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Post-Occupation: The Conclusion

The Chandliss residence was a modest size house, 20th century traditional, with a huge acreage of lawn bordered by a white wooden fence. Beyond the immediate property lay an expansive valley of rolling grassland and tree dotted hills, striated by streams that fed into a far off lake. The house was somewhere in Kansas . Which was to say it was in the middle of nowhere. Montgomery's closest neighbor must have been leagues over one of those distant hills, because I didn't see any sign of human occupancy other than a Secret Service guard post within visual range of the house.

Montgomery and I were riding in an armored rover with a Secret Service agent the control. A swept-winged, unmanned spotter flew past us doing an overwatch. The driver veered off the main road onto a narrower path leading to the house's driveway. At the end of the driveway was a woman I recognized from pictures as Montgomery's wife.

Maureen Chandliss, like her husband, was not a regen recipient. I could tell. Anyone could. Regen treatment eliminated wrinkles, reversing the sags of age, ironing out the skin to the point where it became smooth as plastic. Maureen's youthful pallor, enhanced by a dazzling smile, was clearly the result of healthy living, aided by prize winning genes. She wore a plaid shirt and green khakis. Her gray-streaked auburn hair flowed freely past her shoulders. Montgomery was out of the vehicle the instant it came to a stop. He rushed to his wife and embraced her with a fierceness that advertised his affection to the world.

"It's about time you dropped by," Maureen teased.

Montgomery stroked her hair. "I can't stay away from your fabulous home cooking for any length of time."

"That and something else."

I don't think Montgomery's wife meant for that last inuendo to reach my ears. She put a hand to her mouth, clearing her throat before shining her attention on me. "Hello, Nola. Mont's told me all about you."

"It's an honor and a pleasure to meet you, Mrs. Chandliss,"

We shook hands. Then Maureen pulled me closer. "Listen, I'm not one of those DC elitists. It's a first name basis with me."

"Yes Maam."

"And none of that maam stuff either," Maureen hooked an arm through my elbow and we both started up the walkway toward the front door. "Don't worry, we'll get you loosened up with a good meal."

"I hope you whipped up some deviled eggs," Montgomery called out from behind us.

Maureen threw me a wink. "See what I'll have to put up with after he retires?"

My boss became conspicuously silent.

Montgomery introduced me to his two sons when we entered the house. Mason, with his strong jaw and squared crew cut was the spitting image of his father in his early adult years. McIntyre, the younger sibling, was a little shorter, a bit less imposing with a softer face that took after his mother's. As I looked around the house I marvelled at its quaintness. The furnishing was mid twentieth century at the most, complete with a mantle and real fire place.Other than a projection screen in the living room and an environmental regulator mounted next to the front closet, the interior was achingly bereft of current tech. The place was a little too period peice for my taste.

"This is such a beautiful house," I said, directing my praise to Maureen. "The entire area is so scenic and peaceful. I can understand why you chose not to move to Washington."

"And I'm all the saner for it." Maureen gestured to a decadently plush sofa next to the window. "Please sit. Would you like a glass of lemonade?"

"Her lemonade is a taste of paradise," Montgomery declared heartily. "Made from fresh squeezed lemons...none of that synthetic crap."

"Mason, don't just stand there like a rock embedded in packed dirt," Maureen admonished gently. "Bring Nola a glass."

The elder son withdrew to the kitchen with an audible sigh while Maureen sat next to me on the couch. "Anyway, I work more effectively from the peace and comfort of home than in some distracting urban pressure cooker."

"What kind of work do you do?" I asked.

"She's a chemist," Montgomery answered, plopping down in a love seat across from us. "World renowned."

"So I'm told." Maureen waved the comment away. "But accolades are meaningless to me. My work is what counts. I've been designing chemical agents for use against the collabs."

"I think you'd be intersted in her research," said Montgomery. "Maureen has created some nasty airborne stuff that, under ideal climatic conditions, can wipe out the population of a small city in a matter of seconds."

A creeping chill settled over me. Evidently, Maureen was no ordinary politician's spouse.

"Our effort aginst the collabs is a family affair," Maureen revealed as Mason entered the living room and handed me a cold, clear glass of lemonade. "Mason is a Marine Recon lieutenant. He'll be departing on the expedition."

I looked up at Mason. "Is that so?"

"Yes, Maam," the Marine replied in a clear, precise voice. "I'll be shipping out with the first wave."

I turned to McIntyre, who was perched on the edge of the sofa. "How about you? Are you in the military?"

The younger brother's boyish features expanded into a dimpled smile. "No maam. I'm a graduate student studying geophysics. But I will be part of the geologic team assigned to survey the Traitor's Planet's mineral resources."

"Yeah, we clear the planet of its infestation and you worms come in behind us to loot," Mason jabbed.

"No Mason, we don't loot," came McInyre's playfully condescending reply. "We find the loot for others to take. Get that through your thick grunt skull."

While the two brothers exchanged ribbing remarks, Maureen retreated toward the kitchen shaking her head, wearing a boys-will-be-boys expression. "Come on, Nola, what say we check on the food and leave the adolescents to their antics."

I made a show of trying to hide my amusement as I followed Montgomery's wife out of the room.

Ten minutes later we were sitting at the dining room table chowing down on roast hen, dressing, mixed vegetables, biscuits, and gravy. I barely had enough room in my crowded stomach to accomodate dessert, which consisted of a warm, oozing slice of the best apple pie I had ever tasted.

Afterward, we gathered in the living room for an evening of idle chit chat that died down when Montgomery turned on the projection screen. Montgomery was a news junkie, which, I suppose he had to be, given what he did for a living. The broadcasters didn't have anything new to report beyond the ordinary. Jihadist terrorists, tacitly supported by the Caliphate, blew up a mosque full of Shiites in an embattled central Asian state. Bolivarian government forces were cracking down on separatists in the Guyana Province, and the Russian president was fending off (open secret) accusations of drug abuse and corruption. The remaining coverage focused on the hunt for suspected collabs on Earth, tying that in with the ongoing preparations to invade the so-called Traitor's Planet.

It was time for me go, for which I was glad. That ridiculously comfortable sofa was beginning to lull me into a doze. I thanked Maureen for the delicious dinner, scrumptous dessert, and the wonderful hospitality. I bid farewell to the brothers. Montgomery walked me to the rover that was going to take me to a waiting flyer. He gave a list assignments that he wanted me to tackle when I returned to Washington and sent me on my way.

"How long will he be at his home?"

"Three days, that's why I must do this now. The window is perfect."

"We wanted a more...public venue."

"Opportunity trumps desire. I have an opportunity. I'm taking it. This is my call, but I would appreciate your authorization as a formality."

"I don't know..."

"I'm going in with or without your blessing. I'm just giving you the courtesy of notifying you. Do I have your authorization?"

"Very well."

I switched off my encrypted link and blew out a slow, meditative breath. It was time.

Night in this part of Kansas was a multilayered opacity that seeped into your pores as if you were submerged in a sea of black ink. I know. I had to shut down key functions of my stealth suit after completing a drop from the cloaked suborbital pod that I used to secretly ferret myself to these coordinates. I landed softly along the bank of a creek, fifteen miles from the Chandliss residence. The approaching aerial spotter would have detected a trace signature from the conversion unit that powered my suit's night vision and mobility boosters. The suit's stealth mode operated on a separate feed that required only the tiniest tendril of energy to sustain the inversion field that made me invisible to active and passive sensors. The spotter could not detect that energy charge. I still had stealth, but at the expense of sight. And without my boosters, covering fifteen miles at a unaugmented pace, made for a comparatively slow and laborious trek. Navigating through this pitch black darkness was not as difficult as it could have been only because I had studied a topographical chart of the path I was on. That didn't mean I was nessesarily going to avoid every swell and dip. I didn't. But having a smidgeon of foreknowledge was preferrable to total ignorance any day. Just because the spotter failed to detect me didn't give me license to ignore the drone when it glided overhead like a prowling raptor. I still dropped, hugging the ground, doing my best to mimik a statue...a prone statue. Because even though the spotter could not see me directly, it would have caught sight of disturbed grass, drawing an inference that ruled out wind as a cause of the motion. Maybe it would have assumed an animal of some sort was scampering through the field. An assumption the spotter would not have neglected to investigate. I didn't chance doing anything that might draw its attention.

