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SHE was in the basement again. It was pitch black, the only
illumination a glowing, quarter moon etched into the floor. A burst of
light split the darkness, and she moaned low in her throat.
Please, I don’t want to see anymore…I don’t want to look.
Yet her feet moved of their own volition, inching toward the
mark…and the twisted bundle now lying in its center. A man was curled
upon the stone. He wasn’t breathing, and his limbs were tiny and
withered. But she knew he wasn’t dead.
He wasn’t human.
The daemon opened his eyes. I’ve been sleeping. But for how
long? He could feel his arms and legs, but the sensations were muted as
if they’d traveled from a great distance.
Then he remembered. He’d been imprisoned – snatched from his
body by the magic that had trapped him here. Even now sleep, like a
delicious drug, threatened to overtake him. But he fought it away.
How many centuries would pass while he slept?
A doorway appeared in his mind and just beyond it, a tattered
clump of flesh and bone…
Karla’s eyes flew open – the scream caught in her throat. It’s just
a nightmare. I’m Ok. I’m here now, at home.
The Indigo woman turned her head to look at the bedroom
console. Six-thirty glowed on the screen. She scooted out of bed, picked
up a remote from the nightstand and turned off the alarm.
Karla walked across the wooden floor of her living area into a
kitchenette. A press of her fingers on the first sphere of a triangular pod
started coffee brewing.
She filled a cup with chicory, walked back into the living area and
pushed the second button on her remote, activating a blue panel beside
the window. Jazz music filled the apartment. Like her bedroom console
the unit kept time, transmitted holographic images and played tapes.
Using the third button, she opened the curtains. Curled upon her
futon, the Indigo woman watched as the illuminae changed Topaz’s
violet sky into a mellow shade of peach. She thought of the dreams.
For as far back as Karla could remember, she’d had them.
Otherworldly, exquisite and always with an unsettling clarity so
different from the normal phantasms she read about. When I eat, I wake
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up full – and stay that way until lunchtime. If somebody hits me, it
hurts like hell…
And her dream lover left her limp with satisfaction, even after she
awoke, sure he was still beside her.
At night Karla wrote them down, pouring all of her fears and
desires into the notebooks. She spent hours in the library, reading stories
of reincarnation and demonic possession, searching for answers. She’d
found them too – dozens of them. But none could satisfy the yearning
that burned inside her.
Every time she closed her eyes to sleep they beckoned, calling to
her. Mornings, she awoke like a swimmer who’d been underwater for too
long, grasping for the fabric of reality – moaning with pleasure or
trembling with exhilaration.
One night they’re going to swallow me whole. I’ll never wake
up or maybe I’ll just fall through to whatever’s on the other side…and
this new one, something’s different about it. I know the others but this
one – this one scares me so bad I’m afraid to sleep.
“What time is it?”
The top left knob of her console blinked. “The time is 7:00
am,” a pert, female voice replied.
Seven o’clock! I’d better hustle! Karla gulped down her coffee,
and hurried back into the bedroom to dress.
Tehotep watched the tall, slender woman thumb through her
closet. He wasn’t invisible, only dim. As long as he stayed in the shadows,
she couldn’t see him. But noise couldn’t be cloaked by magic.
The Indigo woman tossed a red knit, shirt and jeans on the bed,
slipped off her pajamas and walked into the bathroom. As she stepped
into the shower, the nozzle automatically clicked on, spraying her body
with water. He followed, standing just beyond the doorway …
Karla finished bathing, and Tehotep quickly moved back into the
shadows – all the while devouring her with his eyes. Her skin, dewy with
moisture, looked like melting chocolate her nipples, blackberries.
She toweled off her full breasts and long legs and he licked his
lips imagining the things he would do with her – to her – the endless
perversions he’d force her to submit to. Things she’d come to enjoy,
when she tried to please him.
The young woman walked into the bedroom. He watched her
pull up her panties, hook her bra, slip her arms into the straps. Image
after image flooded his mind. Tehotep felt himself harden; a soft groan
escaped his lips…
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Karla froze then stared into the corner facing her bed. It’s only a
bunch of dirty clothes, you’re hearing things!
In that instant he appeared: an Indigo man with full lips, slanting
onyx eyes and a shaven head. Voluminous garments hung from his
muscular frame. Their eyes locked, and she gasped in recognition. The
dark man smiled, nodded his head…
And vanished.
Karla gazed at the pile of laundry – all that remained of him –
and wondered if she’d lost her mind. With trembling hands she finished
dressing her thoughts scurrying about like rats in a maze. It’s him! I
didn’t imagine it! He was here, but that’s impossible –!
