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passing through the grey matter

Was cruising the net today, saw a vid about Neanderthals. Some claim when Africans migrated north they met and intermingled with Neanderthals. I don't want to go there!

I saw in my head a movie about sightings of a white ape like creature who was causing havoc and de-stabilisation of jungle neighborhoods. They put a bounty on his head, captured and deported him.

The last vision I saw was about a race of extraordinary runners. The city is huge, yet you couldn't tell by the roads, narrow and worn. People are spread out yet seem so close, blink and they are gone.

And the tale about the chameleon that got left in the geeks room while he went on vacation. The computer was running and the chameleon learned to mimic the display on his body. When the geek saw it he tried to clone the chameleon's DNA into an elephant. It worked and the chameleon and the elephant teamed up to get back to the wild.

Funny how you bits and pieces of stuff when you peruse the net.

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Hello

Hello to all my new BSFS friends! I would like to share with you all that I had a difficult time upgrading my dual boot Windows xp32 and xp64 operating system to Window 7. Most of my applications and files are restored now.

Additionally I would like to share a matter of the heart with you all. I long to hear those four word that fulfill me and make everything all right. I am sure you all long to hear them too.

“I LIKE YOUR BOOK”

LOL, the first chapter of my book is on my website www.rodgerdat.com. Take a look when you can, I really need some honest feed back. Already started on my next.

Thanks,

Rodger

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King Clayshon the Freedom Maker the first race of man created on the planet Natobea. He is a Neptirbilling superior to any species of life in any galaxy, and he is the strong is of them all. All other superhero would fall to the king of all galaxies. Even his species, Neptirbilling would fall to the king of galaxies. Soon the planet Earth will unlock the key to its existence
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SPECULATIVE LITERATURE FOUNDATION ACCEPTING APPLICATIONS FOR THE
GULLIVER TRAVEL GRANT

For Immediate Release: July 22, 2010

The Speculative Literature Foundation (SLF) is accepting proposals for the Gulliver Travel Research Grant from July 1st 2010 until September 30th 2010.

SLF travel grants are awarded to assist writers of speculative fiction (poetry, drama, creative nonfiction) in their research. They are not currently available for academic research. We are currently offering one $800 travel grant annually, to be used to cover airfare, lodging, and/or other travel expenses.

PLEASE NOTE: This grant, as with all SLF grants, is intended to help writers working with speculative literature. If you're not sure what areas that term encompasses, we recommend referencing our FAQ (question #2) on the web site.

Travel Grant Application Procedures

Send the following three items to travel@speculativeliterature.org as attached .doc or .rtf files in one e-mail:

1. A writing sample in the proposed genre (up to 10 pages of poetry, 10 pages of drama, or 5000 words of fiction or creative nonfiction)

2. A bibliography of previously-published work by the author (no more than one page, typed); applicants need not have previous publications to apply

3. A one-page written description of the project in question (maximum 500 words). Please include: Where you intend to visit (be as specific as you can), when you intend to travel (including the completion date), and what you will gain from field rather than desk research via a library or the internet

If awarded the grant, the recipient agrees to write a brief report of their research experience (500-1000 words) for our files, and for possible public dissemination on our website.

Travel may take place from any country to any country, or internally within a country; the grants are unrestricted. Funds will be disbursed in U.S. currency (but can be sent through PayPal if that is more convenient for international recipients).

The grant recipient will be announced by October 15th. All applicants will be notified of the status of their application by that date.

----------------

The Speculative Literature Foundation is a volunteer-run, non-profit organization dedicated to promoting the interests of readers, writers, editors and publishers in the speculative literature community.

"Speculative literature" is a catch-all term meant to inclusively span the breadth of fantastic literature, encompassing literature ranging from hard and soft science fiction to epic fantasy to ghost stories to
folk and fairy tales to slipstream to magical realism to modern mythmaking–any literature containing a fabulist or speculative element.

More information about the Speculative Literature Foundation is available from its web site: http://www.speclit.org/


SPECULATIVE LITERATURE FOUNDATION
PO Box 1693
Dubuque, IA 52004-1693
http://www.speclit.org
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Listen to In Like Flynn on internet talk radio


This Saturday night Penelope & Otto update you on the week in news, sports and entertainment then give their best advice to the love and lust lorn. Listen as they present the cases give the diagnosis and offer a cure. Call in and go toe-to-toe with Penelope and Otto in the affairs of the head and heart.Call in a put in your two cents worth at 718/508-9683 or Join us in the Chat room.

We look forward to hearing your voice!


From Politics, to relationships to Jobs we'll guide you through it!

Saturday 7/17/10 9:30pm CST 90 Minutes CLICK ON THE LINK or call 718/508-9683 and TELL US WHAT'S ON YOUR MIND!

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I just watched Pumzi last night. Phenomenal! I have been waiting for soooo long to see a film like this. I can go on and on.

