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Open Apology...

ALdotcom: Girls in Science and Engineering


I don't think it arrogant to apologize for an entire half of a species, since many of the sins of that part I am member - male - I can recall in myself, and constantly seek penance when I recognize certain behaviors I may have consciously, or unwittingly participated in.


I follow the blog "Female Science Professor" (who also hosts Scientopia). Her posts lead to a study by Yale School of Management Professor Victoria L. Brescoll, who authored a paper titled: "Who Takes the Floor and Why: Gender, Power, and Volubility in Organizations." A summary of its findings from Bob Sutton's insightful blog:

  1. In a study of United States senators (using data from 2005 and 2007), more powerful male senators talked quite a bit more on the senate floor than less powerful male senators. But there were no significant differences between how much powerful female senators talked compared to less powerful female senators.

  2. This finding was replicated in a controlled experiment -- again, more powerful men talked more, more powerful women didn't. Additional analyses suggested that powerful women hesitated to talk more because they were concerned about "potential backlash," that they would be seen as less likable, "out of line," domineering, too controlling, would lose power, and be less effective.

As our three branches of government goes, so goes academia, industry; innovation.

That's concerning, because by mid century we will reach a population of 9 billion, meaning as with our birth rates, our problems will multiply exponentially and will need competent technologists to solve them. Women will constitute a majority in the sciences and engineering. I don't see how this moribund, draconian, Neanderthal base attitude can continue, and our competitiveness on a global scale "goes forth" unimpeded as if by the magic of Manifest Destiny!

 

In a sense, Fred and Barney haven't quite left the cave in mythical Bedrock.

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The Avengers Review....

Not often lately I go into a theater and thoroughly enjoy a film. The Director and Film Technician in me usually won't allow it. This was one of those rare times.

I was skeptical of the Avengers since all too many times superhero flicks often just have too many villains and too much going on with multiple subplots and on and on.... This time, Writer-Director Joss Whedon and his writing team managed to juggle an ensemble cast of characters any of which could have carried the film and blended them into a quite enjoyable film.

Without giving the picture away, A terribly vexed Loki brother of Thor is not taking the foiling of his efforts to subjugate the Earth. Enlisting the help of an exceptionally dangerous inter-dimensional race, he returns with a vengeance. The thread that brought Earth to Loki's attention is a cosmic device called the 'Tesseract'. Originally hidden on Earth by the Asgardian leader Odin centuries ago, it was recovered by the Nazi's during WWII. The device was lost for a time when Captain America foiled their efforts, but both he and the device were recovered by agents of the organization S.H.E.I.L.D. (don't get me trying to translate that acronym)

Once more, the Tesseract is stolen by Loki and things go from bad to worse. The Director of SHIELD, Nick Fury knowing the forces of Earth are going to need 'special help' assembles a group of super-powered/skilled beings to be Earth's bullwark in what will no doubt be a war between dimensions. The team consists of the revived super soldier Capt. America, technical wonder Iron Man, the Asgardian warrior Thor, the master spy Black Widow, the bow wielding assassin Hawkeye and the rampaging Incredible Hulk. Each individually possess serious personal issues that look to be insurmountable. However, through the leadership of Nick Fury and events to come will force them all to look beyond themselves and to the greater good.

Of course there are the obligatory match-ups as all are 'A'-type personalities and let's face it, you wanted to see them throw down anyway. The fights are well played and downright hilarious in spots. I will add, if you weren't a fan of the HULK, you'll grow to appreciate the character as he steals scene after scene. Without doubt, best is the matchup between Asgardian god of Evil Loki and the Hulk. That's all I'll say....

If you're looking for an old school superhero flick to take the kids or yourself for that matter, the Avengers is a winner. Well thought out, well written and just plain fun even during those thankfully few but brief angsty moments. Language gets a bit tart here and there (you can't have a good Sam Jackson movie without it), but other than that it's on... big time. AVENGERS ASSEMBLE! Damn right. Oh and don't leave the theater soon as the credits start rolling or you'll miss the 'easter eggs'....

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Psychic Fun!

Veterans of the Psychic Wars by Wayne Gerard Trotman, is a Hollywood blockbuster compressed in a book. Action abounds with little let up in this fast paced, thoughtful, imminently entertaining science fiction novel. 

