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Rent-a-Cracker Part 4

Shawnetta said, “Come on. He won’t bite. He’s super polite, and he’s into hip-hop.”

They approached the passenger side of the car. Rapsilico stared straight ahead at the ball-playing kids who had resumed their rule of the street.         

"You know I ain’t into white boys, but damn, that nigga is fine.” Claudine bent down to get a better look at the clone, and Shawnetta nudged her. “Can he hear me?”

“Yes. He has ears.” Shawnetta opened the door. “Rapsilico. This is my friend, Claudine.”

The clone hopped out of the car, and Claudine backed up, a mistrustful frown on her face.

“Whattup, Claudine.”

"Hey.”

"Can I call you Claude?”

“No.”

“Aight.” 

Claudine studied the White Man. “What’s your name again?” 

“Rapsilico.” 

“It fits.” She turned to Shawnetta. “Let’s go, before my neighbors see me out here talking to Frankenwigger.”

She reached for her door, but the clone grabbed the handle first. “Let me get that,” he said. Claudine climbed into the car and sat back in her seat, impressed. Shawnetta knew it was because most men in L.A. were sorely lacking in manners. They brushed past Shawnetta to enter the elevator first, let doors slam in her face, and on the rare occasions when they asked her on a date, they were at the entrance of the restaurant long before she’d even descended from the car. Now here was this Companion treating them with more respect than most red-blooded men they knew. After he closed Claudine’s door, he raced around to the driver’s side.

“I got you, Shawnie.”

“Thank you.”

It would be nice to put everything in his hands, to turn the wheel over to her White Man and let him chauffeur them around town. She knew his wallet contained a license that specified he was a driving-enabled clone, but she didn’t want to take the risk. Not yet. Maybe after knowing him for a few weeks, she’d take him somewhere out of the way to test his skills. 

As they drove off, Claudine said, “How old are you, Silico?”

“Rapsilico,” Shawnetta said.

“Right. Rapsilico. How old are you?” 

“Twenty-seven.”

“Got you a young boy.”  Claudine winked at Shawnetta in the rearview. “Now do they rent you out to white girls too, or are you only leased to sisters?”

“Claudine.”

“What? Everybody in here is grown. I’m just getting to know Rasp – your friend here.” She reached up to feel the clone’s hair. “If I didn’t know any better, I’d think this crack – this White Man was the truth!”

Shawnetta glanced over at her Companion. If Claudine’s insults bothered him, it didn’t register on his face. He still smiled that boyish grin as he stared at the street ahead.

“Back to my question, Rapilico.” 

“His name is Rapsilico.”

“My mistake. Back to my question, Rapsilico. Do they rent you to white girls or only black women?”

“I’m strictly into sisters.”

“Good answer,” Claudine said.

“I love black skin,” he said.

Claudine chuckled a good minute before she said, “They trained you well, honey. But those pretty blue eyes must have cataracts, because that sister sitting next to you is far from black. Well, she black, but she as light as they come. What in the world is this country coming to when even light-skinned chicks are hard up for dates?”

Rapsilico put a hand on Shawnetta’s cheek. “She’s beautiful.” 

Shawnetta felt her face reddening beneath his oily fingerprints. The clone had been programmed well … or had her features triggered something in him, some memory of loveliness? 

Claudine sat back in her seat, watching the passing scenery. A dreadlocked man hoisted a toddler onto his shoulders as they crossed the street. The little girl grasped his ears, resting her cheek against his hair. 

“Your windows are dirty,” she said.


Ten minutes later, they pulled into the parking lot at the Baldwin Center Plaza on La Tijera and Heliotrope. Although it had been renamed by its new owners several years prior, everyone Shawnetta knew still called it Baldwin Center. She rarely shopped at this mall because it was one favored by black folks, and too many black people congregating in one place made her nervous. If she was ashy because she forgot to put on lotion after getting out of the shower, they noticed. If her hair wasn’t styled to a T, they noticed. Their unvoiced criticism was harsher than verbalized critiques from the white people she knew. She would definitely stand out with Rapsilico here, but that’s what she wanted.

“Now, this is family,” Claudine said, as they neared the entrance. She linked arms with Shawnetta. The clone was close on their heels like a puppy vying for attention. Claudine swatted at him with her free hand. “Back up, son.” 


“He doesn’t take orders from you.” Shawnetta turned to her White Man. “She meant to say, can you give us a little room, please?” 

“Aight.” 

Claudine was messing up her plan. Shawnetta wanted to make her entrance hugged up with Rapsilico. Now he lagged behind like a reluctant coworker who had gotten roped into joining them.


“He’s nice and everything, but I can’t wait until his lease is up,” Claudine said. “A little plastic is cool every now and then, but I don’t see how you can wake up to that every day.”

“Why not? He sure is easy on the eyes.” 

“True, but black love is a beautiful thing.” She nodded at a pregnant woman with braids who was stopped at the crosswalk, waiting for an SUV to pass.  

Shawnetta said, “I don’t believe in black love anymore.” 