FYI- If you are in the Chicago area, there will be a screening of Pumzi and I'll be doing a reading/booksigning on August 1st at the Dusable Museum.

Here is the Facebook announcement where you can learn more about the event.

Info about Pumzi:

Pumzi, 2010, KenyaA 20 min

Sc-Fi film about futuristic Africa, 35 years after World War III “The Water War”.Directed by Wanuri KahiuNature is extinct. The outside is dead. Ashalives and works as a museum curator in one of the indoor communities set up bythe Maitu Council. When she receives a box in the mail containing soil, sheplants an old seed in it and the seed starts to germinate instantly. Ashaappeals to the Council to grant her permission to investigate the possibilityof life on the outside but the Council denies her exit visa. Asha breaks out ofthe inside community to go into the dead and derelict outside to plant thegrowing seedling and possibly find life on the outside.


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Who Fears Death Conjures a Different Kind of Wizard

Nnedi Okorafor steers clear of J.K. Rowling

In the 1970s, black fantasist Octavia Butler named the central protagonist in her "Patternist" series after an Igbo goddess. Back then, a publishing industry resistant to non-white characters (and writers) in genre fiction would never have predicted that, today, an American daughter of Igbo immigrants would publish critically acclaimed speculative fiction using Igbo elements and philosophical borrowings from the folklore of Central Asia, India, and the Middle East.

Superficially, Nnedi Okorafor's Who Fears Death is built around fantasy literature's most popular cliché: the mysterious, predestined child messiah. She pushes that cliché into psychologically (and physiologically) messier territory. The result of rape, a girl wizard named Onyesonwu hopes to murder the racist warlord who sired her. UnlikeHarry Potter, Onye's style of magic is Nomadic Shaman, not Medieval Mage. So not only does the novel read more like Carlos Castaneda than J.K. Rowling when describing Onye's magical apprenticeship, this angry young sorceress validates every patriarchal fear of powerful women. In the process of constructing this unabashedly neofeminist fable, Okorafor critiques Africa's endemic poverty, gender prejudices, female circumcision, and the twin plagues of Islamic and Christian fundamentalism.

It's an ambitious agenda for a single book, particularly since Okorafor also reworked the prose style of her award-winning teen fiction to better suit this, her first adult novel. But with few exceptions, it all comes together beautifully. Her pacing is tight. Her expository sections sing like poetry. Descriptions of paranormal people and battles are disturbingly vivid and palpable. But most crucial to the book's success is how the author slowly transforms Onye's pursuit of her rapist father from a personal vendetta to a struggle to transform the social systems that created him. SF and fantasy already claim many classic tales that are thinly veiled allegories of the Holocaust, the Stalinist purges, even China's "cultural revolution." So little wonder that Okorafor appropriated the narrative strategies and loopholes of speculative fiction to tell a cautionary tale inspired by the more recent political horrors of Biafra, Rwanda, and Darfur.

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Note* There are eight great points to consider in the body of this blog when publishing; whether self or through mainstream. I hope this is helpful to everyone who is trying to take their work to a universal and commercial level. This is really great for those that have already self-published. Write on! ~Moses

==================================

Copyright Barnes & Noble, Inc. 2010


Each year, we review more than 100,000 submissions from publishers of every size and background. Our buyers review publishers’ catalogues,
marketing materials and galleys or sample copies to help them make their
decisions. Most of these books are added to our book database and a
small order is placed for our warehouse. This makes a title available
for sale on our Web site and for order through our stores.

If you would like your title to be considered by our buyers, please submit a finished copy (no manuscripts please) of the book along with
marketing and promotion plans, trade reviews, and a note describing how
the book meets the competition (what makes it unique) to:


The Small Press Department
Barnes & Noble
122 Fifth Avenue
New York, NY 10011


Please include your phone number and e-mail address.

The information must include the ISBN and the suggested retail price. The review process takes about six weeks. The Small Press Department
responds to all submissions in writing.

All books will be considered for store placement based on subject matter and salability. Please consider the following points when
publishing and presenting your book.

Points to Consider

  1. Does your book have an International Standard Book Number (ISBN)?
  2. Does your book have a bar code?
  3. What sort of binding (saddle stitch, staple, perfect, plastic comb, ring) does your book have?
  4. Is your book available through a wholesaler?
  5. Is your book priced competitively with other titles of a similar topic and quality?
  6. Has your book met compliance certification?
  7. Why should Barnes & Noble place your title on its shelves?
  8. Where can you find more information on the topic of book writing, publishing, and marketing?

Does your book have an International Standard Book Number (ISBN)?

