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Navigating The New World Of Publishing

Hello All,

 

I'm guest blogging and would like to hear your opinions:

 

Anyone with access to a word processor and the Internet can become a published author, but most do not become successful authors. We all know the publishing industry has changed drastically since the introduction of eReaders, but how many authors (traditional, self, or aspiring) truly understand the changes and how to navigate this new world?

 

Continue reading: http://readinnwritin.blogspot.com/2011/08/guest-blogger-deatri-king-bey-author-of.html

 

Thanks

Dee

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It's been an exciting run since our three stalwart travelers set out on an epic quest from the Valley to learn the fate of the Aesir Mariners. The brave trio consisting of the Valley Knight, Chief of the Aesir and the plucky kid Little Fish have traveled across time and distances unimaginable to mortal men! Together they have faced powerful    warlords, demons and even Death itself. Now they stand at the crossroads and their separate paths will determine the fates of all they hold dear and their home in the Great Desert Valley! Greater enemies and the Elder Powers incarnate will stand between them and their safe return to the Priestess and her warm fertile land. Next week, the stunning conclusion to the Saga will return along with the Priestess herself in, 'All Things Reaped'.

All Hail the Priestess!

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Equinox: Last Scion - Chapter 8

Chapter 8 - Welcome to Providence 

We, I mean me and the Hat, walked for what seemed like days. The desert gave way to a road. It was paved but no cars ever seemed to travel along it. We walked for three days and didn't see anything. I knew I should be getting hungry or thirsty, but the Hat kept telling me not to worry about it. I felt this burning in my chest from time to time, but it wasn't like hunger or thirst.  

Not exactly. I kept having the feeling that I was in need of something but having never had it, I couldn't tell you what I was lacking or how to fix it. Whatever it was, it was wrong. The sense of wrongness you get when you drink a bitter liquid and are told you can't spit. The longer we walked the more that sense of wrongness grew. My skin felt too tight like a balloon blown up to the point of breaking.

Walking all day and all night, time gained a surreal quality and my senses became fuzzy, as if I was not seeing the world as I knew it. The road eventually became a dirt path and the Hat said our destination was ahead. We passed a sign that said "Welcome to Providence, population 1,024." The paint on the sign was old and the number had been replaced recently updating the four.  

There was a sense of foreboding as we continued down the road. The air grew thick and the wind picked up. The early morning sky darkened and the smell of ozone filled the air. A storm was coming. The pain in my chest grew stronger, as if a weight was being placed on my chest. My breathing became ragged. 

"Sit down for a second." 

You are awful bossy for a hat. "What is that feeling?" 

"There are two things going on here. The first is your power trying to compensate for your lack of food and water. But in doing so, it has begun to make others aware of it. That feeling is the presence of a Power you are sensing." 

"What does that mean?" 

"It means we need to get you a meal and soon. The longer you go without food, the more likely the Power will overtake you and consume your life essence." 

"Uh, say again? Consume my life essence? That does not sound particularly healthy."

 

"It means your consciousness would cease to exist and you would for all intents and purpose be dead. This would be undesirable as your Power would be roaming the world uncontrolled. You still have some time before that is something to be seriously concerned about."

 

"What exactly is a Power? Is it like the use of magic or technology?"

 

"You have not been told what a Power is?"

 

"Not the way you say it. You make it sound like a capital P when you say it. I take it that is different than when I say power-plant or power-steering." 

 

I could feel the Hat shaking its figurative head. "What happened when you met the Great Ones, Kali and Shango? Did you feel anything?" 

 

Other than scared out of my boots? Or the feeling of complete insignificance in the presence of legendary beings? "No. Wait. I did feel something. But it felt as if they were making an effort to keep something from me." 


"They shielded their Power from you. They were trying to protect you. If you could feel their true power, you..." 

"What? What are they protecting me from?" 

"It is not for me to say." 

"Are you serious? Everyone has spent the last week telling me they cannot tell me about whatever it is that people are trying to kill me over. I thought you were on my side." 

