nothing they have will be enough.”
“Yes, Your Highness. Comman, send the signal H1-Prime.” The comman entered a command into his console, and a wideband signal was dispersed through hyperspace.
“Message sent sir,” said the comman.
“Your Highness, the message has been sent.”
The Emperor smiled. “Excellent.”
In the throne room the Emperor turned his attention from one holoscreen to the next, observing tactical communication feeds from throughout the Empire. “Commander, I am now going into full immersion.”
“Understood, your Highness.”
“Your Highness,” said the Commander, bowing his head.
“Commander, disposition of the system?”
“Large amounts of comm traffic, shipping routes have adjusted, moving to the far side of the system for hyperspace transition. Our cordon has cataloged all merchant traffic. We have targeted every ship for destruction, if they do not submit to a full sensor scan. Civilian traffic has remained minimal, media services are flooded with reports concerning the destruction of Harfi. However, no trans-system signals are coming in, or going out. We are jamming all hyperspatial communications."
“Military status.”
“Strangely silent.”
“Filter the incoming hyperspace comm traffic Commander, just as we planned.”
“Comman,” said the Commander. “Filter protocol. Harvarian Column traffic.”
“Yes sir,” said the comman.
“Honorable Klaksor Ahmbien,” said the Emporeror, formally addressing the Harvarian. “Hereditary representative of the Havarian sector to the Imperial Klaksory of the Zradgen Galactic Empire. If it pleases you, I salute you.”
“You appear shocked, esteemed Klaksor. Have you nothing to say?”
“I have plenty to say, Emperor, but I will not waste my words on you. What you and your kind have done to this galaxy is an abomination. You will pay for your sins.”
“You may find it amusing now, Kdifoc. However, I assure you, in time the humor will fade.”
“The destruction of Harfi will not stop us.”
“Plans within plans, Klaksor. I have seen into yours. You cannot say the same.”
“We know about The Rite of Atmos. We also know that old crackpot wizard will never succeed. The Rite is lost to the ages. You will never become a god Kdifoc. You are destined for dust.”
“I know a great deal, Zradgen. We are many.”
“Soon to be only a handful.”
The Klaksor paused, considering the Emperor’s words.
“You stand silent. Allow me to show you something.”
“I have been planning this for some time,” said Kdifoc, as an evil smile spread across his face. “Since I first learned of your treachery I have been cultivating an appropriate response. I believe nothing less than total genocide to be your just reward. Today, Klaksor your kind is being rewarded quite handsomely.”
“I decided to execute on several fronts, pardon the pun,” said Kdifoc. “This is nothing like the Amengalish genocide. Then, my ancestors blasted entire worlds into atoms. Now do not misunderstand me. Daaneen will suffer a similar fate. However, throughout the Empire I am having your people put to the sword, butchered, atomized, blasted from orbit, and most effectively killed by genetic weapon.” He paused to take in Klaksor Ahmbien’s reaction. “You’re not looking so well Ahmbien. Something wrong?”
“You can’t,” said the Klaksor. “You can’t do this.”
“It is done.”
“It is barbaric!”
“Barbarism simply depends upon your point of view. I am excising a treacherous cancer from my Empire.”
Ahmbien winced. “I thought I understood you, could gauge you, could …”
“You thought you could stop me.”
The Klaksor covered his chest with both his hands, as he fell to his knees. He looked up at the avatar questioningly.
“Yes, Ahmbien. It is the genetic weapon. You are about to die very, very soon.”
The Klaksor looked indignant. “We will not fade.”
“Perhaps not,” said the Emperor. “I cannot reach out to you all. Harvarian have ranged the Majestic far and wide. However, in my domain all that shall remain of you shall be slaves, zoo exhibits of a race destined for oblivion.”
“We will not fade.”
“Go, Klaksor. You have breathed your last. And as you past into dimensions beyond, carry with you the images of your race dying, and know that I have done this to you. I, Emperor Kdifoc The Third, Prophesied ruler of the Universe, and the Hand Above God. Pray you do not know my touch in the hereafter.”