 

Roman Doyle is an unassuming school teacher, husband, and soon-to-be-father on a midnight snack run for his pregnant wife when he's assailed by strangers he presumes to be common street thugs. Events take a further turn when a good Samitarian intervenes on Roman's behalf. His rescuer soon reveals that Roman is an exiled prince, an heir to the throne of an Interstellar Empire currently ruled by a usurper. From that moment of revelation, Roman must battle forces bent on eliminating him. In the process, he must train his mind and body to master the superhuman skills required to triumph over his enemies. The task is supremely difficult, and all is not as it appears as Roman and his wise mentor fight to regain a throne and save an empire from destruction.

 

Superbly crafted fight scenes populate this book, from single combat, to massive space battles. There's wonder, drama and mystery, bearing promise of a sequel. The author takes a medley of science fiction tropes, from aliens and spaceships to telepathy and artificial intelligence and creates an epic universe-building tale. Veterans of the Psychic Wars is a must read. 

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Eclipses in Hollywood Films

I just wrote a blog about eclipses in Hollywood films over on our sister site blackcommunityentertainment.com. 

http://blackcommunityentertainment.com/read_blog/2560/solar-eclipses-in-science-fiction-films

I mention the films "Pitch Black", "The Chronicles of Riddick", the TV shows "Heroes" and "Avatar: The Last Airbender".  In these films we have the eclipses: releasing monsters, giving powers, and taking away powers. 

I pose the question: 

What films have you seen that feature eclipses and how is the eclipse used in the plot? 

Please leave comments here or tweet me @astroholbrook

Also, Donate to my film "Black Sun" on Kickstarter: http://kck.st/J2q1qy

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Cinco de Mayo...

Battle of Puebla - Wikipedia

Cinco de Mayo (Spanish for "fifth of May") is a celebration held on May 5. It is celebrated nationwide in the United States and regionally in Mexico, primarily in the state of Puebla, where the holiday is called El Dia de la Batalla de Puebla (English: The Day of the Battle of Puebla). The date is observed in the United States as a celebration of Mexican heritage and pride, and to commemorate the cause of freedom and democracy during the first years of the American Civil War. In the state of Puebla, the date is observed to commemorate the Mexican army's unlikely victory over French forces at the Battle of Puebla on May 5, 1862, under the leadership of General Ignacio Zaragoza Seguín. Contrary to widespread popular belief, Cinco de Mayo is not Mexico's Independence Day—the most important national patriotic holiday in Mexico—which is actually celebrated on September 16. (Wikipedia)

The National Society of Hispanic Physicists has a recognition page of Hispanic Americans in Physics - Past, Present and Future. Similar to what I posted during the month of February, my intention is to give the same attention to Hispanic Scientists and Engineers during the celebration of National Hispanic Heritage Month.

 

Happy Cinco de Mayo!

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Riddle of the Raging One...

TourEgyptdotnet


TECHNOLOGY REVIEW: Egyptian astronomers used what they learned to make predictions about the future. They drew these up in the form of calendars showing lucky and unlucky days.

The predictions were amazingly precise. Each day was divided into three or more segments, each of which was given a rating lying somewhere in the range from very favourable to highly adverse.

One of the best preserved of these papyrus documents is called the Cairo Calendar. Although the papyrus is badly damaged in places, scholars have been able to extract a complete list of ratings for days throughout an entire year somewhere around 1200 BC.

An interesting question is how the scribes arrived at their ratings. So various groups have studied the patterns that crop up in the predictions. Today, Lauri Jetsu and buddies at the University of Helsinki in Finland reveal the results of their detailed statistical analysis of the Cairo Calendar. Their conclusion is extraordinary.

These guys arranged the data as a time series and crunched it with various statistical tools designed to reveal cycles within it. They found two significant periodicities. The first is 29.6 days--that's almost exactly the length of a lunar month, which modern astronomers put at 29.53059 days.

The second cycle is 2.85 days and this is much harder to explain. However, Jetsu and co make a convincing argument that this corresponds to the variability of Algol, a star visible to the naked eye in the constellation of Perseus.

Algol is interesting because every 2.867 days, it dims visibly for a few hours and then brightens up. This was first discovered John Goodricke in 1783, who used naked eye observations to measure the variability.

