science fiction (10)

Infinite Magazines...

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Topics: Applied Physics, Atmospheric Science, Existentialism, Futurism, Lasers, Robotics, Science Fiction

"Laser" is an acronym for Light Amplification by the Stimulated Emission of Radiation. As the article alludes to, the concept existed before the actual device. We have Charles Hard Townes to thank for his work on the Maser (Microwave Amplification by the Stimulated Emission of Radiation) and the Laser. He won the Nobel Prize for his work in 1964. In a spirit of cooperation remarkable for the Cold War era, he was awarded the Nobel with two Soviet physicists, Aleksandr M. Prokhorov and Nikolay Gennadiyevich Basov. He lived from 1915 - 2015. The Doomsday Clock was only a teenager, born two years after the end of the Second World War. As it was in 2023, it is still 90 seconds to midnight. I'm not sure going "Buck Rogers" on the battlefield will dial it back from the stroke of twelve. Infrared lasers are likely going to be deployed in any future battle space, but infrared is invisible to the human eye, a weapon for which you only need a power supply and not an armory; it might appeal not only to knock drones out of the sky, but to assassins, contracted by governments who can afford such a powerful device, that will not leave a ballistic fingerprint, or depending on the laser's power: DNA evidence.

Nations around the world are rapidly developing high-energy laser weapons for military missions on land and sea, and in the air and space. Visions of swarms of small, inexpensive drones filling the skies or skimming across the waves are motivating militaries to develop and deploy laser weapons as an alternative to costly and potentially overwhelmed missile-based defenses.

Laser weapons have been a staple of science fiction since long before lasers were even invented. More recently, they have also featured prominently in some conspiracy theories. Both types of fiction highlight the need to understand how laser weapons actually work and what they are used for.

A laser uses electricity to generate photons, or light particles. The photons pass through a gain medium, a material that creates a cascade of additional photons, which rapidly increases the number of photons. All these photons are then focused into a narrow beam by a beam director.

In the decades since the first laser was unveiled in 1960, engineers have developed a variety of lasers that generate photons at different wavelengths in the electromagnetic spectrum, from infrared to ultraviolet. The high-energy laser systems that are finding military applications are based on solid-state lasers that use special crystals to convert the input electrical energy into photons. A key aspect of high-power solid-state lasers is that the photons are created in the infrared portion of the electromagnetic spectrum and so cannot be seen by the human eye.

Based in part on the progress made in high-power industrial lasers, militaries are finding an increasing number of uses for high-energy lasers. One key advantage for high-energy laser weapons is that they provide an “infinite magazine.” Unlike traditional weapons such as guns and cannons that have a finite amount of ammunition, a high-energy laser can keep firing as long as it has electrical power.

The U.S. Army is deploying a truck-based high-energy laser to shoot down a range of targets, including drones, helicopters, mortar shells and rockets. The 50-kilowatt laser is mounted on the Stryker infantry fighting vehicle, and the Army deployed four of the systems for battlefield testing in the Middle East in February 2024.

High-energy laser weapons: A defense expert explains how they work and what they are used for, Iain Boyd, Director, Center for National Security Initiatives, and Professor of Aerospace Engineering Sciences, University of Colorado Boulder

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Oxymoron...

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The Bulletin of the Atomic Scientists shifted the Doomsday Clock to 90 seconds to midnight at a news conference in January 2023. From left, Siegfried Hecker, Daniel Holz, Sharon Squassoni, Mary Robinson and Elbegdorj Tsakhia (Photo credit: Patrick Semansky).

Topics: Astrobiology, Civilization, Existentialism, Science Fiction, SETI, Space Exploration

A few weeks ago, I posted “Wine of Consciousness” on Friday without commentary. There were many directions I could have taken. I did want to see how readers would react. As I postulated, the viewership was limited. There were many directions that I COULD have taken the post. Still, I decided every iteration was getting a little too “pop science” for my taste, and that can quickly cross over into pseudo without critical thinking.