We use the ISBN to track inventory and sales information. An ISBN is a 10-digit number that specifically identifies your title. ISBNs are
furnished by:


ISBN Agency
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New Providence, NJ 07974
(877)310-7333
(908)219-0188 (fax)
www.isbn.org


Processing takes 10 working days. An extra fee brings 72-hourpriority handling. If your book has already been printed, you can
sticker your book with the ISBN once it is assigned. The ISBN and price
should appear on the back cover of the book.

For more info click on this link:
http://www.barnesandnobleinc.com/for_authors/how_to_work_with_bn/how_to_work_with_bn.html

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Normally I do not write love scenes however, please sample a taste ofone from Renpet. And then obtain a copy of Renpet to find out whatmakes this scene unique......this is not erotica, this is about theunity of spirits......

RENPET THE SCI_FI NOVEL OF THE YEAR available at renpet331.blogspot.com

Shakuan’s lower back felt warm with a caressing touch followed by
more wet sensations to his chest.
"Uh, Kenitha is that you?"
"Uh-huh," she answered seductively.
"How are you doing this?"
"I really don’t know. I just thought about being with
you and the next thing I knew I was able to touch you."
"Well keep going, let’s see what else comes up,"
Shakuan said mischievously putting an emphasis on the
word come.
She licked his chest and fingered her way up and down
his back. The feeling left a sensation of hot gel wherever
she contacted him. He wanted to do the same to her. He
focused on the times they had together and the way she
looked to him.
In his memories he experienced how curvaceous her
frame was and soft her skin felt. He extended his arms outward
and brought them towards his body to hold her. She
squeezed him hard when his touch petted her curves. The
sleekness of her body excited Shakuan, he grabbed her
backside and got lost in its plumpness. Gradually he
became aroused, she lay on top of him and he could hear
a faint heartbeat. She in turn felt his hardness press against
her.
"Take off your pants."
"Way ahead of you."
He practically ripped his jeans off, leaving his socks on
his feet like he always did when they got together.
"Same old Shakuan. Naked to the socks when he’s
about to get some."
"Shut up," he said softly to her as he began to finger
her gently.
These Terrans have interesting ways of expressing
unity of bodies and spirits. If he was not still in a state of
shock, this whole scene would have freaked him out. The
fact of her getting wet to his fingering should have bewildered
him alone. Kenitha removed his hand from between
her legs and held him. Little by little she took him inside
of her. She sat on top of him gyrating her hips, pressing
her hands to his chest. She let out a satisfying and somewhat
painful moan like it was her first time.......


RENPET THE SCI_FI NOVEL OF THE YEAR available at renpet331.blogspot.com

more in Renpet...much more.....
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Listen to In Like Flynn on internet talk radio


Join Penelope & Otto tonight at 9:30p CST and discuss the LeBron James manipulation and Sundown Towns (http://sundown.afro.illinois.edu/sundowntowns.php). And listen in as Penelope & Otto give the best answers to those relationship and "strawberry letter" questions! Call in a put in your two cents worth at 718/508-9683 or Join us in the Chat room.

We look forward to hearing your voice!


From Politics, to relationships to Jobs we'll guide you through it!

Saturday 7/10/10 9:30pm CST 90 Minutes CLICK ON THE LINK or call 718/508-9683 and TELL US WHAT'S ON YOUR MIND!

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SCRIPT MAN: THE BEGINNING

BY,


MOSES T. CLARK JR.

FADE IN:

INT. COFFEE SHOP - DAY


The shop is packed with a bunch of motivated working people. A room full of sugar-grubbing coffee addicts.

A Black man, CLARK (27) is sitting at a table,typing away on his laptop. His physic is cut, with short wavy-brown hair, and strong hands like that of a working man's hands. He continues to type like he is isolated in his own world.

An attractiveCaucasian/Asian woman SANDY (29) petite figure, with long auburn hair, sophisticated glasses, pretty blue eyes, and a scarlet casual outfit
that matches her lips, walks by sipping on a cup of coffee.

SANDY
Is that a script you're working on?

CLARK
Yeah, a revision I'm fixin' up...I got a
meeting at the Writers Hall tomorrow.

Sandy gives a solemn smirk.

SANDY
Oh' yeah! Maybe I should throw up a
prayer to the Script god for your
success.

CLARK
I'd appreciate that.

Sandy gave a goodbye smile and walked towards the exit. For a second, Clark thought that there was something peculiar about her, and then he nodded his head, forgetting that thought.

INT.WRITERS HALL, LOBBY - DAY

The lobby is crowded with a bunch ofno name writers, sitting down quietly -- looking like cattle going to the slaughter.

A female RECEPTIONIST sits at her deskchewing on gum...every three seconds she manages to give an annoying POP.

Clark is posted in an uncomfortable chair, waitingpatiently.

He notices a MAN come out of the door upstairs. Theman looks like an odd poindexter, and he is also walking funny-wiping his slimy mouth-burping.

This makes Clark feel moreuncomfortable. He now has a concerned look on his face.