Astronomers later explained this variability by assuming that Algol is a binary star system. It dims when the dimmer star passes in front of the brighter one.

Nothing else in the visible night sky comes close to having a similar period so it's reasonable to think that the 2.85 and the 2.867 day periods must refer to the same object. "Everything indicated that the two best periods in [the data] were the real periods of the Moon and Algol," say Jetsu and co.


Physics arXiv:
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The Priestess is Coming....

Summer is rapidly approaching and once more the Priestess her loyal mortal protectors and the Gods themselves will soon return!

Last year closed with many unanswered questions raised at the conclusion of the grand saga spanning time itself. Once again through her beauty, wisdom and terrible power the Priestess will hold the fertile Valley Region as the crossroads for mortal and god alike! All Hail the Priestess....

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Post Carbon Society...

 


Being one that grew up during an era of segregation, "the American Dream" I managed to achieve via education and working in an industry that education prepared me quite well for.

 
In an era of "sound-bite politics"; short-sighted goals more concerned with "team victory" than with governing, this documentary should be a part of the debate on education, energy, science and ultimately jobs in this country.

 
As we see the price of gasoline rise at the pump: the price of bringing food to suburbia also rises, as fuel prices rise for the grocers to ship food to their shelves - they transfer that cost to us, a de facto tax irrespective of political party.

 
My fondest childhood memories: my father's "victory garden" he loved to work in our backyard. Literally every vegetable we consumed was grown out back, we then purchased our meats at the grocery store. It saved us much money. Today, it would allow consumers to buy more range-fed poultry and cattle products, healthy as well as a kind of Noble savage protest. In the aftermath of 9-11 and Hurricane Katrina, we're no longer looking for the Cavalry.

 
We may in the end, all need victory gardens...

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Writing dialogue is one of those things you, as a storyteller, will either love or hate. Depending on your personality and your writing style, dialogue can be thing that you enjoy the most about writing, or it will cause the great writing disaster known as the writer's block.

 

Generally, if you are a person who talks a lot and with a lot of people, writing dialogue is easier for you because you inherently understand the flow and web of small talk and critical conversations.  On the flip side, if you are the type of person who speaks only when spoken to and is the living embodiment of the silent stone warrior, it doesn’t mean that you will be a bad at writing dialogue (often the silent are the best observers, and that gives them good story perception).  Nevertheless, dialogue is something that must be included in a story.

 

Now, why is dialogue so important? Dialogue is important because it has two purposes in story creation: 1) it advances the storyline and 2)it  develops and/or personalizes your character (s).

 

Point #1: Advancing the storyline.

    Dialogue advances the storyline because it allows your characters to interact with each other. The most common way we, as human beings, interact together is through talking. By using dialogue you can: cause conflict, educate the reader to the world you’ve created, have a character explain their reasoning behind their actions, etc.  Dialogue is “story action in real-time” for your reader, so it makes the reader pay closer attention to what’s going on in your story.  Too much description will annoy a good number of readers when reading a story. Readers want action, and dialogue is a form of action.

 

Point #2: Dialogue  deepens  your character’s personality.

 

Dialogue is hugely dependent on the character (s) you have created. For example, if your character is from the streets, shoots rival criminals, and curses, when you are about to write a scene where he is about to get drunk, having him say, “I shall now engage in the activity of alcoholic consumption, my dear sirs.”  will not only make your reader go ‘huh?’ but will also  destroy the authenticity of your story.  If he were to say, “I’m gonna get crunk. Hell to the yea.” Or “Give me that bottle of rum now!”  Then such lines would personalize your character and make him authentic. Authenticity is the key to story creation.

 

(Important Note: This is why, as a writer, you need to invest great amounts of time developing and creating your characters before you start writing. Understanding their past mistakes and future goals will allow you to write them well.)

 

More about Dialogue in the Camali’s Writing Tips - Dialogue, Part 2

 

A.N.: Leave your thoughts in the comment section below.

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More Land, More Moolah...

Keep Bandera Beautiful

If you think saving endangered species is expensive now, just wait a few decades. Climate change will require protected areas to expand if species are to be saved, potentially doubling the cost of such conservation efforts.

 

Rebecca Shaw of the Environmental Defense Fund in San Francisco, California and colleagues studied the Nature Conservancy's Mount Hamilton project, which spans 3200 km2of California. They focused on 11 species in the area with known climate tolerances.