There was a knock at the door and she jumped. Get it together
girl, that’s the twins.
She walked into the living room, picked up her remote and
pointed it at the entrance. It slid open and the eight-year-old twins,
Carlos Jr. and Ashley, small and brown like their mother, ran
inside.
Ashley’s shoulder length braids were tied off with ribbons.
“Good morning Karla,” they sang in unison, hugging her.
“Good morning love bugs. What do you want for breakfast?”
“Waffles,” said Ashley.
Carlos Jr. flapped his hand at his sister. “You always want
waffles.
Make mine French toast.”
When Karla and the twins’ mother had first become friends,
Tatiana and Carlos were both working nights, and she’d offered
to make breakfast for their children during the week. That was two years
ago.
Now Tatiana worked as a beautician, although her mate still
worked evening shifts at the metal emporium. But fixing meals for the
twins had become a habit Karla didn’t want to break. She was crazy
about them, and Topaz’s food prices were next to nothing.
“Coming right up.” The dark woman took milk and breakfast
pellets from her cold box, and slid the nuggets into a diamond shaped
oven. In twenty seconds, they expanded with heat.
“Done,” the oven announced. The children sat at the table, just
outside the kitchenette.
Karla served them, walked into the living area and took a cipher
from the box on the coffee table. She lit it and puffed nervously; with the
other hand combing her fingers through her short,
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wavy hair.
“Smoking is stinky,” Ashley pronounced her mouth full of
waffles.
“Don’t talk with your mouth full.” How did he get in my
apartment? Piss on that! How did he get out?
“Mommy’s mad at Daddy ‘cause he ain’t been home in two
days!” Carlos Jr. announced, snapping her back to the present.
“Hasn’t, not ain’t and your mother probably wants to tell me
about it herself,” Karla scolded gently.
“Yeah,” piped Ashley, “don’t tell family business.” There was a
knock at the door, she opened it and Tatiana strolled in: an Indigo
woman with her hair coiled into tiny braids.
“Hey girl.” Tatiana greeted her.
“Hey yourself, want some coffee?”
“Definitely,” the petite woman flopped on the couch, “Kids
hurry up; the transport unit will be here in minute.”
After the twins left for school, the women sat on Karla’s futon
drinking coffee.
“Carlos hasn’t been home in two days.”
“Your son already told me.” Karla eyed her friend with concern.
“So what are you gonna do?”
“I don’t know.”
“You said the next time he pulled this shit, you were gonna put
him out.”
Tatiana stared into her cup. “When he comes back, I’ll talk to
him –really talk to him,” she mumbled. “He‘s got to get it together, or
find someplace else to stay.”
“Yeah, you said that last time too.”
“Karla he’s a good man and he loves me, he’s just got issues! His
daddy used to beat him up. Carlos gets depressed when he thinks about
it so he smokes rush. He doesn’t do it every day – ”
The dark woman gritted her teeth. “Ti, I don’t wanna hear that
shit! He’s a junkie – if he was serious about dealing with his addiction,
he’d check into a clinic!”
Tatiana’s small, oval face narrowed with anger. “I’m not one of
your residents so don’t preach to me, Ok? It’s my life and my man!”
“I’m not trying to preach,” Karla said softly. She touched her
friend’s hand. “It’s just that you deserve better – better than him. You
need a man that’s gonna be there for you all the time. Not somebody
who keeps giving you love, and taking it back.”
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“Look, I know what you’re saying, up here,” Tatiana tapped the
side of her head with her fingertip, “but relationships aren’t simple,
they’re tangled like vines. You don’t make up your mind to leave
someone you love just like that.” She snapped her fingers for emphasis.
“You ever been in love?”
“Uh-huh, I have.”
“Really, with who? I mean, I’ve never seen you with anybody for
more than a few months.”
“With – ” a brown face appeared in her mind’s eye. Loved.
Cherished. But Karla had never met him – not while she was awake. She
looked sheepish. “It’s been a while.”
The Indigo woman furrowed her brow. “So long ago you don’t
remember his name? Then you weren’t in love.”
Karla avoided Tatiana’s searching eyes. “I don’t wanna talk about
him,” she fumbled for the words to stop her friend’s questions, “it’s too
painful.”
“Oh, it’s like that huh? I understand…Karla, he took my ID
card.”
“Damn! How’re you going to make through the week?”
The petite woman shrugged. “I’ll figure something out.” She set
her cup on the table. “Thanks for the coffee.”
“You need some credits?”
“Probably…I’ll let you know. You better get going.”
Karla activated the door lock then watched Tatiana slowly climb
the steps to her flat. How could Carlos do this to her again?