RECEPTIONIST
Clark! You're up next!

The Receptionist hit a button that caused the main door to re-open. Clark slowly went up the stairs and through the door...

INT. WRITERS HALL, CORRIDOR -CONTINUOUS

...While he is walking down the corridor hallway,there is a horrid smell that makes him gag.

The further he walksdown the hallway, the more the area starts to deform. It now looks like an underworld, an abyss -- with torches on the walls, and statues of ancient creatures.

INT. WRITERS HALL, MAIN OFFICE - CONTINUOUS

Whenhe finally gets inside the room, he is sickened to see a line of
writers -- people of all races and genders, sucking huge white cocks.

SCRIPTGOD (200) approaches him with his long dark hair, silver eyes and a
pale face that probably has not seen light since 1862.

CLARK
What the hell is this place? I thought
this was suppose to be the Writers Hall?!

Script god touches his own pale chin with his long ivory nails and gives a seductive smile.

SCRIPT GOD
Calm down, you're in the right place.
This is the Writers Hall.

Clark is aggravated by the sucking sound in the background.

CLARK
But there's nothing here, but a bunch
of...

SCRIPT GOD
Cocksuckers. Is that what you think they
are? My dear lad you must be mistaking...
for these are Hollywood's finest
contributors.

CLARK
You're insane!

SCRIPT GOD
And you my dear friend are talented...
think about this clearly before you
judge. We all have to suck cock at some
point in our miserable lives. Look at
Halle Berry, she hadto suck Billy Bob
Thortons cock to win an Oscar. Everyone
needs to taste humility sometimes.

Clark holds his hand over his mouth coughing in disgust.

SCRIPT GOD
So be wise Clark, suck my cock, and I
can promise you a very fruitful career.

Clark has a deep frown, and walks closer towards the Script god. He tightens his fist, and punches the demon in his ashen-face, causing him to fall to the floor.

Clark dashesfor the exit.

SCRIPT GOD
Kill him! Before he exposes us!

A group of agents rush towards Clark, chasing him down the hallway.

With all his might, Clark kicks open the door...

INT. WRITERS HALL, LOBBY - CONTINUOUS

...moreagents thrust forth with guns aimed at Clark. The writers in the lobby
all run outside terrified.

Clark finds himself surrounded andthen...Sandy the lady from the coffee shop storms in, exposing the truth that she is...

CLARK
Script Girl?

Clark's eyes widen in disbelieve. The agents become furious and try to attack
Script Girl.

Ten agents rush in and she does a kick that sendsfive flying back to the floor unconscious.

The other Five try toget physical and she breaks one of their arms, jabs another in the chest causing him to spit up blood, knocking two out with the palm of her knuckles, and this leaves the last agent who cowardly tries to shoot at her.

The bullet shoots out in slow motion, Script Girl dodges thebullet, and it grazes her cape -- she finishes with an uppercut to the jaw before the agent could get another shot.

SCRIPT GIRL
let's go before that freak sends more
agents!

Clark doesn't hesitate, he follows her out the door.

INT. DRIVING - LATER THAT DAY

Script Girl is driving her cherry red convertible-- her hair is blowing in the wind. Clark sits in the passenger seat, still trying to cope with everything that just went on.

SCRIPT GIRL
I respect you for not selling out Clark.

CLARK
You know me?

SCRIPT GIRL
Hell yeah! I read your stuff on Helium...
I can help you if you let me. My job is
to stop the tyranny of the blank page,
but you...you can be much more.

The scene closes in on Clark's confused eyes.

TO BE CONT'D



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is it possible

Being a PC tech and digital artist dabbler I realise how practice programs my body to do what I do. I just saw a news clip of Lebron James where they digitally simulated his moves and stats into an animation.

That would make a cool hero or a great villain to take body memory and transplant it into a person. Imagine a computer with the compiled skills of many athletes and putting that into the mind of another person to make him/her instantly skilful. Or a villain able to steal or borrow your body memory. Yeah, probably been done.
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The Division: The Final Chapter