Each time the spotter's red running light receded in the distance I jumped to my feet and ran, maintaining an even pace to conserve energy. It seemed like I had been on the move for hours. But when I came upon the structure that resembled a giant, antiquated outhouse, I realized how close to the objective I actually was. I unholstered my Visionary 26 auto pistol and skulked like a panther toward the Secret Service guard post. My eyes were adjusted to the dark well enough to spot a guard approaching the post building. He must have been on foot patrol. Had he noticed me, he would have transmitted and a rapid response element from a nearby location--I didn't know where--would have pounced on me like a tsunami. That is if didn't he killed me first. It was a simple matter of making sure the guard didn't see me. I advanced quickly, raised my pistol and placed pressure on the trigger. The pistol recoiled gently. A kularium tipped spike hissed from its narrow barrel, drilling through the guard's head with a muted thunk. The guard's body barely hit the ground when I sprinted to the post building and kicked the door in.

Three guards, sitting at consoles turned in my direction, stunned. My V26 whispered before they could react. I shot each guard once in the body. Then I shot each one a second time, a spike per head for good measure. I rushed to the nearest guard, pulled his corpse out of his chair and stood over a blood-smeared console. I knew the guard post procedures. The guards worked in rotations, sending a signal to the spotter, letting the machine know that all was secure at the post. A signal was supposed to be sent every fifteen minutes. Failure to transmit at the appointed time would alert the drone that something was amiss. The drone would then alert that rapid response element that I had absolutely no desire to confront. I tapped the right keys on the signal transmit panel. Then I did something extra. I inputted a command, ordering the spotter to do a patrol sweep for suspicious activity 25 miles to the north. Opposite of where I was heading. After that I proceeded to deactivate every security sensor surrounding the Chandliss estate. A gridded console screen displayed white blips, indicating where each sensor was located. There must have been over a thousand of the detectors, all buried maybe an inch or two beneath the ground. The blips went dark like fading stars, clearing me to step foot on the Chandliss' property without triggering an alarm.

I departed the guard post and double timed it toward toward the objective.

A rover was parked in front of the house. I turned on my night vision, adjusting it to the lowest setting. Two secret service guards sat in the vehicle. Immediately, I shut down the NV before its faint power output could be picked up by the spotter. I waited a moment for my eyes to readjust to the darkness. Then I moved, making a beeline toward the vehicle. I edged toward the driver's side, squatting down until I reached the driver's side window. I popped up, stuck my pistol through the open window and blasted a hole through the driver's temple. The second guard flinched, made a move to reach for his sidearm. A move I interrupted with a shot that left a bloody socket where his right eye used to be. I rounded the rover and scurried to the house, leaping up the front porch. I took out a stylus and picked the antique lock, then eased the door open. The living room was dimly lit by the glow of the projection screen. Mason was lying on the sofa. He had begun to stir from his sleep, due I'm sure, to my quiet entry. He was definitely an elite soldier. Elite soldiers were light sleepers. He opened his eyes, muttered groggily, then tensed when he saw me. I raised my pistol and put him back to sleep, permanently. I raced up the stairs to the second level. I didn't scout the upper floor, but I was sure that's where the rest of the family was located. A bedroom to my left. I entered the room, heard heavy snoring and saw someone lying in a bed too small to accomodate an adult. McIntyre was obviously a restive sleeper. The bedsheet was interwined around his fetally positioned body like a giant tapeworm. It was an endearing sight. I put a spike in his head. The snoring ceased.

I slipped out of McIntyre's room at the same instant that Maureen was emerging from another bedroom at the far end of the hall. She must have been headed to the restroom. Maureen saw me and gasped. Then she let out a shriek and tried to retreat back the way she had come. I opened fire. An auto burst from my weapon cleaved a gash from her lower left waist to the upper right shoulder blade. She spun to the floor.

At that second I heard a rustle in the room Maureen came out of. "Maureen?"

Montgomery's voice. "Maureen, what's wrong?"

The door opened.

I braced myself.

Montgomery stepped out into the hall in a T shirt and pajama pants. He saw me. His body went stiff, his eyes flaring wide in astonishment. Then he looked down. The sight of his wife's blood soaked body brought him to his knees. He gripped her shoulders, lifting her into his grief stricken embrace. A heart wrenchingly pitiful cry of sorrow, punctuated by gutteral rage rippled from the depths of his soul. I had my pistol trained on him but I swear the God I could not press the trigger. A perverse sense of guilt had stayed my hand, freezing me in place. I stood there, conflicted when I shouldn't have been, feeling a strain of sentiment for a man who murdered hundreds without a thought and called for the deaths of tens of millions out of cold, unreasoning hate. But that was the inhuman part of Montgomery. There was another all too human aspect of his personality. An aspect of warmth and generosity. There was humor and laughter and concern and commitment. It was to that aspect that I felt I owed something. I decided that Montgomery should at least see the face of his executioner. I stepped forward,stopping within five feet of my former boss.

He glared up at me through tear stained, hate-filled eyes. "You son of a bitch!" He growled shakily.

I lifted my face plate and when Montgomery recognized me, his jaw unhinged. "Nola?" He shook his head, lowering his dead wife to the floor. He stood and repeated my name. "Nola? It can't be...who sent you? Whose payroll are you on? The Russians? The Caliphate? The fucking Europeans? Or is it the West African Alliance? Is General Tunde your handler?"

"None of the above," I replied softly. "My allegiance is not to any nation on Earth."

He stared at me, his eyes narrowing. "You...you're a collab?"

"Yes, Mr. Secretary. I'm a collab."

A few seconds of silence hung between us. Then Montgomery started to laugh. It wasn't his usual light hearted chuckle, but a harsh and bitter dissonance. His body heaved in a convulsion of grim merriment. "Goddamn it to hell. I'm supposed to be the fucking Secretary of Security and yet I let a fucking collab infiltrate into my staff, under my very fucking nose. How many more collab infiltrators are out there?"

"You would be surprised," I replied.

Montgomery straightened, his mouth twisting into a sneer. "Well, it doesn't matter. You people are going to die and your planet is going to burn. In a generation, you traitors to your species will be less than a footnote in the glorious march of human history. So go ahead and finish what you started. Kill me. It won't change your fate."

I pressed the trigger. Three spikes punctured Montgomery's chest, rupturing his heart. He flopped backwards hitting the floor hard. With his arms spread wide and his head lolled to one side, he looked like Jesus on the cross. I immediately shook off the association and removed an eight inch utility blade from my thigh sheath.

As I stood over Montgomery's body, I was beset by another bout of hesitation. However, this was brought about not by sentiment, but revulsion. For what I was about to do ran counter to the humanity I still clung to in spite of my chosen...profession.

But I had to act fast. The spotter would soon be returning from that goose chase I sent it on.

This was going to be difficult...