"So we understand each other: There is no one on anyone's side. Powers will lie, cheat and steal whatever they can from you, and take whatever they cannot bargain for. This is a dog eat dog Universe. Season dog well, so when its your turn to eat, he won't taste so bad. The best you can hope for is an alliance of convenience." 

"So you are not on my side?" 

"I did not say that. I said the idea of sides is a relative concept and thinking that people will be fair to you or work on your behalf is one that may get you killed. I sense something of honor about you. Probably from your father. But understand this, we did not come to Providence so you could get yourself killed over your honor." 

"I don't understand." 

"I am trying to keep it that way. A Power is seeking you out. They know you are coming here. Let's keep moving. They will be here soon." 

"Who?" The question went unanswered. 

 

As we walked, Providence solidified around me, and it looked like any small town from any 1950's B movie I had ever seen. The streets were cobbled, nicely, and the rock was solid under my boots. The town while small, was well constructed and from I could see through the dusty air, seemed to be relatively nice.  

I noted immediately the one thing that seemed out of place. No people. Not on the road, not in the windows, not in the storefronts. But as I moved further into town, I could hear the sounds of voices. A dull roar off in the distance. I kept walking toward the sound. As it grew louder, I saw the first signs of habitation. Vehicles. But they were all old, nothing modern. Yes, they were cars, but if I were guessing, nothing from later than the '50s.  

Then I saw the stadium, or what would be a large football field with stands on both sides of the field and people filled the boxes on all four sides of the field. The place was packed. I could see the two teams playing on the field and the ball was moving down field and the stands went wild. The roar was the old fashioned cheering of the home team. That creepy feeling I had been having seemed to ease up for just a second. This was just a small town playing a weekend football game. Nothing unusual here. 

Looking up at the old-fashioned scoreboard, I could see the score, 10-24 in favor of the home team. Turning away, I looked back into the town when I saw him approaching me. He was wearing a long coat and wore a star on his lapel. He was a large man, whose size became more evident as he grew closer. Under his long black coat he wore a khaki police uniform but he did not carry a gun, I could see. My father's voice came to me unbidden. "Mark a man, not just by what you can see, but what you can't." 

I looked again, this time with the mind of a man whose life might depend on what he saw next. He walked with a slight limp. Off balanced, his right arm swung a little wide. He is wearing a shoulder rig. His gun rides high, likely for a cross draw. He is left handed, his left hand swings, his right, much less. He is wearing good solid boots and a wide hat, to keep the sun out of his eyes. He is coming toward me with the sun in my eyes. Taking any advantage he can get. There was something else about him. He was magically sealed. Some kind of warding,  I could not tell what it protected him from but it was strong. 

"Howdy, stranger. Enjoying the game? Our local boys are whipping 'em something fierce today." 

"Yes, sir. Your team is doing a fine job." 

"I was sent to escort you into town to meet the mayor." 

"How did you know to expect me?" 

"The name of the town is called Providence for a reason, son. Everyone who shows up here, needs to be here. I am the Sheriff of Providence, I am always where I need to be. This way, please." 

"Can I ask the mayor's name?" 

"Certainly, he said you would ask. Mayor Black said to extend you every courtesy. He said its not every day you get to meet the Last Scion in person." 

"That is the second time someone has called me that. What does it mean? If you can tell me..." 

"It means you are the last living member of your house. You are the last of the House of Dragon, the bearer of the Equinox." 

When he said that, the fire in my chest suddenly seared with a physical heat, as if having someone name it brought it to incandescent life. A pulse of force radiated from me in a circle, and as it passed the stadium, the crowd became silent. 

"Now, now. We don't want any of that. We don't want or need any trouble. You keep that under control or I will do it for you." 

"A smart man waits until he knows the lay of the land before showing his hand." I could feel my father standing over my shoulder in that moment. I would wait. I could feel the Dragon curling back up and going to sleep. That seemed to be the right word for it; dragon, I could feel it, a great power coiled within me. Why did it cause me to be even more afraid? If it was so powerful, why didn't it protect my father? Something is still wrong. But the answers feel closer than ever. 