Avi Loeb is popularly known for his hypothesis that Oumuamua (“scout” in Polynesian) wasn’t a meteor or comet but a possible extraterrestrial probe sent by an intelligence with a similar understanding of physics and the limitations of intergalactic travel: without something like 99% the speed of light (warp velocity is still the providence of science fiction), such journeys are not possible within the normal span of lifetimes. Dr. Loeb is a theoretical physicist in the Department of Astronomy at Harvard.

I’m from the generation that grew up hearing about “UFOs” (unidentified flying objects), “flying saucers,” and “little green men.” Green succumbed to gray, grey, or “the grays/greys” (E.T.: The Extra-Terrestrial), and now we’re discussing UAPs (unidentified aerial phenomena).

Another theoretical physicist has tackled the challenge by publishing another book: “UFOs: Unidentified Aerial Phenomena: Observations, Explanations, and Speculations (Paperback)” in what appears to be a lucrative cottage industry.

When someone asks me if I believe there is life elsewhere in the universe, I will say yes. Amoeba is life, bacteria is life, viruses: the jury is still out on whether or not they are alive in the biological sense.

I have often wondered if intelligence is its own Entropy: that the very systems any sentient species would create for itself in governing resources, governments, commerce, and space exploration would be its undoing, which might answer The Fermi Paradox.

The hope of extraterrestrials existing and interacting with Earth mortals might be a cultural wish: a hope that despite our alarming tendency to screw things up, we either might survive our boundless hubris, or SOMEONE will save us from our stupidity, Deus ex machina, or benevolent Vulcans.

Homo Sapiens is Latin for “wise men.”

Homo Stultus (“stupid men”) seems more apropos.

Is a More Advanced Civilization an Oxymoron? Avi Loeb, Medium

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Critical, or Magical...

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Topics: Civilization, Climate Change, Existentialism, Science Fiction, Star Trek

Critical thinking is the intellectually disciplined process of actively and skillfully conceptualizing, applying, analyzing, synthesizing, and/or evaluating information gathered from, or generated by, observation, experience, reflection, reasoning, or communication, as a guide to belief and action. In its exemplary form, it is based on universal intellectual values that transcend subject matter divisions: clarity, accuracy, precision, consistency, relevance, sound evidence, good reasons, depth, breadth, and fairness.

Source: The Foundation for Critical Thinking

Magical thinking is the belief that one’s ideas, thoughts, actions, words, or use of symbols can influence the course of events in the material world. Magical thinking presumes a causal link between one’s inner, personal experience and the external physical world. Examples include beliefs that the movement of the Sun, Moon, and wind or the occurrence of rain can be influenced by one’s thoughts or by the manipulation of some type of symbolic representation of these physical phenomena.

Source: Britannica Online

Testifying before Congress, Carl Sagan called out the mainstream media of his day as to why there was (and still is) a daily horoscope, but not even a weekly science column. When the Nobel Prizes come out - I try to post them all: science categories, Economics, Literature, and Peace - you're likely going to see more here than you will on traditional media. It is still now rare, as it was during Carl's crusade for science literacy. I can remember when "A&E" and "TLC" were the acronyms for Arts & Entertainment and The Learning Channel, not the homes of Duck Dynasty, or Honey Boo-Boo. Sagan would be woefully disappointed.

Which is more likely a problem that can be tackled and solved: climate change or warp drive? Granted, I'm a Trekkie from TOS days, The Animated Series (TAS), TNG, DS9, VOY, Enterprise, Discovery, Lower Decks, and Strange New Worlds. As much as I enjoy the storytelling, similar to Ali Baba, or Aladdin, I'm not interested in the physics of flying carpets, because that is a plot device, like inertia dampeners or Heisenberg compensators. Yes, there's a lot of theoretical research on warp field mechanics since the 1994 paper by Miguel Alcubierre. At the risk of sounding like a curmudgeon, the efforts will likely yield something close to 0.1 - 0.25c, which is pretty fast, leagues beyond our current rocket speeds. The reason Trek did a LOT of time travel is, superluminal speeds would permit it, and eventually the Grandfather Paradox: A begets B, B begets C, but if C travels back in time, and kills A, did C ever make the trip if he never existed (see: Causality)?