“And so ends the twilight of the Harvarian,” said the Emperor. “The dark doom is all that awaits.”
“Commander Vardakos, situation status.”
“Your Highness, Prince Krakoth is still in hyperspace, awaiting your command. We are running silent and answering no hails. The cordon is holding. We have destroyed every vessel attempting to leave the Daaneen System. Daana Command was bombarding the fleet with queries. However, that has ceased since they’ve started receiving the signals we’re allowing through from throughout the Empire.
“They are starting to understand the magnitude of what is occurring.”
“Yes, Your Highness.”
“And the military?”
“Only one signal. Once Daana Command stopped transmitting to us, they began to beam a narrow signal to a heavily shielded area on the other side of the system. It is a blank area in space, impervious to our most powerful sensors.”
“Have you intercepted the signal?
“Yes, Your Highness. However, it is heavily encrypted. We are running it through our appropriated Column ciphers now. We should have a translation shortly.”
Kdifoc laughed. “Crafty dead. Dismiss it Commander we will not be able to translate the message. Besides, I know exactly what they are doing. The Harvarian have developed new warships with the help of the Narellen. A rebel fleet. A Fifth Column fleet.”
“New warships!?!?” The Commander controlled his shock. “Your Highness?”
“Did you truly think I would have taken this action, would have considered them a threat without proper provocation?”
“I do not question your will, Highness.”
“As well you should not. But that does not preclude you from considering the possibilities Commander.”
“Yes, Your Highness.”
“There is a reason you Command the Khallad, and the Emperor’s Own.”
“Strength, vision, fortitude, intelligence, the ability to execute, Your Highness.”
“No ambition?”
“None but which you provide.”
“Very good, Commander. It is time to proceed to the next phase. Open Imperial Channel One.”
“At once, Your Highness. Comman, open Imperial Channel One!”
“Imperial Channel One open,” said the Comman.
“Imperial Channel open, Your Highness. You may proceed.”
“Thank you, Commander Vardakos,” said the Emperor. “Your diligence, and enthusiasm are noted.”
Vardakos bowed towards the avatar. “Highness.”
“Close the Imperial Channel,” Vardakos said.
“Channel closed,” said the comman. “Sir, there is a trifold increase in communications on all frequencies, sub-light, and hyper.”
Signal my brother,” said the Emperor. “We shall send them God.”
“There’s increased activity in the blank space on the far side of the system,” said a senseman. “Contacts, count thirty, thirty-five, fifty. The blank space has completely dissolved.”
“They’ve lowered the cloak,” whispered the Emperor to himself. “Now, we shall see.”
“Highness?” Vradakos just barely heard Kdifoc’s words.
“It is not of note, proceed.”
“I have contacts,” said the senseman. “Fifty ships powering up on approach vectors. They are targeting every ship in the fleet. Power readings are off the scale. I’ve never seen the design.”
Vradakos ignored the senseman, and keyed a special command into his holoconsole. “Sending signal.”
A loud beeping sounded throughout the bridge. Several bits of coded data appeared on the Commander’s screen.
“Your Highness,” said the Commander. “Signal has been sent, and we have received proper response.”
“Very well,” said the avatar. The solid life-like image of the Emperor tilted its head back with satisfaction. He watched the hole open in space, the hole for his brother, the hole for the god. “And the Harvarian shall be the first to feel his might, to taste of white light, to meet doom and trouble me no more. It’s almost poetic, to use such a means, after employing so many others to eliminate a race from my space, a hammer for surgical precision. The bluntness of it will be worth recording, almost … amusing”
“Prince Krakoth’s ship emerging from first level hyperspace,” said the first senseman.
“Initiate full spectrum sensor coverage,” said the Commander. “We have to record everything.”
“Initiating,” said the senseman. “God’s Previss has crossed into Daaneen space.
“Incredible,” said the avatar on the ship’s bridge. “The Prince has just violated normality.”
“The Prince is moving at faster-than-light velocities, warping speeds,” said the senseman.