I took a deep breath. I turned to look at the sheriff, who appeared to be poised to take some sort of action. His eyes had narrowed and I could feel the tingle of an anti-magic aura being gathered. I smiled and remained perfectly still. To even raise my hand might be mistaken as me gathering energy or about to use magic. "Take me to your leader."

 

Equinox © Thaddeus Howze 2011. All Rights Reserved [@ebonstorm]

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Hyde - Chapter 2

I hate Hub City. I grew up here and I remember it being a better city then. But that is because I didn't know what I know now. My father was Vince Carlucci. I didn't know what he did for a living but we lived well and I never wanted for anything. I found out when I was a teenager, my father was a member of a criminal organization. But he always told me I could be anything I wanted and I wanted more than anything to be a cop. He laughed. Told me I would grow out of it. 

My phone rings. It's about eight. "Carlucci." 

"We need you downtown. It's him." 

"Are you sure?" 

"Forensics is gathering evidence, but it is pretty much a done deal. There was a witness." 

"I will be right there. Give me the address." 

I get out of bed. My loft is lit by the morning sun and I shield my eyes. The skylight is open and I tap it closed on the way to the bathroom. My bathroom has no mirrors. I turn on the shower and step into the scalding stream. My bathtub runs red. I don't look at it. I wash up cleaning up and emptying my mind of all thoughts. 

I never outgrew my urge to become a cop. I think it was the uniform. I graduated the Police Academy at twenty. My father and I stopped speaking moments after my graduation. He, of course, came to it. He had a reputation as an honest businessman to maintain. He was gracious that way. I found out later he and the Police Chief were friendly. They talked more than we did after that. 

I did my job, and he did his. Our paths rarely crossed, and to be honest, I preferred it that way. Until I made Detective, I never had anything to do with my father's business or his work. I now knew what he was. Scum. He and his friends moved drugs into Hub City and had a finger in every kind of vice the city had to offer. In the twelve years I was a cop, I watched the jewel of the Midwest, a burgeoning technology center slowly drown in illegal deals, both private and corporate, rotting the city from the inside out. 

From the outside, Hub City was still clean and beautiful, a city with millions of people living lives varying from wealth and opulence if you lived on the Northside, to squalor and filth if you lived on the Westside. It was very nice squalor and filth, relatively speaking, in comparison to some of the older cities like New York or Chicago, but it did not take away from the overall hidden menace our beloved Hub City held to its breast. We believed in our city. We believed it could be better. We were wrong. 

I drove through the city, on autopilot, and found myself knowing, without knowing where I was headed. When I got there I couldn't believe what I was seeing. A car, literally ripped in half. Bodies torn to shreds, pulped like hamburger. And one of them, I recognized. The son of a rival crime family. Dodonavich. The only part of him left intact was his head. The rest had been dragged across forty feet of concrete. 

"Nasty bit of work here." Peters was eating a donut. He had a flair for understatement. I could never understand how he could eat at crime scenes. 

"Is that Dodonavich?" Peter pointed with his donut. 

"Yes. This cannot get out. You know his father will go ballistic. Blood will run in the streets." 

"What about the witness? We can't keep him. We might be able to work up a minor drug charge but nothing that will hold him more than a week." He was reaching but I knew we needed some time. If this got out, it could escalate. 

"We have all the photo work done. We have all the samples. Do you need anything else, Peters? Sean White was the forensic head, and while he was talking to Peters, he was looking at me. Peters looked at me. 

"Give me ten minutes, and then you can cart all this stuff down to the station for a further workup." 

"Carlucci." The one voice I didn't want to hear and the one person who knew how to push all of my buttons. My former boss. 

"Yes, Captain." 

"Do I still pay you?" The same introductory joke when I haven't seen him for a couple of weeks. 

"Yes, and less every time you make that joke. Sir." 

"Any leads?" 