We will probably "boldly go" to the Asteroid Belt, Mars, and the moons of Jupiter or Saturn. With eight billion souls and climbing, we have a lot of physics problems to solve on Gaia.

However, exploration of our solar system cannot happen if, beyond sense, we allow the planet's temperatures to continue to climb.

A.1 Human activities, principally through emissions of greenhouse gases, have unequivocally caused global warming, with the global surface temperature reaching 1.1°C above 1850-1900 in 2011-2020. Global greenhouse gas emissions have continued to increase, with unequal historical and ongoing contributions arising from unsustainable energy use, land use and land-use change, lifestyles and patterns of consumption and production across regions, between and within countries, and among individuals (high confidence). {2.1, Figure 2.1, Figure 2.2}

A.1.1 Global surface temperature was 1.09°C [0.95 to 1.20] °C5 higher in 2011-2020 than 1850-19006, with larger increases over land (1.59 [1.34 to 1.83] °C) than over the ocean (0.88 [0.68 to 1.01] °C). Global surface temperature in the first two decades of the 21st century (2001-2020) was 0.99 [0.84 to 1.10] °C higher than 1850-1900. Global surface temperature has increased faster since 1970 than in any other 50-year period over at least the last 2000 years (high confidence). {2.1.1, Figure 2.1}

A.1.2 The likely range of total human-caused global surface temperature increase from 1850-1900 to 2010-20197 is 0.8°C to 1.3°C, with a best estimate of 1.07°C. Over this period, it is likely that well-mixed greenhouse gases (GHGs) contributed a warming of 1.0°C to 2.0°C8, and other human drivers (principally aerosols) contributed a cooling of 0.0°C to 0.8°C, natural drivers changed global surface temperature by –0.1°C to +0.1°C, and internal variability changed it by –0.2°C to +0.2°C. {2.1.1, Figure 2.1}

There's more: AR6 Synthesis Report - Climate Change 2023 | Summary for Policymakers

Our science focus should be here on Terra Firma and the pursuit of continuing human civilization. Without it, civilization, sustainability, and space travel is impossible.

Critical thinking will help us all survive. We will have to cooperate, make lasting changes, reduce income inequality; eliminate global poverty, remediate houseless citizens, and proceed forward, changing the very structure of our civilization, what we focus on as important and esteem as admirable. Billionaires are not superheroes, and beyond fantasy roles, have no function or analog in nature.

Magical thinking, believing that the climate crisis does not exist, hoarding resources while refusing to pay taxes in one's home country and hiding it in shelters overseas from yours, whistling past the climate graveyard, won't.

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Are you a fan of the science fiction anthology Black Mirror? If so, you will be happy to know that there is now an unofficial companion to the series. The Binge Watcher's Guide to Black Mirror is a recap and analysis of all five seasons of the Netflix based science fiction anthology. It is available on Amazon and Barnes and Noble

 

 

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Originally published on Polite On Society- August 2010

When people hear the term science fiction, it conjures up images of future settings and technology far beyond what can be imagined today. The homicidal robots of Battlestar Galactica and the vast spaceships of Star Trek are some of what typifies this type of entertainment. While sciencefiction is very visible and much of it is popularized, elements of itremain a niche genre. One of those elements is Afro-futurism.

What is that you may ask? Afro-futurism is the exploration of science fiction themes and how technological advances will affect the Black experience. Speculative fiction is the preferred name for it in writer’s circles. Much of it is in the literaryworld, and some proponents of the sub-genre trace it back to Ralph Ellison’s Invisible Man.

Mainstream science fiction takes inspiration from things that are going on in society, but often does not include the viewpoint of those in the African Diaspora. In the spirit of filling in this gap, the artists and writers in the Afro-futurist tradition seek to include us inthe future settings that we are often left out of.