The elderly woman held the curtain back from her window. She
was short with large eyes, a wide nose and full lips a shade lighter than
her ebony skin. Her thick salt and pepper hair was twisted into two
braids atop her head. Her calico spotted cat, Nutmeg, rubbed against her
legs, meowing plaintively, but she ignored him.
Opal watched the tall, Indigo woman descend the stairs and cross
the street. Once Karla was out of sight, she opened the door, walked
down the hallway to the back exit and followed the brick path into her
garden.
There was a pecan and cherry tree, a profusion of roses, lilacs and
daises, and the bees were having their breakfast. The garden square was
hemmed in by apartment buildings and faced a tool shed.
She continued down the end of the path to the shed. This time
Nutmeg didn’t follow and he’d ceased to beg for attention. Instead, he
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sat solemnly on his haunches and watched her pick up a can of oil, and a
rag from beside the doorway.
Opal oiled the door hinges and wiped away the excess. She
squirted more oil on the cloth and rubbed it into the door.
Anyone observing this ritual would see an elderly woman
polishing a tool shed. If they looked more closely, they’d notice her
whispering to herself and think she was senile. And that was just fine
with her.
The old woman stepped back: admiring her handiwork. She
strolled up the little path, and took a seat in one of the cushioned lawn
chairs beneath her trees. Nutmeg stopped harassing the bees, bounded
over and wound himself around her legs.
Opal reached down and stroked his back. The illuminae was
beautiful today. Perhaps she’d linger a bit and enjoy it.
Dressed in breeches and sandals, Joie rode through the forest
of his ancestors. The illuminae filtered through the trees, sketching
filigrees in the mulch below.
The warrior was tall, with reddish brown skin, almond eyes
and high cheekbones. Jet black hair hung loosely about his shoulders.
Silver and turquoise rings dangled from his ears and wrists.
Joie was half asleep, his muscular thighs loosely gripping the
mare’s flanks, for she knew the way to their favorite stream better than
he did.
They reached the brook and he dismounted, kneeled and
splashed water upon his face and neck, finally cupping a pool in his
hands to drink.
“Joseph…” He glanced around, instantly wary. The forest was
teaming with supernatural life – and not all of it friendly.
Among the most dangerous were Wood Sprites – forest
succubae that took the form of human women to capture men. Their
victims slowly starved to death, losing all grasp of time as they
languished in their captor’s embrace.
A mahogany shaded woman emerged from the grove of trees to his right...
Copyright Valjeanne Jeffers-Thompson 2007, 2009 all rights reserved
available at barnes & noble, pubit
www.amazon.com, kindle
This story is closely linked to the world of Zahrah the Windseeker...in an odd way. It's about a woman in pursuit of something strange.
There will also be an audio version of it available soon, the link will be on the homepage.
¨°º¤ø„¸ ¸„ø¤º°¨¸„ø¤º°¨
¨°º¤ø„¸ Nnedi Okorafor ¸„ø¤º°¨
¸„ø¤º°¨nnedi.com ..°º¤ø„¸
¸„ø¤º°¨¸„ø¤º°¨¨°º¤ø„¸¨°º¤
What Makes Science Fiction and Fantasy Afrocentric?
The publishing world has seen the swelling growth and profitability of Black romance and urban novels. Booksellers and public libraries are stocking their shelves with publications that offer gritty tales of the dark mean streets or outrageous Black gangsters. But there is another wave on the horizon; another genre that may soon rival the expensive cars, dangerous pimps and desperate ex-cons; a rising tide of titles that offer hi-tech space ships, cunning barbarians, and savvy time travelers featuring African Americans characters in Black sci-fi and fantasy.Black Science Fiction (or Afrofuturism) as well as “Sword-and-Soul” loosely can be defined as an intellectual and cultural movement that explores the African American relationship with new technology, musings of the future, and heroic fantasies.Sci-fi and its cousins featuring characters of Caucasian background have been around since Jules Verne and H. G. Wells in the 1800s. But today what defines “Black” sci-fi? It is more than simply putting a dark tan on Flash Gordon or giving Superman kinky hair. In my humble opinion (IMHO), before any fantasy, sci-fi, or other speculative fiction story can be classified as Black or African American oriented it must meet at least three of the following five conditions:1) The author should be of African heritage2) The main character should be Black3) The setting should be in Africa or Harlem4) Historical or current social conditions should be unique to people of color5) The narrative or dialogue should resonant with “Blackness”The Author Should be of African HeritageAn obvious indicator that a sci-fi novel truly may be Afrocentric is if its author is Black. Samuel Delany, Charles Saunders, Octavia Butler, Steven Barnes and many others are Black authors who write afrocentric sci-fi. Yet, all good writers have the ability to offer stories told from a variety of viewpoints. Delany, winner of the Nebula Award for 1966 and 1967, offers stories where skin color is not an issue and is not even