After I became a Detective, we opened a Special Crimes Division. Crime in Hub City had grown darker, scarier, more dangerous. We assumed it was just a tone, something that had rippled from the older cities and had made its way to the Hub. We started seeing experimental drugs, strange technology we couldn't easily identify, weapons we had never seen before. Our task force was created to investigate, understand and handle these kinds of crimes. We were good, my partners and I, there were eight of us, at first. At the end of two years, there were fourteen. In two more, there were twenty. Special Crimes was nearly one third of the budget of the Sixteenth Precinct. 

"I haven't had a chance to talk to the witness, but from reading the statement, he said it was done by a man. And this is the third incident in as many months, but the first with a witness. He said the man called himself Hyde." 

"Hide?" What kind of name is that? What is he doing 'hiding' from the police? Not the brightest light, I think he became Captain because of his connections. 

"No, Captain. I think he means Hyde as in 'Jekyll and Hyde.' 

"So our perps were killed by a bedtime story?" 

"I can't say, but I will poke around and I am sure we will be able to get something from the scene. We haven't been able to lift a print but its only a matter of time." 

"Well, keep me informed. Peters, you have the duty. Carry on." The duty meant being my police liaison and watcher while I conducted my investigation. 

I lost my badge in my fourteenth year. Excessive force. That was the story. It wasn't true. By that time, I was the second in command of Special Crimes. But they could not bury this story. It had been made public by no less than my father and his goons. I was let go. They did what they could for me, so I was able to not be completely disgraced. I did that to myself. I had to push the issue and investigated the people who framed me. Instead of vindicating myself, I was played and nearly implicated in a murder. My rep was nearly done. From super crime buster to nearly lunatic, Hub City's finest avoided me like the plague. 

So I became a private detective. Hub City had lots of crimes and I was the best detective money could buy. I had a knack for Special Crimes and eventually I got a call from Hub City's finest. Its been three years, since I left the force. My own investigations outside of the Hub City Police taught me things were even worse than I knew. When I recovered, I was being hired by the Sixteenth as a paid consultant. Same work, slightly worse pay. My paychecks just come signed differently now. I work for the same people, in the same department, making the same calls. Except I work in my own office and drink my own coffee. Much better that that swill at the station house. 

Its better this way. 

So those mornings I come in late, no one questions, much. They ignore the rumpled suits and the dark sunglasses. They assume I am just having a good time and forget how to come home at night. If I don't answer my phone, they figure I must be getting some, because strangely enough, I am more popular with women now than ever. I don't understand it. Half the times, I can't even remember their names. 

I circle through the wreckage, amazed at the catastrophic level of damage. They need a forklift to dig the engine out of the ground. The car looks as if it were torn apart by a bulldozer, shards of sharp metal are everywhere.  As I stand over Dodanovich's body, I am struck by a memory. 

"Wait, man, you don't want to do this. I got money, I will pay you whatever you want." 

I have had enough. "Peters, let's get to the hospital and talk to this guy. There is nothing left to learn here except for why this happened. 

Man, is this about the hookers? They were just hookers, man. 

"Peters, were there any other bodies?" 

"No, everyone in the car was accounted for, two shot out the car when he stopped it. The survivor said he didn't draw down on him so maybe that is why he was alive. The others tried to shoot him and he went wild." 

"The question is why?" 

"See if you can pull some traffic feeds and see if you can figure out where this car was coming from." 

"We got a call off one of the phones so we know about what time it got here." 

"Its a start. I'll meet you at the hospital." 

I miss the honesty. I miss being able to tell them what I really do at the end of the day. I miss being able to tell them how much I want to keep fighting the good fight with them. I do my part during the day, investigate those things I can help them with, and then when we go home, I wait. If He saw something, He comes. I can't stop him and I don't even try anymore. I tried once, when it first happened. I don't remember what he did, but when I came to, I was sleeping on the side of a lake about eighty miles outside of town next to the remnants of a deer. I did not drive there. More than half of the animal was consumed, bones and all. I had never seen anything like it. But I remember the feeling and I never tried it again. He talked to me, a sympathetic vibration, I could feel in my inner ear. 

He said, "Stop me again, and I will eat one of your friends, just like this. You cannot enforce justice in your city. There isn't enough fear. Stay out of my way." 