World News Network...This is Hastings Willoughby, WNN, reporting live from the residence of Cabinet member and Secretary of Security, Montgomery Chandliss. The secretary and his family were found dead at an early morning hour by a Secret Service Rapid Response element. This is a truly horrible development...Secretary Chandliss, his wife and two two sons, according to the latest update I've received, were discovered with fatal gunshot wounds...more horrific, and again, this is yet to be corroborated, but the report I'm getting is that their bodies were disembowled and their throats slashed...six Secret Secret guards were also found dead on or near the premesis...

American News Service...The manner by which the secretary and his family were killed and mutilated closely resembles the methods used by the Caliphate-backed Soldiers of Jihad, a terrorist group that has been committing a spate of atrocities in Central Asia in an effort to impose strict Wabbahist-style regimes in the region...

Global Broadcasting Company...Mamud Mansur, the emir's senior spokesperson has issued a statement denying the Caliphate's involvement in the grisly slayings of Secretary Chandliss and his family...

Washington News Circuit...this just in, a CIA (Continental Intelligence Agency) surveillance sattelite picked up a powerful burst of static on the night of Secratary Chandliss' assassination. The static, which was catalogued by the satellite's core processor and relayed to data anlaysts at Langley, was discovered to have contained a hidden carrier signal. The signal's point of destination has been determined to be somewhere in the midwestern United States. The analysts have not been able to specify an exact location. However, they were successful in tracing the signal's origin to Riyayd, Arabia, where the headquarters of the Caliphate Security Intelligence Directorate is based. It has been substantiated by reliable sources that the CSID provides training and assistence to the terrorist organization Soldiers of Jihad...

World News Network...Another world leader has fallen at the hands of assassins. Chairman Olu Alaba, leader of the West African Alliance was killed Tuesday afternoon when his motorcade was hit by portable launched missiles...

American News Service...Two simultaneous attacks by American forces were launched against the CSID headquarters in Riyadh and a suspected Soldiers of Jihad training camp in northern Turkmenistan. The Riyadh attack was orbital based in what may be, if confirmed, the first use of the newly developed Epoch orbital weapons system...

Global Broadcasting Company...Caliphate space fighters attacked an American research station on the moon an hour ago. Casualty data is still coming in, but at last count, there are over three hundred fatalities. This is truly a tragic culmination of recent events. The clamor of war drums has drowned out the reasoned voices of calm and diplomacy. The people of Earth stand helpless as two of the world's most formidable powers clash in humanity's first massive internacine conflict since the withdrawal of the Opakular.

 

I boarded a transcontinental unirail bound for Luanda two days after the USNF and the Caliphate went to war. By that time, the Nola Monroe that I had been in Washington had submitted her resignation to the Cabinet. The reason being her inconsolable distress over the death of her former superior and mentor. My work was done. I took my assigned window seat and withdrew an image pad from the media slot next to my arm rest. I tapped the screen to ON mode and proceeded to make my programming selection. I clicked NEWS and a talking head appeared on the screen giving the latest update on the war that I sparked.

Another passenger boarded, a tall, broad shouldered African god with a bald head and a well trimmed goatee. He moved down the aisle with a small travel bag in hand. Our eyes met in the briefest instant of contact as he headed toward a rear seat. That instant communicated volumes. He had done his part in West Africa. Taking out Chairman Alaba using a stealth missile launcher, which Alliance investigators still had not uncovered, was a much more efficient, not to mention, hands off method of neutralizing a target than the up close and personnal butchery I had to perform. I was having nightmares that invariably concluded with me on the verge of drowning in a crimson, gore-strewn lake. Having to relive night after night of that horror was rough. But framing a blood thirty terrorist orgnanization, required a bit more effort than simply fabricating an incriminating signal hidden in a static stream. The crime required a shock element so provocative as to drive the American people into a vengeful fury. Was it worth it? Well, with the USNF and the Caliphate at each other's throats and the West African Alliance riven by civil war in the wake of its leader's death, Earth was in no position to invade another world. Utopia was safe for the time being. Under the circumstances, I had no problem enduring a few restless nights to reach that outcome.

My first name really is Nola. I was born on Earth, on which I lived for the first two years of my life before my parents boarded the last evacuating transport to Utopia. We barely escaped the mass slaughter that GD24 unleashed on real or imagined collabs.

To hear it from the common person, who tended to parrot the propaganda generated by Earth historians, the Opak occupation was the most calamitous event in human history. In actuality, the period was a golden age. Make no mistake, the Opakular were conquerers in the tradtional sense. They made that plainly clear when their ships arrived in the Solar System bearing a message proclaiming their intent to establish authority over Earth. The human race could either take heed and receive the Opaks without resistence or face dire conseqences. Earth's leaders chose the dire route. It took the destruction of Earth's most powerful militaries before humanity had finally taken heed. Once the Opaks settled into their role as our overlords, they revealed another side to their character. The Opaks were intensely altruistic. It was an integral part of who they were, an element deeply ingrained in their culture. They truly believed in the concept of uplifting a species. Under the Opak's non-repressive, non-exploitative rule, humanity benefitted enormously. Wars were eliminated. Of course that was a given. A single Opak battle cruiser was an ample enough deterrant to human conflict. The miracle of Opak medical science had wiped out all diseases. Opak technology transformed deserts into lush valleys, cleansed the air of pollutants, repaired Earth's ozone layer and restored damaged ecosystems. Their climate arrays regulated the weather, moderating dangerous storm systems. Hunger and poverty vanished. Crime became practically nonexistant. The Opaks shared their altruistic philosophy with the same giving spirit that they had shared some of their technology. Many humans latched on to this philosophy, absorbing its life affirming principles. Unfortunately, there was a large cross section of humanity that continued to resent the Opak presence. That segment passed along its animus toward the aliens to successive generations. These were humans who had never come to terms with the fact that theirs was no longer the dominant species on Earth. Religious fanatics, racists, anarchists, nationalists, extremists of every stripe held tightly to their depraved allegiances, clinging with an addict's obssesion to petty, outdated grievances.

Toward the end of the third century of their occupation, the Opaks began drawing down their forces throughout the solar system. The Opaks had never been very talkative about matters regarding their empire. But there had been rumors floating about that the Opaks were at war with another species on the far side of the galaxy. That apparently explained their eventual withdrawal. Perhaps they needed to prioritize their resources. Thank God the Opaks didn't abandon their supporters before they left. They knew there would no place on Earth for collabs in their absence, not with so many reactives and regressives chomping at the bit to reclaim their planet.

Utopia is a beautiful Earth like world, positioned perfectly within its system's habitable zone. The Opaks gave us the technology to carve out a life for ourselves on this virgin planet they selected. They also gave us an arsenol. The Opaks knew that sooner or later Earth would find us and that it would dispatch forces in an effort to wipe out humanity's greatest experiment. What was the experiment? That humans could live together in mutual respect and understanding. That we could exist side by side in a spirit of love and selfless devotion. That we could resolve differences without resort to violence...that we could maintain this state of peace in the absence of alien oversight. That experiment proved a complete failure on Earth, which had already reverted to the misery that it had been prior to the Opaks' arrival. It was only a matter of time before the little brushfires of discord that arose when the Opaks left flared into a much bigger catastrophe. That eventuality would have occurred without collab instigation.

By contrast, the experiment on Utopia had been a resounding success. However, we cannot grow complacent. Despite its internal turmoil, Earth remains a clear and present threat to our way of life...to our very existence.

I was going to be sure to include that little editorial during my debrief when I returned home. I'm a weapons expert. I witnessed first hand Earth's growing military capability. Utopians simply could not make do with the weapons the Opaks rendered to us. We had to expand our armaments, produce and innovate just like the Earthers were doing. Otherwise, the next time Earth pulled itself together enough to mobilize for an invasion, Utopia would find itself at a serious disadvantage...