Unfortunately, not a lot of this tradition is known. Having come across some of the literary people that I have in the past few years has been eye opening. I must admit that my familiarity with science fiction comes from the staples of the genre. Shows like Alien Nation, V, War of the Worlds, Lost in Space, the O.G. Battlestar GalacticaStar Wars, and countless others were my introduction to sci-fi as a young person concerned with the future and what it might hold.

Today, we have the works of people like Walter Mosley and Nalo Hopkinson, and a whole bunch of other authors I need to get caught up on. I am anxiously awaiting my copy of Dark Matter, the first in a series of anthologies of speculative fiction. What I would like to see is more of this type of writing in differentformats. I think it’s a shame that the work of Octavia Butler was neveradapted to film. There is a potential here to introduce people who are fans of science fiction to new concepts and delve into areas untapped by what is currently out there. District 9 was one of the better science fiction films of last year, and it came from outside theover-franchised Hollywood factory. In the era of Youtube and all the short films that come from it, there is no reason this can’t happen. Aslong as we don’t get another Homeboys in Outer Space, we will do just fine.

 

Marc W. Polite

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Moments and Metaphors...

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Credit: Pete Saloutos/Getty Images

Topics: Astronomy, Astrophysics, Comets, Philosophy, Science Fiction

On a recent morning, in Lower Manhattan, 20 scientists, including me, gathered for a private screening of the new film Don’t Look Up, followed by lunch with the film’s director, Adam McKay.

The film’s plot is simple. An astronomy graduate student, Kate Dibiasky (Jennifer Lawrence), and her professor, Randall Mindy (Leonardo DiCaprio), discover a new comet and realize that it will strike the Earth in six months. It is about nine kilometers across, like the one that wiped out the dinosaurs 66 million years ago. The astronomers try to alert the president, played by Meryl Streep, to their impending doom.

“Let’s just sit tight and assess,” she says, and an outrageous, but believable comedy ensues, in which the astronomers wrangle an article in a major newspaper and are mocked on morning TV, with one giddy host asking about aliens and hoping that the comet will kill his ex-spouse.

At last, mainstream Hollywood is taking on the gargantuan task of combatting the rampant denial of scientific research and facts. Funny, yet deadly serious, Don’t Look Up is one of the most important recent contributions to popularizing science. It has the appeal, through an all-star cast and wicked comedy, to reach audiences that have different or fewer experiences with science.

Don’t Look Up isn’t a movie about climate change, but one about planetary defense from errant rocks in space. It handles that real and serious issue effectively and accurately. The true power of this film, though, is in its ferocious, unrelenting lampooning of science deniers.

After the screening, in that basement theater in SoHo, McKay said: “This film is for you, the scientists. We want you to know that some of us do hear you and do want to help fight science denialism.”

Hollywood Can Take On Science Denial: Don’t Look Up Is a Great Example, Rebecca Oppenheimer, curator, and professor of astrophysics at the American Museum of Natural History/Scientific American

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The Lighthouse...

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Creators Brian Haberlin and David Hine take "Jules Verne's Lighthouse" into the depths of deep space piracy starting this April. (Image credit: Image Comics)

Topics: History, Science Fiction, Space Exploration, Spaceflight

Widely considered to be the "Father of Science Fiction," the famed French poet, novelist, and playwright [known] as Jules Verne celebrates what would have been his 193rd birthday this year. 

Born Feb. 8, 1828, Verne ushered in the grand era of speculative fiction with his classic novels, "20,000 Leagues Under the Sea," "From the Earth to the Moon," "Around the World in 80 Days," and "Journey to the Center of the Earth."

Now one of Verne’s lesser-known works from 1905, "The Lighthouse At The End Of The World," is being adapted for the first time into a five-issue comic book miniseries at Image Comics premiering in April. Orchestrated by the veteran creative team of Brian Haberlin and David Hine ("The Marked,'" "Sonata"), "Jules Verne's: Lighthouse" gets a sci-fi twist and casts readers into the high seas of outer space for a swashbuckling cyberpunk saga.