“Jimmy?” Elation and relief arose inside Kameron to be immediately clouded by suspicion. Something was not right. Kameron started to rise, but stayed put. “Jimmy, did the Director send you as backup?”
“I’m not your backup, Kameron.”
Shock froze Kameron where he crouched. It took every ounce of reorientation for him to find his voice. “Are you trying to kill me, Jimmy?”
“I’m afraid so, Kameron. You took out three of my best operatives. You’re certainly no easy prey.”
Jimmy might as well have been commenting on Kameron’s skill as a spin ball player for all the companionable ease his tone conveyed.
“Kameron, I think we should talk.”
“I think we should talk, too,” agreed Kameron.
“I’m in the kitchen. Please don’t shoot.”
“Toss your darter on the floor.” Kameron risked a peek over the couch.
Down a narrow hallway leading to a small kitchen space Kameron saw Jimmy emerge, gingerly gripping his darter by the barrel.
“Tossing it,” Jimmy said as he underhand lobbed the weapon into the living room where it landed next to the couch.
Kameron stood and rounded the couch, his darter trained on his former protégé. He squatted down, picked up Jimmy’s darter and tucked the weapon in his belt at the small of his back.
“Come forward, slowly,” Kameron ordered. “I want to make sure it’s really you.”
Jimmy obeyed, both hands up, palms facing outward.
“Stop right there.” Kameron stared hard at this man who had been like a brother for the past four years. “What’s going on, Jimmy?”
A smirk raised one corner of Jimmy’s mouth. The mischievous quality that was such an endearing asset morphed into an ugly distortion beneath the cruel light glimmering from Jimmy’s eyes.
“The Director received an urgent dispatch from the 47th century, shortly after you left,” Jimmy explained. “You were tagged by Upstream Watch. According to their report you failed to complete your mission tonight. You extracted and disappeared. A month later by our timeframe you went rogue. You became a temporal renegade—or will become one—a particularly notorious one.” Jimmy let out a grin that did not quite reach those compassionless eyes. “You’re number one on our list of most wanted renegades. That’s one thing I respect about you, Kam, you sure know how to kick ass regardless of what team you’re playing for.”
Kameron went numb. Upstream Watch? A future DTPI, looking into the past, had implicated Kameron for a betrayal he had not yet committed? Of course Upstream Watch was no mythical oracle propagating vague predictions. Upstream Watch observed the timeline closely. Past events witnessed by UW were actual occurrences. If UW tagged Kameron for a crime he was going to commit then that meant he was guilty, simple as that. Kameron’s rapidly diminishing interest in this mission was another reason why he wasn’t going to dispute the UW report.
“So,” Kameron began, focusing on Jimmy. “The Director sent you after me? It must have been hard for you being assigned to track down a former friend.”
Jimmy raised his brow, his enthusiasm jumping out like grasshoppers leaping from an open jar. “Hard for me? Not at all. I practically had to twist the Director’s arm to put me on your case. I always enjoyed a challenge. And you haven’t disappointed. I’ve been on your trail from the Mesolithic to the 33rd century. You’re slippery as an oiled up rattler and every bit as dangerous.”
That settled it. Jimmy was a psychopath. Kameron had long suspected it, dismissed it, but now the evidence could not have been more plain to see. What frightened Kameron even more was how much he might have been like Jimmy.
“I just want to know what you were thinking about tonight,” Jimmy solicited, lowering his hands to chest level. “I’d always wanted to catch you at that crucial moment before you turned on us to ask you what the hell was going through your mind. You were a top operative. Who knows a few years down the line by our time frame you might have been promoted to Director.”
As Kameron considered the question it was his turn to present a cold grin. “You really want to know what I was thinking? What I am thinking? I was sent here to protect an assassin who is destined to murder a decent man. There was a time when I wouldn’t have given a second thought to killing or facilitating the deaths of good people if it helped restore Baseline history, kept the timeline stable. Good, bad, innocent, guilty…those things were immaterial to the task at hand. After all historical subjects are not human beings, right? Then I started questioning this concept of history and time as being inviolate. Who says history has to remain the same? Why can’t history be altered for the better? The Division exists to safeguard history, but what are we safeguarding, Jimmy? The Holocaust? The Inquisition? A war here, a massacre there, disease outbreaks? I thought I was becoming burned out because of the strain of too many missions. Then it dawned on me right here just before I came into this house why I no longer felt the passion for this job like I once did. Once again I was being sent into a situation that required me to allow an event leading to the death of a good person to unfold. I was sick of it. That’s why I was about to walk away.”
“We took an oath when we joined the Division,” said Jimmy. “Preserving Baseline history is our primary purpose, nothing must impede the pursuit of that purpose. Neither sentiment nor guilty conscience.”
“My motivation supercedes sentiment or a guilty conscience,” Kameron countered. “What have we done with this gift of time travel other than allowing a few academics to traverse the timeline to peep in on whatever events suit their fancy? We’ve turned time into a menagerie, a thing to be observed and preserved but not adjusted. We should be aiding humanity with this gift, not propping up a temporal status quo.”
“That’s not your call, Kameron.” Jimmy let his hands drop, his face registering strong dismay. “You sound every bit the overly zealous do-gooder renegade that you’ve become, with your pious platitudes that amount to nothing more than unleashing chaos on the timeline.”
“How much more chaotic can it be? Baseline history is a bloodbath. Why shouldn’t we at least try to mitigate the misery when and where we can?”
Jimmy shook his head, disappointment amplifying the significance of the gesture. “You know what pisses me off other than you turning into a pompous ass renegade? It’s the fact that I once looked up to you. A part of me still does.”
Jimmy ducked and rolled before Kameron could react.
Something flew toward Kameron, a small tear drop shaped cylinder.
Kameron identified the object and its threat level in a heart beat and flung himself to the floor. What Kameron took to be an anti-personnel charge bounced off the wall behind him. Kameron scrambled for his extractor just as the charge exploded.
Kameron reappeared three seconds in the future, sixty yards down the street from where an enormous blast consumed the rooming house, collapsing the structure. Flames stabbed the darkness. Smoke bubbled from the house’s mangled ruin like an awakening black beast. Kameron’s assessment was flawed. That was more than an anti-personnel charge.