Good grief. Too much thinking. I needed to relax, clear my head. I turned off the image pad and put it away. I would be debarking in Luanda in four hours. From there, it was on to an isolated outback somewhere in Namibia where a stealthed shuttle awaited. After that, home.

I shut my eyes and thought about home. It wasn't long before I drifted off into the first nightmare-free slumber I had experienced in days. I dreamed about apple pie.

 

 

 

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Chaos Chronicals digitized

Let me share with you cosmic beginnings…Coming to E-book soonWhat is Cosmic Beginnings?They are the chaos chronicles an ancient prophecy; one where the war in heaven thunders across the known universe. This is a story told through the cultural eyes of mother Africa. These are her legends her heroes and heroines that have been brushed beneath the surface or politely bleached out of the world view. This is the story of African gods and goddesses that have existed long before western man’s civilization came into existence.Every culture from around the globe speaks of their deities the benevolent and the malevolent Norse, Greek, Roman and so forth. Throughout the decades comic books, cartoons animations and novels are dedicated to them acknowledging theirtriumphs and defeats. Where are mother Africa’s heroes outside of those Egyptian deities who have been so politely Europeanized and dissected away from the continent of Africa? Where are those deities with complexions like onyx, hematite, and cooper with pepper corn hair looking as if they had been chiseled from granite?Cosmic Beginnings contains some of the most unique and original characters bringing pages to life revealing a world shrouded in illusions and mystery.Unsuspecting and unknowing Kenyatta is part of an ancient prophecy despite her being unaware of the prophecy her spirit is completely aware leading her into the dream time where she encounters horrific dream imagery that literally draws blood. Her Native American ancestors urge her to seek out the blood that is strongest in her veins; thus she embarks on a deadly journey through West Africa for answers.Captain Fatima Jatari is a seasoned seafaring black woman and captain of the H20C.A.T.a vessel commission solely for the purpose of investigating unexplainable incidents, bizarre accidents and fatalities off the coast of Nigeria. When a series of mysterious events leaving a wake of turmoil and chaos erupt she and her crew are immediately dispatched to investigate the source of the upheaval, but unbeknownst to her she and her crew all share a part in the ancient prophecy. On land and sea these two woman’s paths must cross to rise up against an unimaginable malefic force. I wrote Cosmic beginnings because I was tired of seeing African culture and traditions exploited by Hollywood, and their screen writers, producers along with other non African writers depicting African traditions and culture in a less then admirable light; despite the fact that yes we are talking about Sci-Fi we are also talking about positive images being depicted in the story. The main characters are strong courageous intelligent and educated women, and this is a story created outside of the urban scope of what we are all use to. I wrote this story in such a way it not only removes you from your city and state; it forces you to think outside of the box. I use speculative elements being that it is not only a Sci-fi story, but it’s a historical fiction as well. All throughout the history of the Trans Atlantic slave trade there was a question lingering in the air in regards to the mysterious ship wreck of the Henri-Etta Marie. It is that element which I incorporate into the story. The media, Hollywood, European racist scholars, and socio-political education system have dominated the realm of the publishing world in every genre including the ever grow realm of Science Fiction. In writing and publishing “Cosmic Beginnings the Chaos Chronicals Vol. 1 and 2, I am attempting to reverse negative and derogatory images them have been associated with African culture and tradition. The purpose of this novel is to empower through creativity and imagination. I hope to inspire through this endeavor and empower our youth with heroes that look like us. Coming to E-book soon down load it on the fly….
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I am pleasantly surprised with the last month’s progress. God is indeed good to me. Here is a brief recap of
things that have happened so far.




The GENESIS Anthology of Black Science Fiction was completed on schedule. We ran into a few technical issues
but got it done and we will continue to improve the process in the future.




Alien Encounters was a magnificent success. The attendance was great, the speakers
were phenomenal, and the crowd actively engaged the panelists and speakers with
intriguing questions and insight. Everyone in attendance had a productive and
informative time that they took away from the experience.

The publishing company has been established to publish works produced by Black Science Fiction Society called
Graves Sheffield Publishing. It is staffed primarily by me and my lovely wife
who has supported me throughout the process of making the project a success.
This coupled with 2 years research and tutorage by industry veterans has made it
possible to take dreams and turn them into realities.

We are eager to continue turning dreams into to realities. We decided to add to our goals movie making.
The idea is to partner with writers from the Anthology and start creating films
in the upcoming year.

Stay tuned, we will continue to plug away at this thing. Join the site if you haven’t already and share in the
community of like minded individuals of black science fiction.

Jarvis Sheffield

Administrator





www.BlackScieneFictionSociety.com


www.TheDigitalBrothers.com




www.GravesSheffield.com

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My Favorite Thing Right Now . . .


It's a year later, but I'm still rockin' out to Poetic Menace's (Marc Blackshear) "Coming of the First Born". It's still hot, just like Dreadlocks.

Go on over to Urban Style Comics and take a listen. And don't forget to check them out at Black Age of Comics in Chicago this October 8th - 9th.

"Who needs two eyes when the thirds' wide open?"
"Let the wicked of the earth be warned, the coming of the first born. "

Needless to say, I'm lovin' me some Dreadlocks!
Now if I could just get my eyes to glow like that.
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Ebook stats, and the Slush Pile...

I have my novel placed in about a dozen ebook sites, either for sale or for free download. Only half of these keep stats, but so far i have 845 copies of the book downloaded, and 494 times the novel has been viewed online. Granted, there are very few sales, but then, this is an ebook and the goal is exposure, so I'm happy with these numbers, for now.

---

On another front, I had a disturbing thought the other day - that the growing number of self-published novels in individual author sites and free (or low price) ebook sites, all clamoring for sales or reviews, is becoming the online manifestation of the ubiquitous 'slush pile,' destined to languish in electronic obscurity no matter how well written or received they may be, if the authors aren't pushing them at publishing companies. Am I included in this literary limbo?

I thought at first that because I didn't have the $500 or more for a professional editor or proofreader to comb through my manuscript, just having a single grammar or spelling error would condemn my novel forever, but looking around the blogosphere, I actually found some comfort.

What actually qualifies as slush or truly crappy writing? According to DustinM from 'Who Is Going to Read the Slush Pile?' at Blog Fiction:

By 'Crap', I don't mean stories that are trite or have characters that aren't "real". By Crap I mean major, awful, blunders. Things like:

* The Story isn't finished and stops either mid chapter or even mid-sentence
* Spelling and Grammar is so atrocious that it's hard to understand
* Blatant Plagiarism (word-for-word) or even more suble versions like (same story with changed names & dates)
* Doesn't match the story or description
* Huge logic or story blunders, like a character's name gets changed half way through the story.
* The story is missing either a beginning, middle, or end

That made me feel a lot better. So, going by that measure, really terrible writing should be easy enough to spot. In that case, just how much slush is actually in the 'slush pile'?

I found a couple encouraging points at Salon.com, in the letters section replying to a June 22nd article "When anyone can be a published author" by Laura Miller:


"Fears of slush are greatly overstated

I've read slush for a living before, and I've worked for a top five New York publisher. Almost all of it is obviously garbage two or three pages in, and can be summarily dismissed without much effort.

Personally, I'm all for the replacement of gatekeepers with tastemakers. There is a much lighter touch to the latter. Do the genuinely funny youtube videos have a hard time rising to prominence? Not that I've seen. Reading literary fiction certainly involves a greater investment of attention, but I'm confident the same dynamic can prevail.

—Sylvain "



"The Revolution will not go through Manhattan

This whole idea of the publishing industry being just a bunch of well-meaning literature lovers puttering around their tiny little cluttered NY offices is nonsense. Publishing is controlled by large multi-national conglomerates. The industry is driven by marketing. When the self-publishing revolution topples it, will there be bad books? Sure. (There are plenty of bad books now, so I don't see why we have to nod obediently when the publishing industry tells us that we don't know what we're talking about). Something else better will rise in its place.