Here's the official synopsis:

"Jules Verne's: Lighthouse" is set at the edge of the galaxy, where there is a giant supercomputer known as the Lighthouse. The only brain powerful enough to navigate ships through a Sargasso of naturally occurring wormholes, potentially cutting months or even years of a spaceship's journey. Three humans, one alien, and a nanny bot have manned the remote station for years in relative peace until the arrival of Captain Kongre and his band of cutthroat pirates threatens the future of civilization and reveals that each of the Lighthouse crew has been hiding a shocking secret. He who controls the Lighthouse controls this part of the galaxy."

Exclusive: A little-known Jules Verne adventure novel scores a sci-fi comic book series with 'Lighthouse', Jeff Spry, Space.com

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Vote Here

“HUNT OR BE HAUNTED

A Lovecraftian JRPG where you have to consume monsters to survive

Our game Celestial Tear: Lost World is a semi-finalist in the Ultimate Game Idea contest and we are in need of as many VOTES as we can get. This cross-genre space adventure takes action turn based combat and mixes survival mechanics into a fun and sometimes terrifying adventure as consuming grotesque creatures and taking on their abilities is the only way to protect your sanity from the ever haunting Void.

The Haunting Void

Each of the three playable characters can all consume monsters by eating or salvaging their organs or body parts into weapons or gear. Uzu, the fighter, can fashion enough monster parts to create permanent weapon upgrades while Jake, the gunner, can use them to make ammo and other expendable resources. Trask, however, can eat the monsters, absorbing their physical traits and some abilities until she completely metabolizes the energy.

Crafting

This will be a fun, engaging game where battles become varied and exciting as players can choose and execute these unique traits and abilities that the characters naturally possess in conjunction with the varied and weird monsters they consume. They will travel across this weird and almost organic-like planet where caverns seem more like the bowels of a rotting monster than the stony walls of an eroding cavern.

Action Turn-Based Battles

Blending elements of sandbox, survival, and horror with classic, active turn-based, Japanese role-playing style battles, Celestial Tear: Lost World presents a new cross-genre experience unlike anything seen before. With retro pixel-art graphics and a lush, dynamic 16-bit soundtrack, the world of Celestial Tear: Lost World provides an immersive Lovecraftian experience as players travel across this gritty, dark anti-universe. Fans of Final Fantasy, Silent Hill, and even the classic Eternal Darkness will all find something to relish in this cosmic, terrifying adventure.

Click here Vote for Celestial Tear: LOST WORLD for the Ultimat Game Idea

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Odes to the Multiverse

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Odes to the Multiverse is a collection of short works consisting of vignettes, meant to be digested in small doses, accompanied by several longer short stories for more leisurely enjoyment.

This book features punk scifi, space opera, horror & urban fantasy vignettes and short stories featuring cosmic tales of distant worlds and strange futures where earthbound horrors unfold. This omnibus invites you to marvel at the macabre and maleficent; and embrace the weird and wonderful.

Odes to the Multiverse is available for Kindle and in Print from Amazon, as well as a number of other retailers.

See full list of retailers here: https://tonyarmoore.com/books-by-tonya-r-moore/odes-to-the-multiverse/

 

 

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DREAMNASIUM is FREE!

it's October.

Actually we're two thirds of the way through so I thought it was a good time to remind folks.

DREAMNASIUM is a fully scripted FREE audio podcast telling four stroies with bonus commentary episodes over a three month span.The episodes are adapted from my short stories.

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We worked really hard on these and i think you'll love them. You can find the entire season...

on SPOTIFY

on STITCHER

on PENDANT AUDIO

on APPLE PODCASTS

We'd like do be able to justify a second seaqson so, if you like it, please leaves us some st3ars and reveiws. This pushes the show to the front of the various algorithms which puts more eyes on the thing. 

My motto is MAKE NEW THINGS. This a really fun, really good, ABSOLUTELY FREE new thing.

We'd love to do a second season so, ya know, help us out.
 

GT

 

PS

Oh, I almost forgot!

We're nominated for a STACK of AUDIOVERSE AWARDS. 

PLEASE COME AND VOTE!

AUDIOVERSE AWARDS!

 

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