Kameron stayed out of sight for the next twenty four hours, but managed to obtain a copy of the local newspaper. Blast Possibly Intended to Kill MLK Destroys Rooming House, the headline read. The article went on to speculate about the explosion, making it appear to be the bumbling result of perpetrators targeting the wrong building. Three bodies were discovered at the site of the blast. The authorities suspected that the bodies were that of the culprits and that they may have set off the blast prematurely.
Three bodies? Not four bodies? Kameron looked up from the article. Jimmy must have extracted. Most likely he did. Jimmy had a knack for getting out of tight spots. He was going to be a worthy adversary. After all, Kameron trained him. A tiny smile cracked the grim resolve of Kameron’s face. He discarded the newspaper in a trash can on a deserted Memphis street and took out his extractor. Destination? Any timeline where he could make a difference.





















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The Division: Part Four

Time travel is not a right. It is a privilege, one reserved for academics and policy makers. Formerly, history could be accessed only through the weathered pages of texts. Quite often those texts were marred by the tendencies of the authors to embellish and mythologize. Time travel, when it transcended the boundary dividing theory and application, offered an opportunity to bypass the texts to get a first hand view of some of the most monumental events in the history of humankind.


A nostalgic warmth settled over Kameron as he regarded the commendation plaque hanging over the entrance to his bedroom. The operative had spent the better part of a day in his quarters, immersed in thought. Dr. Win had given sound advice, sound options. Take less stressful assignments or take time off. Either option made perfect sense. The problem was, neither option was a solution to resolving the burning conflict raging inside Kameron. When Kameron gazed upon the plaque, however, his disquiet dimmed and memories of a less complicated, clearer cut side of him bubbled to the fore. He was honored with the plaque for saving a young Mohandas Gandhi from a hit squad of temporal renegade assassins.
Kameron’s mood took a downward turn, however, when he remembered being sent back on a later mission, to the same time frame to prevent another gang of renegades from saving the Indian nationalist from his appointed date with death on January 30, 1948.
Yes. Some time off would do him a wealth of good.
The comm unit in the main room chirped, abruptly pulling Kameron out of his reverie. An automated voice followed: “Operative Childers, the Director summons you.”
Kameron was tempted to ignore the summons. After a moment of further reflection he forced himself into motion.


The Director’s image was a black cutout on the display screen, pasted onto a white field. His voice was modified to a low pitch drone, further masking his identity.
Every time Kameron stepped into this featureless, antiseptic audience chamber, every time he gazed upon the talking silhouette on the screen, he could not shake the eerie sensation that he was some bygone acolyte communing with his god.
“Good work at Hastings,” the Director praised. The silhouetted head moved slightly forward in a most minimal of nods.
“Thank you, sir.”
“You’ve barely been back for more than a day. Yet, a crisis has surfaced and we have, yet again, a need for your invaluable service.”
Kameron raised a hand in polite interruption. “Sir, before you say more, I’m putting in for a leave. I would really appreciate it if you assigned someone else to this crisis.”
“There is no one else I trust more to get us out of the tight spots than you, Kameron. You have more than earned your leave time, a year’s worth if you ask me. But I need you…no, I’m requesting that you postpone your leave for the short duration of this mission. At least hear me out before you make a decision.”
By all rights Kameron could have turned down the Director’s request. After all, wasn’t he, as Dr. Win suggested, burning out? Hadn’t years of successive missions with little or no extended down time in between conferred oppressive scabs of wear and tear on his mind and body? A written medical authorization from Win herself would have added professional weight to Kameron’s rejection.
It’s funny how something inside Kameron responded to the prospect of a new mission like a drug addict craving a fix.
“I’m listening, sir.”
“EVNTL: 1968,” the Director began. “There were two renegade attempts to prevent the assassination of Historical Subject: Dr. Martin Luther King. First attempt was an orchestration of King’s arrest by the local authorities in Memphis, Tennessee, four hours before his scheduled termination. In the second attempt, renegades arranged for King to be checked into a different hotel, putting him out of the effective reach of his assassin. Two teams of operatives succeeded in restoring the Baseline in both episodes. However, Timeline Watch has picked up convincingly actionable chatter indicating that King’s assassin is being targeted for death. There may be a half dozen or more renegades involved in the conspiracy. If they are on the ground that means the assassin is in very imminent jeopardy.”
Kameron could not see what the Director was thinking, but he could feel currents of anticipation radiating hotly from the silhouetted image.
The fix of a new assignment clawed at the operative with equal urgency. After a moment of internal debate, Kameron succumbed to his urge. “I’ll need a complete brief.”
“Already compiled,” said the Director with a smile in his voice.