I called him Hyde. He liked it. We are going to come to blows. Its only a matter of time.


Hyde © Thaddeus Howze 2011. All Rights Reserved [@ebonstorm] 

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Hyde - Chapter 1

If you commit a crime in Hub City, it's said the wind will carry your sin to him. Pray the police find you, before He does.

 

I was a policeman in another life. I can't say I was the best, but I certainly wasn't the worst. In Hub City, it was a brutal life, violent and often meaningless. I was bound by the law and told I would have to obey it to punish the guilty.

I watched the guilty escape more often than not. They laughed, they were bold. They were fearless. I had enough of that. Fate changed that for me. Now I am Hyde. And the guilty no longer get to pretend they are fearless. They fear me. And it is good.

 

I run, tireless, through the night. I can see them fleeing from the scene of their crime. A brutal thing; rape and murder of young coeds whose only crime was to be in the wrong place at the wrong time. I found their prey dying in an alley, too far gone to save. I could smell their attackers all over them. I could see their scent in the air. They were high, a variety of toxins. That does not matter. Nothing can excuse them and nothing will save them.

 

I can feel my body changing, muscles growing, changing, growing faster. Bones hardening, leaping further and faster. I can see the fender of their car growing closer, I can see their excitement, they are smoking and drinking. They do not see me yet. My footprints tear into the hot tar of the night, my weight nearly three times that of a normal man, my muscle density nearly five times that. My skin is like iron, hard, hot, with a strange chemical stink, like oxidizing metal.

 

I leap, this time with the intent to stop their car. I land on the hood, from my high arc and drive their engine block into the ground. Their car folds up around me and the two in the front seat, shoot pass me through the windshield, showering me in shards of glass and steaming metal. I consider stopping them. I could have. I don't.

 

The three in the back seat slam against the front seats. The one riding in the center flies into the front seat and his head lands outside the windshield region. He lies there in shock. I can smell his fear. I can smell the guns in the back seat being drawn, the fumbling, the shock, the terror. I can see it, I can see the faces of the young women these monsters killed. I can feel their terror, smell it on their clothing. I can taste the tang of the blood of the women, still on their clothing.

 

I hear their guns being cocked. I stride forward, ripping the car in half, the tearing sound of metal drowns out the screams of the monster whose head is slashed apart by the car being shred beneath him. 

 

The two in the back seat mean to shoot their weapons. Their intent was initially clear, but as I tear through the car, they hesitate. Their hesitation is based partially in their belief of the futility of their action. The other is pure fear. They are unable to push their way through the fear which they are usually used to delivering not having.

 

In another two seconds, it no longer matters. I grab the muzzles of their guns and crush them around their hands. Bones crumble like tissue and their screams rub my nerves wrong, worse than nails on a chalkboard. I want them to stop. Stop screaming, stop, stop, stop.

 

They stop as I pound them into raw hunks of meat, bloody meat flying everywhere.

 

The third rider in the backseat was howling and clutching his wounds and bleeding profusely from his face as he sat outside the broken hull of the car. Once he saw me pound his friends into hamburger, he stopped screaming and whimpered quietly as I kick the door off the vehicle and exit. I walk past him toward the two leaders who were flung free. I pick up one. His head lolled to one side at an odd angle.

 

Dead. Broken neck.

 

The other, larger, stronger landed, rolled and had a terrible road rash. He got up. One of his hands was a bloody mess. It had been underneath him as he slid. The entire hand was gone, scrapped away as he slid. He reached for his firearm, but it was more than he could manage as I dropped his friend and walked toward him.

 

He said something, but I don't listen to dead men. There was nothing he could tell me.

 

I could see the lingering scent of all of the women on him. His hands reeked of violence, the smell of their blood, the oils of their flesh, their fluids were all over him. He lingered, he took his time.

 

I grabbed him, smacking his gun away. He swung weakly, striking me, but in my current rage, there was nothing he could do to me. I pick him up, raising him over my head and slam him into the ground. I hear his ribs snap. I put my hands on his back and press down. I then drag him across the ground, pressing him harder until a red smear begins to flow behind him. He screams and screams until his lungs were a smear on the ground behind him.