 

They then combined the results of 16 climate models to estimate how the local climate within the project will change between now and 2100. That allowed them to determine how each species' habitat would move, grow or shrink – and thus how much more land would need to be acquired and maintained to preserve them.

 

The analysis suggests that the project will need an extra 2560 km2 of land by 2050. The figure had risen to 3800 km2 by 2100. Shaw estimates the extra cost at $1.73 billion by 2050, and $2.54 billion by 2100. That is slightly more than double the cost of maintaining the project in the absence of climate change.

 

"Mo' money, mo' problems." Biggie Smalls (released posthumously). I say that with some chagrin. Pay now, or pay a LOT later...

 

New Scientist: Climate change will make conservation even pricier

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Alien Sunrise...

Credit: New Scientist

Object: the star HIP 56948

Size: same as the sun

Temperature: same as the sun

Composition: same as the sun

Planets: same as the sun?
 

In the search for other Earths, the main goal is to find a planet the same size as ours that sits in the habitable zone – the region around a given star where planetary surface temperature would be similar to ours, allowing liquid water to exist.


But while an Earth-sized world in one of these habitable zones might have seas and rivers, it would look quite different bathed in blue-white or red light. That could affect the development of life. To exploit the available light, plant leaves could be yellow, orange or red, according to research in 2007 by the Virtual Planetary Laboratory at the California Institute of Technology.

 


Two observations:

  • 200 light years away: this will require breakthrough propulsion physics (blogged on last year), else such a trip is definitely "one-way" only.
  • Hm...that means "eat your spinach" could be even dicier if it's yellow! Just saying...Smiley
 
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Lecturing at CTN Expo: "I don't want to see your degree - I want to see what you can do!"

I've been shocked and dismayed at the feedback I've received since my recent workshop presentation at the CTN Expo, entitled "I don't want to see your degree - I want to see what you can do!" It appears that so many students, past and current, are entirely dissatisfied with the education they are receiving... especially in terms of the huge fees they are paying to their schools to give them that education! The main criticism seems to be the fact that some animation teachers do not do, or even know, what they are teaching - and therefore students are being turned out totally unprepared for the industry of today.

I don't so much blame the schools for this entirely but I do find the accreditation requirements they are subject to a problem. The core issue is that many of the top industry professionals who want to teach (and are totally capable of teaching) are prevented from doing so because they don't have a degree. Conversely, a graduate who barely scrapes through a slack degree program and is subsequently totally incapable of getting a job in the industry is embraced as a teacher because they have a piece of paper to their name! I even know of experienced Disney and Pixar level artists/animators who can't teach at most schools because they don't have a degree... because they have never needed one, as progress in the industry is measured by demonstrable skills not pieces of paper.

I began to learn of this issue when I researched my book, "JUMPING THROUGH HOOPS: The Animation Job Coach". However, I had no idea of the scale of the problem until after my talk at CTNX, since when so many students shared their tales of woe with me. I do believe that it is necessary to insist on academic degrees for the sciences, for math, for medicine, for engineering, etc. but it is totally inappropriate to insist on these in a creative, 'other-side-of-the brain' disciplines such as art and animation. In these fields it is what you can practically do that measures you, not what you know intellectually.

Consequently, I jumped at the chance of developing my own 2-year, 'Advanced Degree' program at AIE-Seattle, where I believe it perfectly possible to prepare students well for the industry in that amount of time without the other distractions that longer degree courses are required to offer. I am also currently developing an exciting animation degree program for AIE-Seattle too - but that will be totally focused on preparing students properly for the industry of their choice and not just throwing a number of inessential classes at them to make up the numbers. 

For me the best animation school in the world is Gobelins in France, where they don't have the same degree/accreditation requirements to fulfill - they are essentially funded by the government and the industry itself. Hopefully we can get close to that in Seattle, despite the challenges the US educational system offers the betterment of the animation industry. Luckily, by having the Bad Penguin apprenticeship option to offer my AIE students in the future I can supplement the program with that most difficult qualification any school might ever provide... 'industry experience'!

For the record, here's a recent Gobelins student film... 'Oktapodi'! This example is not alone in the level of competence displayed by their films, as any search on YouTube will reveal. 

Time for us in the USA to fight back I'd say!


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