Besides, pretty much every other art form has embraced DIY. Take music for example, you can write an album, play every instrument and sing, record and distribute and it yourself and nobody gives a shit about that, as long as it's good. Same for film and visual arts. Only in books is DIY a stigma. And I understand why: it is a direct threat to their business. And that is all.

—AchillesisCrying"


Ok, so I feel a lot less slushy now, at least until my book gets thoroughly molested by agents or prospective publishers regardless of the fans I've won so far. Cool...

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How We Can Promote Afro Speculative Fiction

A comment has been posted on the Internet about "How Should We Promote Black Sci-Fi?" I respond, "Writers of African speculative fiction could have a significant presence in the literary world if we use the Web correctly."

We must cross link. Meaning, use BSFS as the hub, but always, place web hyperlinks on your individual web sites to find other pages related to our genre. Google does a TERRIBLE job of finding links to African American speculative fiction or African American Science Fiction. Be sure to use appropriate meta tags on your web pages so that readers can find you.

Search for your web site frequently, and take action to improve your rankings.

Visit all our sites. See me here and at:

http://www.sbattle.com

http://ww.afroscifi.net

http://www.africanamericansciencefiction.com

If you are not listed, send me an email. I will list and promote your book or site for FREE.



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Spectacular Weekend in Atlanta

What can I say?

Alien Encounters had great interviews and panel discussions at the Auburn Research Library, I met fellow BSFS'ers, listened to Avery Brooks break the science for those who did not know Paul Robeson, Samuel Delany and others, and finally got lots of pics of my folk doin' the costume thing a
t DragonCon.

I've posted the first series of pics on the Black Author Showcase fa
cebook page, so click and take a look ( I probably have a picture of you sideways).

Oh, and did I mention I have some great video snippets of Avery Brooks? I tried to get a brother to say my name, but that didn't work out.

So check back here and on the Black Author Showcase for the latest from this fantastic Labor Day weekend.
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Valjeanne's book Immortal is in competition on Goodreads this month! Tomorrow is the last day of voting, so If you haven't joined the Goodread's site yet, now would be a good time to do so. When you sign up you'll have to join the Sci Fi and Fantasy group in order to vote in the poll. Here's the link!

http://www.goodreads.com/group/show/1865.SciFi_and_Fantasy_Book_Club



Let's not leave a sista hangin'!!
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When people hear the term science fiction, it conjures up images of future settings and technology far beyond what can be imagined today. The homicidal robots of Battlestar Galactica and the vast spaceships of Star Trek are some of what typifies this type of entertainment. While sciencefiction is very visible and much of it is popularized, elements of itremain a niche genre. One of those elements is Afro-futurism.

What is that you may ask? Afro-futurism is the exploration of science fiction themes and how technological advances will affect the Black experience. Speculative fiction is the preferred name for it in writer’s circles. Much of it is in the literaryworld, and some proponents of the sub-genre trace it back to Ralph Ellison’s Invisible Man.

Mainstream science fiction takes inspiration from things that are going on in society, but often does not include the viewpoint of those in the African Diaspora. In the spirit of filling in this gap, the artists and writers in the Afro-futurist tradition seek to include us inthe future settings that we are often left out of.

Unfortunately, not a lot of this tradition is known. Having come across some of the literary people that I have in the past few years has been eye opening. I must admit that my familiarity with science fiction comes from the staples of the genre. Shows like Alien Nation, V, War of the Worlds, Lost in Space, the O.G. Battlestar Galactica, Star Wars, and countless others were my introduction to sci-fi as a young person concerned with the future and what it might hold.

Today, we have the works of people like Walter Mosley and Nalo Hopkinson, and a whole bunch of other authors I need to get caught up on. I am anxiously awaiting my copy of Dark Matter, the first in a series of anthologies of speculative fiction. What I would like to see is more of this type of writing in differentformats. I think it’s a shame that the work of Octavia Butler was neveradapted to film. There is a potential here to introduce people who arefans of science fiction to new concepts and delve into areas untapped bywhat is currently out there. District 9 was one of the betterscience fiction films of last year, and it came from outside theover-franchised Hollywood factory. In the era of Youtube and all theshort films that come from it, there is no reason this can’t happen. Aslong as we don’t get another Homeboys in Outer Space, we will do just fine.


Marc W. Polite

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Last Sun

Our world is a silent one. Not by choice, but by necessity.

There can be no waste, not a breath, not a sound, not an echo. We communicate with sound but our walls recollect that sonic energy, our clothing absorbs that energy and storing it for future use. Contemplation before speech; no rushing to communicate our thoughts. Telepathy is preferred.

Our world is a darkened one. Not by choice, but by necessity.

We use no light we do not need, so our eyes and ears are adapted to darkness. Tiny, light emitting matrices dot the walls of our living ships, providing light only while we pass and only when necessary. Every erg is cultivated from our environment. The long rays of dying stars, the short waves from our only source of nearby light, Sindin, red dwarf, last star for five thousand light years and from where we sit, the last living star we know of.

Our world is a nearly motionless one. Not by choice but by necessity. We are trained as children, that all of our lives will be filled with activity, energy and movement and not to waste it. Silent and still concentration drills are a fact of life for children, being trained to harness all of our bodies energy.

First we control the mental energy, marshalling our minds, our very thoughts, ordering them, structuring them into a crystalline lattice of logic and reason. Then our bodies, first in the physio-chambers that toned our muscles, enhanced our hearts, challenged our lungs, tempered our carbon-hardened skeletons, tightened our muscles until we were like polished onyx, smooth, cool and without flaw. We learned to control our very internal energy, raising and lowering it at will, our organs under our mental command, generating biles and fluids to regulate our life-force.

We are then injected with sehrwinzig that allow us to manipulate the very molecular energies at the very threshold of existence. We can harness those energies for limited feats of physical strength, speed or endurance far beyond our primitive ancestors of our distant homeworld. In homage to them, we have not changed our outer appearance, but our inner appearance would completely belie our origins. We had no choice.

We are grown in labs, without contact, and almost all aspects of our being has been changed to maximize our use, creation and dispersal of energy. Our skin is a photo-absorptive mesh, dark in hue, blue, purple, burgundy, black, dark brown are the choices that ensure maximum absorption from our wan sun.

We no longer have the luxury of gestation. We are now fully functioning and able to exist outside of the birthing chamber in less than three months. We are able to mature to the size of a five year old in three to six months. During that time, knowledge is encoded into our brains with programming that will allow us to develop our personality.

We develop that personality in simulacra, living virtual lives at a timescale that allows us to experience all the things we could as children in a world more conducive to happiness. Yes, it is virtual happiness, but it will likely be the only happiness we know.

There was a time when we did not allow this childhood period. Some deemed it an unnecessary expense in energy and resources. We lost far more than we saved for our efforts. More of our people choose death, far sooner than ever in our history. Childhood was reintroduced when too many quality minds were lost.

When the childhood phase of our lives ends, and we are aged toward puberty, that is the time of the first physical changing and linking that teach us how to harness our life-force both as a resource and as a weapon. We begin to live without the benefit of our simulated worlds of light and life and are acculturated to our real world. Our births are regulated, so no one is born unless someone chooses to die. Even in a community of near-immortals, the choice of death occurs more often than one would think.

The burden of living becomes more than even the most resolute spirits can carry. Some of us, who are weary but not to death, choose the rest chambers where we sleep a century or two until something new or interesting happens that meets our criteria before we entered sleep. Then we rise from our rest and carry on the search.