 

The last one sat in horror. Wiping the blood from his one swollen eye that still worked, he looked at me but realized I had no pity in me. He defiantly raised his chin to me.

 

I laughed and slapped him in the face, like the young woman he had planned to rape but lost his nerve. His nose was broken, like hers, his facebones shattered, like hers. His eye destroyed, like hers.

 

I bend over him, whispering. "Tell them. Tell them, these are my streets now. Tell them Hyde is coming."

 

Hyde © Thaddeus Howze 2011. All Rights Reserved [@ebonstorm]

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'Daemonblood' by Ben Counter

My Warhammer 40k experience is coming along nicely. I have become inured to the blood and gore and now have one favorite that stands out, 'Daemonblood' by Ben Counter. The female character is fighting a lost battle along with an Ultramarine, and his soul is overtaken in front of her by Parmenides, Prince of Nurgle, Plague God. As Castus' soul was being devoured, he was struggling to stay connected to his memories as an Ultramarine, and I really loved how the author described the difficulties he experienced and his eventual failure. The woman, Aescarion, survives but spends the next twenty? years tracking this Ultramarine turned Daemon prince. He's been wreaking havoc as you can imagine. 

 

At the end, she meets Castus again and defeats him, but says to him, Look, dude, you will never be an Ultramarine again, but you have the chance to regain the light. And right before he dies, he confronts Parmenides and becomes once again Sergeant Castus of the Ultramarines. 

 

The story wasn't really about her, even though she took it as a personal affront, Castus' fall from grace, and made it her life's ambition to wipe him from the face of the galaxy. It was about him and his ability to regain himself, who he really was, right before the end. That was freaking awesome to me, and I was happy for him. 

 

"I managed to grind out an entire page of story Sunday night!", shouts the virgin writer. (Me. I have switched topics.) I was very proud of myself! My husband loved it, made me feel good. I know this sounds corny, but I felt something change inside, a tiny spark of confidence was born, perhaps? It felt good to see what I could do. It is slow going; I find that I analyze every word as it comes out on the paper. But, I don't care, because I was very proud of the results. 

 

 

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Goatwater is updated every Tuesday!

If you don't dream any other day of the week, dream with me on Tuesdays.

 

Goatwater is written and illustrated by Tiffany Osedra Miller/aka Bassagirl.

 

Click here to read a transcript of this page: http://tiffanyosedramiller.com/goatwaterbook_-_page_22.html

Click here to read Goatwater from the beginning:http://tiffanyosedramiller.com/goatwaterbook_-_page_1.html

Click here to begin reading Goatwater from wherever you like: http://tiffanyosedramiller.com/goatwater_-_contents.html

 

Enjoy!

 

 

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My Warhammer 40k Experience

I gotta say, reading Warhammer 40k has, so far, been a gross, hacking, slashing, eviscerating experience. I have been reading it for two reasons. I need ideas for imagery and short story formats. 

 

It has actually been pretty helpful as far as the formats. I am learning a lot. However, reading nothing but stories riddled with phrases like "a casual flick of its bladed leg licked out and eviscerated Brother Mellius quicker than the eye could follow. His shorn halves collapsed in a flood of red, but his bellows of pain were drowned out by the Angel's hateful shrieks", and, "the blood chunks of flesh and armour that fell to the ground were no longer recognizable as human", or my own personal favorite, "the Manskinner's army was nothing more than 4,000 mangled corpses and a lake of blood that was slowly draining away between the cracks in the plascrete", is giving me fracking nightmares.

 

Who wants to play 'Name That Incredibly Gross and Nasty Sci-fi Short Story?"

 

I seriously doubt my battle/action scenes are going to be that graphic, but it is nice to know I have options. I am really sleepy and it is only 7:38PM on a Saturday night. Pitiful. The craziness of my last few days, attempting to stay on top of my 'reading to write' research, and my three kids, two small ones and one big one, have me beat.