Joy, turmoil, despair, ecstasy, good, evil, apathy, concern, progress, stagnation, fanaticism, moderation. History is a landscape of opposites. There is the good and the bad. There are also the gray areas, where complexity thrives and ambiguity is nurtured. The best-intentioned renegades seek to purge the bad from history. They want to end suffering. They may prevent a catastrophic event from occurring, but all too often, the result of their interference unleashes a chain of events that directly or indirectly lead to dire consequences elsewhere. What has their intervention gained them other than reinforcing the ironclad fact that utopia cannot be imposed upon history.


EVNTL: 1968. Kameron appeared just outside the rooming house across from the Lorraine Hotel in Memphis, Tennessee. It was pitch black, the surrounding street bathed in empty silence. Kameron tapped into his optic implant and tried to scan a section of the house overlooking the hotel’s second floor balcony. His implant was on X ray mode with an infra setting. Yet, Kameron’s visual reading of the room where the assassin was supposed to be lurking came up fuzzy. Someone was using a device that most definitely was not 20th century tech to scramble the operative’s attempt at surveillance.
Kameron tensed briefly before a salve of calm cooled his rising adrenaline to a level he could manage. Temporal renegades were on site. For all he knew they may have already been inside the building. There was only one way to find out. Kameron tightened his focus, pulled out his darter pistol and proceeded with the highest vigilance toward the rooming house entrance.
Kameron paused. King’s assassin may have already been dead. The operative shot a glance toward the motel balcony where the civil rights leader’s room was located. The next day, King was going to die and this unassuming motel would be immortalized in history. Kameron resumed his approach to the entrance, uncertainty a heavy drag on his pace. Then he stopped five feet from the door. No. Kameron shook his head. What the hell was he thinking accepting this mission? All he had to do was follow the doc’s advice. He didn’t know if he could do this anymore…
A bare scratch of movement on the other side of the door graced Kameron’s keen ear like a butterfly’s whisper. Instinct seized hold of the operative. He dropped to the ground a second before a stream of neutronium glazed flechettes ripped through the door, turning solid wood into heated splinters.
Kameron rolled away from the doorway, nimbly enough to avoid being mulched, but not quickly enough to evade a hit. A flechete grazed his bicep, but Kameron didn’t feel it. He opened up on the unseen shooters before he completed his tumble. Kameron’s darter flared ferocity. He sent thirty round per second bursts chattering through the shredded remnant of the door. An answering scream came from inside.
One down.
Kameron ceased fire, jumped to his feet and crouched toward the door. Footfalls from behind. Kameron unclipped an anti-personnel charge from his belt before turning his gun on the danger to his rear. A figure with an assault weapon opened fire on him. Kameron responded, loosing a ten round ripple of metal that gouged bloody divots out of the aggressor’s center mass, sending the latter’s shots arcing wide into the night.
Kameron’s next action occurred in almost the same motion. He tossed the charge through the door’s aperture and turned his head away from the muted blast. A billow of smoke and debris ejected through entrance, incinerating what was left of the door. Kameron dove into the rooming house on the heels of the blast. Something sharp and hot bit into his leg. Kameron disregarded the pain, caught a dance of movement ten feet to his right and put a brace of flechettes through yet another body. The assailant stumbled backward, clutching a ruined area just below his throat.
Kameron leapt behind the mutilated remains of a couch. He swiftly detached a spent ammo clip from his darter and slapped in a full clip.
“Kameron!”
Kameron’s head jerked up. Someone was calling his name. Impossible. There was no way a temporal renegade could know his name. The voice did sound oddly familiar.
“Kameron Childers.”
The operative sidled closer to the couch, taking some comfort in its illusory utility as a cover. He was morbidly aware, however, that this tattered piece of furnishing was not going to protect him from a full fusillade of flechettes. He didn’t know what game these renegades were playing by repeatedly shouting his name, but Kameron was not about to indulge them with a response.
“Kameron, it’s me, Jimmy.”