Our world recycles all of the energy that is created within it. There is no excess. There are no stars save the tiny red dwarf we circle. It is estimated that sixty trillion souls surround this tiny beacon of light. Sixty trillion beings huddled against the dying of the light in our Universe. We harvest and store every second of this light.

We are so desperate, that we harvest even the cooling husks of no longer lit stars, beaming long wave energy to receptors scattered throughout the galaxy. Storing that energy, it is periodically collected through the slow-motion gate system allowing for objects to be moved with the minimum amount of energy lost between gathering and movement.

In our way, we are returned to our primitive arboreal ancestors, gathering energy, everyday, hoping to have enough to feed everyone at the end of the day. Even with all our solar arrays, long-wave gathering, planetary compression systems (planets of immense size are crushed together using gravity and the resultant heat is absorbed) Magnetic field manipulations, kinetic draining systems, there is only one inescapable truth.

Our universe is dying. And we are dying with it. From where we sit, our Universe is dark, no stars remain, one trillion years after the birth of our Universe, it is ending; not with a bang but with a whisper.

The ruddy light of Sindin Prime was home to sixty trillion lives. Circling in a variety of close orbits, mega-constructions with superconductive surfaces struggled to pull in the vital energy from this, one of the last dying stars in the galaxy. As the stars have waned, multiple intelligent races have come together to harvest what energies remain from the Last Suns of our galaxy. Around Sindin Prime, there have been over three hundred separate species sharing space above the worlds.

Several factions of the government are losing control of their people. Predation from the Outer Dark has increased as Entities, life forms who have adapted to the darkness, but still hunger for light have begun to circle Sindin Prime, in ever closing orbits.

They once attacked every few centuries, now decades separate their stronger and stronger attacks. They destroyed an orbital construction above Sindin Prime, killing two billion sentients. There is very little energy to spare on defensive technology because we are so energy poor.

Recent computations indicate they will be making another pass in a decade or two, so plans to slowly accelerate asteroids toward their likely entry points to the system should kill an estimated thirty to forty-two percent of the approaching attackers and hopefully low energy point defense systems will do the rest.

I am Judira Corm Hex-aka and I am charged with creating a technology that will likely murder fifty trillion sentients, eighty percent of all the known life left in our galaxy for a chance for ten trillion to have a life in a statistical possibility, a parallel universe. This technology is called a dimensional emission array. My fathers and mothers have spent hundreds of standard years working on this project with the permission of some of the collective governments.

Time is growing short. Sindin Prime's energy output is diminishing and we will need to utilize it as the primary power source for the dimensional bridging array. This will exhaust the last of the nuclear potential of the red dwarf leaving only an burning cinder when we are finished.

If we fail, we will all die. Not quickly. No we will struggle against the coming darkness. We will expand our technology to harvest the dark stars final wavelengths of energy, extending our reach and our lives, such as they are, for another two hundred millennia.

A last gasp after the lights go out.

Thaddeus Howze © 2011

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The Complete ebook...

Ok,I dropped the price of my novel from $4.95 to .99, shifting my marketing focus back to my original intention of exposure over revenue. The novel is now in over a dozen or more "free ebook" directory websites. I even sent a review submission to RAW Sistaz!

Here's the download link for the novel from my website's book page in PDF format:


http://www.larrywinfield.com/BStrings_ebook.pdf

If you have a device that needs the book in a different format, click this link from ManyBooks:


http://manybooks.net/titles/winfieldlother10Banjo_Strings.html


Now that the book is released, I'm hoping to see some reader reviews, perhaps by Labor Day.

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SPECULATIVE LITERATURE FOUNDATION ACCEPTING APPLICATIONS FOR THE
GULLIVER TRAVEL GRANT

For Immediate Release: July 22, 2010

The Speculative Literature Foundation (SLF) is accepting proposals for the Gulliver Travel Research Grant from July 1st 2010 until September 30th 2010.

SLF travel grants are awarded to assist writers of speculative fiction (poetry, drama, creative nonfiction) in their research. They are not currently available for academic research. We are currently offering one $800 travel grant annually, to be used to cover airfare, lodging, and/or other travel expenses.

PLEASE NOTE: This grant, as with all SLF grants, is intended to help writers working with speculative literature. If you're not sure what areas that term encompasses, we recommend referencing our FAQ (question #2) on the web site.

Travel Grant Application Procedures

Send the following three items to travel@speculativeliterature.org as attached .doc or .rtf files in one e-mail:

1. A writing sample in the proposed genre (up to 10 pages of poetry, 10 pages of drama, or 5000 words of fiction or creative nonfiction)

2. A bibliography of previously-published work by the author (no more than one page, typed); applicants need not have previous publications to apply

3. A one-page written description of the project in question (maximum 500 words). Please include: Where you intend to visit (be as specific as you can), when you intend to travel (including the completion date), and what you will gain from field rather than desk research via a library or the internet

If awarded the grant, the recipient agrees to write a brief report of their research experience (500-1000 words) for our files, and for possible public dissemination on our website.

Travel may take place from any country to any country, or internally within a country; the grants are unrestricted. Funds will be disbursed in U.S. currency (but can be sent through PayPal if that is more convenient for international recipients).

The grant recipient will be announced by October 15th. All applicants will be notified of the status of their application by that date.

----------------

The Speculative Literature Foundation is a volunteer-run, non-profit organization dedicated to promoting the interests of readers, writers, editors and publishers in the speculative literature community.

"Speculative literature" is a catch-all term meant to inclusively span the breadth of fantastic literature, encompassing literature ranging from hard and soft science fiction to epic fantasy to ghost stories to
folk and fairy tales to slipstream to magical realism to modern mythmaking–any literature containing a fabulist or speculative element.

More information about the Speculative Literature Foundation is available from its web site: http://www.speclit.org/


SPECULATIVE LITERATURE FOUNDATION
PO Box 1693
Dubuque, IA 52004-1693
http://www.speclit.org
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Note* There are eight great points to consider in the body of this blog when publishing; whether self or through mainstream. I hope this is helpful to everyone who is trying to take their work to a universal and commercial level. This is really great for those that have already self-published. Write on! ~Moses

==================================

Copyright Barnes & Noble, Inc. 2010


Each year, we review more than 100,000 submissions from publishers of every size and background. Our buyers review publishers’ catalogues,
marketing materials and galleys or sample copies to help them make their
decisions. Most of these books are added to our book database and a
small order is placed for our warehouse. This makes a title available
for sale on our Web site and for order through our stores.

If you would like your title to be considered by our buyers, please submit a finished copy (no manuscripts please) of the book along with
marketing and promotion plans, trade reviews, and a note describing how
the book meets the competition (what makes it unique) to:


The Small Press Department
Barnes & Noble
122 Fifth Avenue
New York, NY 10011


Please include your phone number and e-mail address.

The information must include the ISBN and the suggested retail price. The review process takes about six weeks. The Small Press Department
responds to all submissions in writing.

All books will be considered for store placement based on subject matter and salability. Please consider the following points when
publishing and presenting your book.

Points to Consider

  1. Does your book have an International Standard Book Number (ISBN)?
  2. Does your book have a bar code?
  3. What sort of binding (saddle stitch, staple, perfect, plastic comb, ring) does your book have?
  4. Is your book available through a wholesaler?
  5. Is your book priced competitively with other titles of a similar topic and quality?
  6. Has your book met compliance certification?
  7. Why should Barnes & Noble place your title on its shelves?
  8. Where can you find more information on the topic of book writing, publishing, and marketing?

Does your book have an International Standard Book Number (ISBN)?