mentioned. In Butler’s Xenogenesis Series, aliens are the main characters with only an occasional appearance of a person of color. Conversely, Mike Resnick a white author who has won 5 Hugo awards, creates well crafted sci-fi tales about Africa and people of African descent in Kirinyaga: A Fable of Utopia and Ivory: A Legend of Past and Future.Main CharacterAfrican American readers yearn for strong Black characters in their sci-fi and fantasy literature; male or female, hero or villain. On the web at the Black Science Fiction Society ( http://www.Blacksciencefictionsociety.com ) or the Black Author Showcase (www.Blackauthors.ning.com ) bloggers complain of not having enough Black Superheroes. Personally, I’d rather see more Black villains; more would-be-world-conquerors, psychotic punishers seeking bloody revenge, and mad geniuses constructing grandiose schemes of self-gratification. Without the Joker, Batman would be a sad vigilante chasing purse snatchers in dark alleys. Strong Black sci-fi villains, give us even stronger Black heroes and noteworthy, award-winning authors. My vote for the strongest Black villain to date would be Doro in Octavia Butler’s Wild Seed and Mind of My Mind.The Setting: Africa or HarlemMost Sword-and-Soul is set in Africa or an analogue of an Africa-like place on a different planet or other reality. Harlem, New York, or a similar urban neighborhood can be a proper geographic location for Black sci-fi. George Schuyler’s Black Empire uses Harlem and Africa as important backdrops. These locales allow characters to interact with people of color and be closely involved with the problems and solutions at the street or village level. Of course, Black people inhabit every corner of the planet, but its where Black communities have traditionally endured and prospered that makes this type of setting an important element in Black Sci-Fi. It is impractical, however, for a novel to include only one setting, but at the very least, the main characters should travel and have some significant interaction in Africa or in an urban community.Historical or Social Conditions Unique to People of ColorUntil around the 18th Century, slavery was not inflicted upon a person solely because of color or race. Anyone who lost a war or the favor of the king or chief could be tossed into slavery. However, in America, the heartless bondage of human beings became an uniquely Afrocentric institution. Jim Crow and Civil Rights issues also most adversely affected African Americans. Using time-travel, Butler’s Kindred was an illuminating example of the effects of slavery on Black people, past and present. Furthermore, African Americans have a special influence on world culture but not just limited to music (blues, jazz or hip hop) and sports (basketball, boxing); for instance, Black soldiers faced unique circumstances on the homefront and on the battlefield. Black fiction should employ a variety of special circumstances in a story.Narrative and DialogueThank the lucky stars, that most first-rate, modern writers don’t over populate their work with slang, jargon, or southern dialect that makes reading tedious: “You wants to keep 'way fum de water as much as you kin, en don't run no resk, 'kase it's down in de bills dat you's gwyne to git hung.” – Adventures of Huckleberry Finn. Yet, good writers can subtly select the right words and context to let readers know that a Black character is speaking. The very best writers can create characters who change their patterns of speech depending upon to whom the characters are communicating. Moreover, the language and description of events in a Black speculative work must be “hip” as well as reflect the collective mind of the Black diaspora.SummaryThis assessment of what makes fiction “really” Black is by no means a rigorous dissertation nor critical analysis of the conditions that must occur to guarantee the ethnicity of a literary work because there are so many exceptions to the rules. Consider these thoughts to be general guidelines to make the promotion of Black Sci-fi and Fantasy more profitable.About the Writer:Stafford L. Battle is the author of Insane Messiah (22nd Century Press, 2009); Afrocyberspace:1000+ Websites That Will Enrich Your World (22nd Century Press, 2009); The African American Resource Guide to the Internet and Online Services (McGraw-Hill, 1996). According to Mr. Battle, his sci-fi novel Insane Messiah best satisfies the following conditions. 1) The author is an African American; 2) The main characters are Black, and 3) Africa is a primary setting in the book.Copyright 2009, Stafford Battle & 22nd Century Press, LLCON IN LIKE FLYNN TONIGHT!
Penelope and Otto talk about issues From Food Stamps to Nutritional Assistance and from Looters to Survivors - how the social vocabulary changes based on class and color. Inappropriate touching - from London to South Africa. Blagovevich is indicted - how people cannot see themselves as others see them. Penelope is finally launching Renfields and Penelope and Otto discuss the products and services that make life, better! And Penelope offers the ladies one of her proven sexual techniques! Penelope and Otto talk about all other things social and sexual tonight from 11pm CST Saturday night - 12:30am!