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In The Name of uThixo is a series that is unrefined; an originalstoryline that will melt hearts, and enthrall Fantasy heads of allkinds. The author’s goal was to not only write an exciting and fancifuladventure; but share a tale of historical, cultural, and religiousrelevance that will invite readers of all nations to partake in thissaga. Are you not inspired? Prepare yourself for the new and enter thewild world of Dōron.


http://universalscreenwriter.blogspot.com/2008/03/red-warrior-destruction-of-dwarven.html
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The Division: Part Three

The ability to remain objective is what separates a DTPI operative from a temporal renegade. Renegades perceive history as a malleable entity to be molded according to individual whims and passions. Such an approach is arrogant to the point of destructive. In the same way that preservationists seek to protect terrestrial environments from the deleterious effects of pollution or strive to save rare plants and animals from extinction, so the DTPI safeguards time. The operative is essential to the mission that defines the DTPI’s existence. There are occasions when he or she is called upon to engage in acts of Baseline restoration that may greatly compromise personal morality. An operative’s duty is paramount in relation to personal feelings. It must be so, because the alternative is temporal chaos, ultimately leading to the destruction of the overall Event Time Line…in short, the dissolution of history…


Kameron rejected the Doctor’s offer to sit down in the comfortable recliner situated in the middle of her office. Kameron rarely visited Dr. Win. On the few occasions he did, he never took a seat. He shunned the notion of relaxing. He wasn’t here to relax.
Dr. Alexi Win, resident psycho-analyst, observed the operative through a cool filter of professional detachment. She perched on the edge of her desk, waiting patiently for Kameron to gather whatever thoughts twirled through his head.
“I killed a man,” Kameron confessed. “I put an arrow through his head and called it a day.”
“Killing being an unpleasant but necessary aspect of your job, I assume that you accomplished your mission,” Dr. Win stated. The psycho-analyst wore the white slacks and matching collarless tunic of a medical practitioner.
Kameron replied to Win’s comment as if it were a question. “Yes I did. Another patch on the gaping wound of an Event Time Line.”
“You’ve saved another parcel of history.”
“At a cost as usual.”
“What cost?”
“Human cost.”
“Human cost? Who do you refer to when you use the term human?”
Kameron cut a sour eye at the doctor. He resented the question, because he knew the answer he provided would not accord with DTPI policy. Populations within timeframes are not human beings they are historical subjects. That was the first rule drilled into operative recruits at the beginning of their training. Perceiving historical subjects as human beings would only compromise an operative’s ability to carry out missions that required the taking of lives.
Event Time Line:1994, flittered across Kameron’s recollection. He was in a concealed location, within an airport’s line of sight, waiting for a plane to reach the end of a runway. When the plane was airborne, its wheels retracting into its metallic belly, Kameron propped the SAM launcher on his shoulder, targeted and fired. Seconds blinked by between launch and contact. The plane lurched from the missile’s explosive impact, before gliding groundward in a perilous smoke-churning descent. The resulting crash reverberated across a tiny, densely populated African nation. A president died in the plane’s demise. Up to a million Rwandans would soon join him in a gruesome orgy of machete-driven slaughter.
Temporal renegades had already prevented that tragic episode when they murdered the real individuals responsible for downing the plane. Kameron had been sent to that time frame to put history back on track.
Another Event Time Line. Kameron stood over the body of a temporal renegade whose neck he just snapped. The renegade was trying to assist Spartacus, the gladiator who led a slave revolt that terrorized the Roman Republic. With the weapons the renegade provided, Spartucus and his slave army would have won the war and eventually toppled the might of Rome. Again, Kameron disrupted a renegade network and returned the Baseline to the way it was suppose to be. Six thousand slaves with thwarted dreams of freedom were nailed to six thousand crosses for their efforts. A crowning achievement to a mission’s success. How burdensome that crown, now. How loathsome the achievement.
In the DTPI’s scheme of things, a bunch of doomed Rwandans and Roman slaves were only historical subjects. Nothing more. Their existences were secondary to the primary task of restoring events others had altered. There was a time when Kameron actually believed that. But one too many such restorations…one too many occasions of seeing the consequences of his missions measured in the blood and suffering of historical subjects…human beings.
“Kameron, you have not answered my question.” Dr. Win folded her arms, her expression mildly insistent.
“I suppose you want me to say that the only humans who count are the operatives lost in the line of duty.” Kameron’s tone teetered on sarcasm, but Win either did not notice or took no offense.
“Is that what you believe?” She asked, studying the operative closely.
“That’s what I’ve been taught to believe.”
“But have you taken that teaching to heart?”
“I wouldn’t be an operative if I hadn’t.”
“Some of the tasks you have been called to perform, however, still trouble you.”
Kameron paced to the far end of the office, his silence all but validating the psych-analyst’s suggestion.
Dr. Win dropped her arms and stood up. She had listened, now she took the opportunity to advise. “Why don’t you take a break or if that doesn’t suit you, perhaps you should put in for assignments that are less, shall we say, intensive. Assignments that do not involve violence. Either option should do you some good. You’ve been at this stressful pace continuously for a very long time. You’re becoming burned out.”
Kameron grunted. “Maybe that’s what it is. Maybe I do need a change of pace.” He let the idea sink in. “Maybe I do.”

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