We use the ISBN to track inventory and sales information. An ISBN is a 10-digit number that specifically identifies your title. ISBNs are
furnished by:


ISBN Agency
630 Central Avenue
New Providence, NJ 07974
(877)310-7333
(908)219-0188 (fax)
www.isbn.org


Processing takes 10 working days. An extra fee brings 72-hourpriority handling. If your book has already been printed, you can
sticker your book with the ISBN once it is assigned. The ISBN and price
should appear on the back cover of the book.

For more info click on this link:
http://www.barnesandnobleinc.com/for_authors/how_to_work_with_bn/how_to_work_with_bn.html

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SCRIPT MAN: THE BEGINNING

BY,


MOSES T. CLARK JR.

FADE IN:

INT. COFFEE SHOP - DAY


The shop is packed with a bunch of motivated working people. A room full of sugar-grubbing coffee addicts.

A Black man, CLARK (27) is sitting at a table,typing away on his laptop. His physic is cut, with short wavy-brown hair, and strong hands like that of a working man's hands. He continues to type like he is isolated in his own world.

An attractiveCaucasian/Asian woman SANDY (29) petite figure, with long auburn hair, sophisticated glasses, pretty blue eyes, and a scarlet casual outfit
that matches her lips, walks by sipping on a cup of coffee.

SANDY
Is that a script you're working on?

CLARK
Yeah, a revision I'm fixin' up...I got a
meeting at the Writers Hall tomorrow.

Sandy gives a solemn smirk.

SANDY
Oh' yeah! Maybe I should throw up a
prayer to the Script god for your
success.

CLARK
I'd appreciate that.

Sandy gave a goodbye smile and walked towards the exit. For a second, Clark thought that there was something peculiar about her, and then he nodded his head, forgetting that thought.

INT.WRITERS HALL, LOBBY - DAY

The lobby is crowded with a bunch ofno name writers, sitting down quietly -- looking like cattle going to the slaughter.

A female RECEPTIONIST sits at her deskchewing on gum...every three seconds she manages to give an annoying POP.

Clark is posted in an uncomfortable chair, waitingpatiently.

He notices a MAN come out of the door upstairs. Theman looks like an odd poindexter, and he is also walking funny-wiping his slimy mouth-burping.

This makes Clark feel moreuncomfortable. He now has a concerned look on his face.

RECEPTIONIST
Clark! You're up next!

The Receptionist hit a button that caused the main door to re-open. Clark slowly went up the stairs and through the door...

INT. WRITERS HALL, CORRIDOR -CONTINUOUS

...While he is walking down the corridor hallway,there is a horrid smell that makes him gag.

The further he walksdown the hallway, the more the area starts to deform. It now looks like an underworld, an abyss -- with torches on the walls, and statues of ancient creatures.

INT. WRITERS HALL, MAIN OFFICE - CONTINUOUS

Whenhe finally gets inside the room, he is sickened to see a line of
writers -- people of all races and genders, sucking huge white cocks.

SCRIPTGOD (200) approaches him with his long dark hair, silver eyes and a
pale face that probably has not seen light since 1862.

CLARK
What the hell is this place? I thought
this was suppose to be the Writers Hall?!

Script god touches his own pale chin with his long ivory nails and gives a seductive smile.

SCRIPT GOD
Calm down, you're in the right place.
This is the Writers Hall.

Clark is aggravated by the sucking sound in the background.

CLARK
But there's nothing here, but a bunch
of...

SCRIPT GOD
Cocksuckers. Is that what you think they
are? My dear lad you must be mistaking...
for these are Hollywood's finest
contributors.

CLARK
You're insane!

SCRIPT GOD
And you my dear friend are talented...
think about this clearly before you
judge. We all have to suck cock at some
point in our miserable lives. Look at
Halle Berry, she hadto suck Billy Bob
Thortons cock to win an Oscar. Everyone
needs to taste humility sometimes.

Clark holds his hand over his mouth coughing in disgust.

SCRIPT GOD
So be wise Clark, suck my cock, and I
can promise you a very fruitful career.

Clark has a deep frown, and walks closer towards the Script god. He tightens his fist, and punches the demon in his ashen-face, causing him to fall to the floor.

Clark dashesfor the exit.

SCRIPT GOD
Kill him! Before he exposes us!

A group of agents rush towards Clark, chasing him down the hallway.

With all his might, Clark kicks open the door...

INT. WRITERS HALL, LOBBY - CONTINUOUS

...moreagents thrust forth with guns aimed at Clark. The writers in the lobby
all run outside terrified.

Clark finds himself surrounded andthen...Sandy the lady from the coffee shop storms in, exposing the truth that she is...

CLARK
Script Girl?

Clark's eyes widen in disbelieve. The agents become furious and try to attack
Script Girl.

Ten agents rush in and she does a kick that sendsfive flying back to the floor unconscious.

The other Five try toget physical and she breaks one of their arms, jabs another in the chest causing him to spit up blood, knocking two out with the palm of her knuckles, and this leaves the last agent who cowardly tries to shoot at her.

The bullet shoots out in slow motion, Script Girl dodges thebullet, and it grazes her cape -- she finishes with an uppercut to the jaw before the agent could get another shot.

SCRIPT GIRL
let's go before that freak sends more
agents!

Clark doesn't hesitate, he follows her out the door.

INT. DRIVING - LATER THAT DAY

Script Girl is driving her cherry red convertible-- her hair is blowing in the wind. Clark sits in the passenger seat, still trying to cope with everything that just went on.

SCRIPT GIRL
I respect you for not selling out Clark.

CLARK
You know me?

SCRIPT GIRL
Hell yeah! I read your stuff on Helium...
I can help you if you let me. My job is
to stop the tyranny of the blank page,
but you...you can be much more.

The scene closes in on Clark's confused eyes.

TO BE CONT'D



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Black SCI-FI Film in Production

About this project:

The reason I write and produce stories featuring black characters is because their are very little heroes in mainstream media that look like african americans. So I am creating a film called "The Flying Bullet: Peril of the Phoenix Planet" which will be a SCI-FI adventure film dealing with a Tuskegee Airman being transported millions of mile away from Earth in 1943. This film is a 100% science fiction story. I took the rich history of african americans and combined it with the science fiction genre. The story deals with the struggles of african americans to be counted as full citizens of the United States in defense of their country during WWII. Curt Master soons discovers that the planet Earth is entangled in a bigger intergalactic struggle to remain free from a nefarious Warlord.

My screenplay is already complete. I plan to begin shooting in June of 2010. I have enlisted aid from other african american actors, illustrators and visual effects personnel. The film will be
shot in a studio using green screen technology, on location in Hunstville, Alabama for outdoor scenes and at the U.S Space and Rocket Center in Huntsville, Alabama for interior sci-fi scenes. The film should be complete by February 2010. I plan on entering it in the the Atlanta Film Festival in April of 2011 in Atlanta, Georgia for its premiere. Also I will premiere it at the Boys and Girls Club of Huntsville, Alabama for free to all the kids. Then the film will go on sale for the public in June 2011.

Special bonus features will include upcoming projects and a "making of/ director commentary."

The cost will cover studio time, CGI work, fees, software. I have several actors involved in the project doing it for free. They are doing it because they love sci-fi and want to see a project like this so all kids and adults can enjoy. But I would like to have something left over in order to pay them a nominal fee.
Heroes Like Me Entertainment wil produce original, low-budget, short films in the action, adventure and sci-fi genre starring african americans. I'm not asking for a hand-out but an opportunity to market the films to cable companies like TV-One, BET, SCI-FI Channel, Nickelodeon, and others networks.
Check out my website at heroeslikeme.com where you can see my other published work and content. If you have any further questions plesase email me at chris@heroeslikeme.com

I believe that everyone deserves heroes that look like them.