 

But I am the tortoise, you know? Slow and steady wins the race? No matter how much the slow is making you crazy? Damn, life is good.  

 

 

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J.S. put me on the spot at ONYXCON today about not being on this site as much... so what I've been up to is shifting my focus slightly from virtual reality to Augmented Reality (AR).  

 

 

Augmented Reality (AR) technology has been in use since the 1990s, but a recognizable consumer market has only existed since 2009, driven by a growing demand for digital entertainment, smartphones and other mobile, camera-enabled devices such as iPads and handheld computers.  Mobile AR, which is only viewable through camera-enabled devices, overlays or adds graphics, sounds, other digital information and to the physical world.  Analysts predict that mobile AR will grow exponentially in the coming years, as more and more consumers purchase mobile devices and applications.  In fact, AR was listed as one of the top 10 emerging technologies in the MIT Technology Review.

 

 

So what I've been researching is the performative and visual languages of graffiti and breakdance (hip-hop) which abstracts and creates art from the urban experience.  Performance and motion capture, blended reality, and Wild Style abstraction reflects an evolving knowledge culture (graffiti, breakdancing, b-boying) that employs verbal, written, artistic, or performative representations of media in the body.  I'm comparing and contrasting this with capoeira.  Like capoeira, breakdancing or “breaking”  is known by quick and complex moves.  I discovered a cool article in Wire Tap magazine that compares and contrasts these similar art forms.

 

Bodies in motion effortlessly translate into symbolic, linguistic and spatial formulations. The performative language of graffiti – windup, tilt, float and freeze – generates dance poses and letters that are manipulated into recognizable forms. The wave (motion) becomes the letter S; arrows that are used to make letters aerodynamic are also gestures in dance routines, indicating directional or elemental forces in the environment.

 

 

Additionally, at the roots of these specialized forms, is African ritual and instrumentation.  Modern graffiti pioneers such as Rammellzee explored the futuristic, mythological and occult aspects of these art forms.  As the art makes its way into virtual and augmented game worlds or blended realities, it's important to explicate the ritual and language of these forms for younger generations.  Otherwise, they are consuming the basics, with no real substance or link to their histories.

 


It simply becomes mindless entertainment. Of course there is a time and place for entertainment but balance is important. We need to be using these new media tools to tell our stories and represent our authentic experiences.

So that's what I've been up to. Hit me up if you want to learn more. :)
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GOOD MORNING AND THANK YOU. LOOKS LIKE BLACK SCIENCE FICTION SOCIETY WILL BE AT ONYXCON!!!


I WANT TO PERSONALLY THANK EACH OF YOU THAT SUPPORTED US ON THIS EFFORT.

I ALSO WANT TO THANK THOSE THAT WANTED TO GIVE BUT COULD NOT AT THIS TIME.

I WANT TO THANK EACH AND EVERY MEMBER FOR YOUR CONTRIBUTIONS AND JUST JOINING US ON THIS JOURNEY. THE OUTPOURING OF SUPPORT HAS HELPED REACH THE GOAL SO WE COULD ATTEND.

IF YOU ARE PRIVILEGED TO MAKE IT TO ONYXCON STOP BY OUR TABLE SO WE CAN GET TO KNOW YOU PERSONALLY. IF YOU ARE NOT, WE WILL MAKE A POINT TO TAKE PLENTY PICTURES AND VIDEO TO KEEP YOU INFORMED. GOD MAY NOT BE THERE WANT YOU WANT HIM, BUT HE IS ALWAYS ON TIME. THANKS FOR SHOWING THE GOD IN YOU!

 

SINCERELY,

JARVIS (J. BERNARD) SHEFFIELD

ADMINISTRATOR


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ONYXCON 3! AUGUST 19th & 20th!


The Entire event takes place at:
SOUTHWEST ARTS CENTER915 NEW HOPE ROAD ATLANTA, GEORGIA 30331
TIMES TO KNOW!
AUGUST 19th is the Day for The ONYXCON INSTITUTE and THE OFFICIAL ONYXCON ART EXHIBITION!The Art exhibition is from 6PM - 9PM and is free & open to the public. We will be honoring the late great writer of Popular Arts fiction, Mr. Dwayne McDuffie. Seewww.dwaynemcduffie.com for more info on this legend. 
ONYXCON INSTITUTE  - 9AM TIL 4PM  ARRIVE EARLY!The ONYXCON INSTITUTE costis $35 general admission. $25 with proper High School or College ID.


ONYXCON - The CONVENTION  is on Saturday AUGUST 20, 2011 from 11AM - 7PM.General Admission is $10. Ages 6-12 are $3. 5 and younger are free.
 Experience Vendors showcasing unique comic books/graphic novels, novels, video games, toys, promotional clothing (T-shirts,etc.), the Arcade, activities, games, displays, the Art Show, book signings, cosplay/masquerades, music vibes and performances! WELCOME  TO ONYXCON! 


The ONYXCON INSTITUTE will feature tutorials/workshops by professional Artist in 2D and 3D techniques common in todays comic book, animation, and film industries. There will also be presentations in writing techniques. Finally, there will be a panel Discussions on SEX & VIOLENCE in The Popular Arts & how both are approached, analyzed, challenged, embraced, and the impact on African Diaspora's creators and consumers of Popular Arts. THIS PANEL WILL CONTAIN LANGUAGE, SUBJECT MATTER, IMAGES, AUDIO, AND DISCUSSIONS FOR A MATURE AUDIENCE! PARENTAL DISCRETION IS ADVISED!


Only 16 years and older are admitted to the Onyxcon Institute with proper ID. Parent or Guardian must accompany anyone under 16. 18 and older are admitted to the Sex & Violence Panel. Anyone younger must present the approval of a guardian for attendance. e-mail to RSVP or for information: onyxcon@gmail.com

 

ONYXCON INSTITUTE

The ONYXCON INSTITUTE consist of workshops/tutorials and panels by industry professionals in comics, gaming, animation, writing, and various other areas of interest for the popular Arts community. 
ONYXCON 3 is proud to showcase the following presenters:

MSHINDO KUUMBA I Digital PhotoShop CS Master! 10AM -11:30PM
STEVEN BARNES   -  SEX & VIOLENCE in POP ARTS PANEL 3-4pm

TANANARIVE DUE  -  SEX & VIOLENCE in POP ARTS PANEL 3-4pm
AFUA RICHARDSON  - TECHNIQUES IN ILLUSTRATOR 11AM -12PM &  SEX & VIOLENCE in POP ARTS 3-4PM


TURTEL  ONLI  -  SEX & VIOLENCE in POP ARTS PANEL 3-4PM
MAURICE NOVEMBRE  3D rendering digital Maya &     THEATER 1- 2PM

RICH 'URAEUS' TYLER - Networking & Brand Building your Concept  10AM -11AM
N STEVEN HARRIS - Cenematic Sequence    BLACK ROOM 2-3PM
TENTATIVE- JAMES 'MASE' MASON - Building The STREET TEAM Video GAME!     BLACK ROOM 1-2 PM

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No Internet=Itty Bitty Progress

I had to choose between burning eyelids/power nap and working on the short story while the guys were napping. I chose to soothe the burning eyelids first. However, I did manage to get some of the end-of-chapter exercises in my short story book done this morning. Baby #2 kept me company with his impromptu 6AM potty-training session. (Semi-successful session because he only pooped half of what he had in there. He laid in wait for his pull-up and then let out the rest).

 

Our internet provider was NOT on the ball with the internet connection today. To quote my husband, “Comcast can go eat a dick."  I am actually composing this blog post offline in preparation for when my Internet is once again functional. I have a list of about ten things to get done today. Work stuff, domestic stuff, all tasks I planned to complete online. As I peruse the list, only one of the items can be accomplished offline without making about fifty phone calls and burning up gallons of gas. 

 

Last week my eight hour electrical failure worked in my favor. This week my Internet failure is simply pissing me off. BUT, I did manage to sweat out FIVE whole sentences! No Internet connection needed.

 

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