Project location: Huntsville, AL

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The Division: Part Four

Time travel is not a right. It is a privilege, one reserved for academics and policy makers. Formerly, history could be accessed only through the weathered pages of texts. Quite often those texts were marred by the tendencies of the authors to embellish and mythologize. Time travel, when it transcended the boundary dividing theory and application, offered an opportunity to bypass the texts to get a first hand view of some of the most monumental events in the history of humankind.


A nostalgic warmth settled over Kameron as he regarded the commendation plaque hanging over the entrance to his bedroom. The operative had spent the better part of a day in his quarters, immersed in thought. Dr. Win had given sound advice, sound options. Take less stressful assignments or take time off. Either option made perfect sense. The problem was, neither option was a solution to resolving the burning conflict raging inside Kameron. When Kameron gazed upon the plaque, however, his disquiet dimmed and memories of a less complicated, clearer cut side of him bubbled to the fore. He was honored with the plaque for saving a young Mohandas Gandhi from a hit squad of temporal renegade assassins.
Kameron’s mood took a downward turn, however, when he remembered being sent back on a later mission, to the same time frame to prevent another gang of renegades from saving the Indian nationalist from his appointed date with death on January 30, 1948.
Yes. Some time off would do him a wealth of good.
The comm unit in the main room chirped, abruptly pulling Kameron out of his reverie. An automated voice followed: “Operative Childers, the Director summons you.”
Kameron was tempted to ignore the summons. After a moment of further reflection he forced himself into motion.


The Director’s image was a black cutout on the display screen, pasted onto a white field. His voice was modified to a low pitch drone, further masking his identity.
Every time Kameron stepped into this featureless, antiseptic audience chamber, every time he gazed upon the talking silhouette on the screen, he could not shake the eerie sensation that he was some bygone acolyte communing with his god.
“Good work at Hastings,” the Director praised. The silhouetted head moved slightly forward in a most minimal of nods.
“Thank you, sir.”
“You’ve barely been back for more than a day. Yet, a crisis has surfaced and we have, yet again, a need for your invaluable service.”
Kameron raised a hand in polite interruption. “Sir, before you say more, I’m putting in for a leave. I would really appreciate it if you assigned someone else to this crisis.”
“There is no one else I trust more to get us out of the tight spots than you, Kameron. You have more than earned your leave time, a year’s worth if you ask me. But I need you…no, I’m requesting that you postpone your leave for the short duration of this mission. At least hear me out before you make a decision.”
By all rights Kameron could have turned down the Director’s request. After all, wasn’t he, as Dr. Win suggested, burning out? Hadn’t years of successive missions with little or no extended down time in between conferred oppressive scabs of wear and tear on his mind and body? A written medical authorization from Win herself would have added professional weight to Kameron’s rejection.
It’s funny how something inside Kameron responded to the prospect of a new mission like a drug addict craving a fix.
“I’m listening, sir.”
“EVNTL: 1968,” the Director began. “There were two renegade attempts to prevent the assassination of Historical Subject: Dr. Martin Luther King. First attempt was an orchestration of King’s arrest by the local authorities in Memphis, Tennessee, four hours before his scheduled termination. In the second attempt, renegades arranged for King to be checked into a different hotel, putting him out of the effective reach of his assassin. Two teams of operatives succeeded in restoring the Baseline in both episodes. However, Timeline Watch has picked up convincingly actionable chatter indicating that King’s assassin is being targeted for death. There may be a half dozen or more renegades involved in the conspiracy. If they are on the ground that means the assassin is in very imminent jeopardy.”
Kameron could not see what the Director was thinking, but he could feel currents of anticipation radiating hotly from the silhouetted image.
The fix of a new assignment clawed at the operative with equal urgency. After a moment of internal debate, Kameron succumbed to his urge. “I’ll need a complete brief.”
“Already compiled,” said the Director with a smile in his voice.


Joy, turmoil, despair, ecstasy, good, evil, apathy, concern, progress, stagnation, fanaticism, moderation. History is a landscape of opposites. There is the good and the bad. There are also the gray areas, where complexity thrives and ambiguity is nurtured. The best-intentioned renegades seek to purge the bad from history. They want to end suffering. They may prevent a catastrophic event from occurring, but all too often, the result of their interference unleashes a chain of events that directly or indirectly lead to dire consequences elsewhere. What has their intervention gained them other than reinforcing the ironclad fact that utopia cannot be imposed upon history.


EVNTL: 1968. Kameron appeared just outside the rooming house across from the Lorraine Hotel in Memphis, Tennessee. It was pitch black, the surrounding street bathed in empty silence. Kameron tapped into his optic implant and tried to scan a section of the house overlooking the hotel’s second floor balcony. His implant was on X ray mode with an infra setting. Yet, Kameron’s visual reading of the room where the assassin was supposed to be lurking came up fuzzy. Someone was using a device that most definitely was not 20th century tech to scramble the operative’s attempt at surveillance.
Kameron tensed briefly before a salve of calm cooled his rising adrenaline to a level he could manage. Temporal renegades were on site. For all he knew they may have already been inside the building. There was only one way to find out. Kameron tightened his focus, pulled out his darter pistol and proceeded with the highest vigilance toward the rooming house entrance.
Kameron paused. King’s assassin may have already been dead. The operative shot a glance toward the motel balcony where the civil rights leader’s room was located. The next day, King was going to die and this unassuming motel would be immortalized in history. Kameron resumed his approach to the entrance, uncertainty a heavy drag on his pace. Then he stopped five feet from the door. No. Kameron shook his head. What the hell was he thinking accepting this mission? All he had to do was follow the doc’s advice. He didn’t know if he could do this anymore…
A bare scratch of movement on the other side of the door graced Kameron’s keen ear like a butterfly’s whisper. Instinct seized hold of the operative. He dropped to the ground a second before a stream of neutronium glazed flechettes ripped through the door, turning solid wood into heated splinters.
Kameron rolled away from the doorway, nimbly enough to avoid being mulched, but not quickly enough to evade a hit. A flechete grazed his bicep, but Kameron didn’t feel it. He opened up on the unseen shooters before he completed his tumble. Kameron’s darter flared ferocity. He sent thirty round per second bursts chattering through the shredded remnant of the door. An answering scream came from inside.
One down.
Kameron ceased fire, jumped to his feet and crouched toward the door. Footfalls from behind. Kameron unclipped an anti-personnel charge from his belt before turning his gun on the danger to his rear. A figure with an assault weapon opened fire on him. Kameron responded, loosing a ten round ripple of metal that gouged bloody divots out of the aggressor’s center mass, sending the latter’s shots arcing wide into the night.
Kameron’s next action occurred in almost the same motion. He tossed the charge through the door’s aperture and turned his head away from the muted blast. A billow of smoke and debris ejected through entrance, incinerating what was left of the door. Kameron dove into the rooming house on the heels of the blast. Something sharp and hot bit into his leg. Kameron disregarded the pain, caught a dance of movement ten feet to his right and put a brace of flechettes through yet another body. The assailant stumbled backward, clutching a ruined area just below his throat.
Kameron leapt behind the mutilated remains of a couch. He swiftly detached a spent ammo clip from his darter and slapped in a full clip.
“Kameron!”
Kameron’s head jerked up. Someone was calling his name. Impossible. There was no way a temporal renegade could know his name. The voice did sound oddly familiar.
“Kameron Childers.”
The operative sidled closer to the couch, taking some comfort in its illusory utility as a cover. He was morbidly aware, however, that this tattered piece of furnishing was not going to protect him from a full fusillade of flechettes. He didn’t know what game these renegades were playing by repeatedly shouting his name, but Kameron was not about to indulge them with a response.
“Kameron, it’s me, Jimmy.”

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