“That’s because you need to come south of Wilshire Boulevard,” Claudine said. “You’re a beautiful woman, Shawnetta. Bourgie, but beautiful. You always get attention when you hit the hood. Plenty of guys was checking for you at that barbecue we went to on Slauson a few months ago.”

“Not the attention I’m looking for. They were, like, ten years older than me and divorced, or had baby mamas,” Shawnetta said. She finger combed her hair. She usually slicked it back into a ponytail on the weekends, but she had flat ironed it for the occasion. The burnt orange scoop neck dress she wore accentuated her hazel eyes. “Why should I settle? I have a degree. I have a good job in accounting at a top production company. I’m still young, and I don’t have any kids.”

“And you never will with Rap hanging around. Girl, it’s a conspiracy.”  

"What is?” 

“These clones. What if all the lonely, pitiful, black-man-hating, feeling-sorry-for-themselves sisters just up and got a cracker for hire?” Her chuckle had a bitter edge. “They’d be cuddling with clones every night, never taking time to get to know a real somebody – if that’s what they wanted.” 

Shawnetta sighed. Claudine was so old school. And for all her “black love” talk, she hadn’t been on a date in years either. 

“Claudine, black women are dying out. We have to keep our options open,” Shawnetta said. They walked through the automatic doors of a department store, and she glanced around for men’s clothing. “Besides, I’m only going to be with Rapsilico for six months. The Naturally Nordic sales rep said that being with a clone helps attract real white men. It makes them less intimidated because they see you’re open to interracial relationships.”

Claudine sucked her teeth. “Honey, a real white man wouldn’t touch you with a ten-foot pole. You too close to Becky,” she said. “You ain’t dark enough, your hair ain’t nappy enough, you ain’t got enough ass, and you ain’t got them strong Nubian features most crackers are looking for when they get their stroll on through the jungle.” 

“Whatever.”
 
Shawnetta paused by a row of men’s suit jackets. She crooked a finger at Rapsilico. “Come try this on, sweetie. We need to find you something hot for the holiday party.”

Shawnetta held out a pinstriped black jacket and the clone slipped into it, but it hugged his biceps too tightly. She looked around. A tall dark-skinned salesman rang up a customer at a nearby register. As he handed the woman her bag, Shawnetta waved at him. He jogged over with a smile, which slipped when he saw the White Man standing by her side. She noticed the diminished cheer in his eyes, the same siphoning of joy that echoed in hers when she saw what appeared to be an available black man later joined by a white woman. 

“Good morning. Need some help, ma’am?” His nametag read Xerxes.

“My boyfriend is buying a new suit,” Shawnetta said. Behind her, Claudine snorted. “Can you help us with some sizes?” 

"My pleasure.” Xerxes gave Rapsilico the once-over. “You’re a 38, right?”

“That sounds about right,” Shawnetta said. The black man turned away from her, rifling through the clothes. He handed the White Man a jacket. “Here you go, sir. I’ll get you a size 32 pants.”

“Thanks, son,” Rapsilico said. 

Xerxes paused, his hand gripping the rack ...

 

Part I

Part II

Part III

Read more…

Rent-a-Cracker Part 3

The clone jumped to his feet and headed toward her. Then he turned around and kicked off his tennis shoes, placing them in the spot where her stilettos had lain.

Damn. Why can’t he be real?

He followed her into the bedroom, and she turned on the light.


“Stay there.”

“Aight.”

She opened her walk-in closet and placed her shoes in a wooden rack. She walked past the clone and opened the top drawer of her oak dresser, removing a pair of panties and a pink cotton nightgown. Normally, she’d feel embarrassed about pulling out such intimate items in front of a stranger, but she didn’t feel nervous around Rapsilico. She went inside the bathroom and closed the door. She showered before getting dressed for dinner, so she stepped out of the black dress and changed into her nightclothes. She washed off her makeup at the vanity adjacent to the bathroom, staring at the clone in the mirror. He was standing in the doorway where she’d ordered him, facing the wall behind her poster bed. She knew Rapsilico was self-cleaning, and she wondered what would happen if he got wet.        

I’ll finish reading the owner’s manual in the morning. Shawnetta knew to activate the White Man for the first time, she only had to speak his name. To shut him down, she used the phrase, “Time to close your eyes.” It was a silly command, since the clone couldn’t lower his eyelids all the way. The deactivation phrase reminded her of something she might say to a fussy child refusing to take a nap.

“I like that nightgown on you. That’s a real pretty color.”

“Thanks, Rapsilico.” She gestured to the armless accent chair next to her armoire. She had purchased the chair because the chocolate velvet coordinated well with her bedroom furniture, and she wanted another comfortable place besides her couch to read. But she ended up doing all of her reading in bed. She spent most of her time in bed. Alone. “You can sleep here.”

“Solid.”

Rapsilico reclined in the chair, his hands on his legs. He didn’t have a change of clothes, and there was nothing she could offer him to sleep in – no pajamas or even a tee shirt left behind by a former lover. They would have to go shopping in the morning. She turned off the light and climbed in bed.

“Goodnight, Rapsilico.”

“Night, Shawnie.”

“Time to close your eyes.”

The clone fell silent. Light from the street lamp streamed through her vertical blinds, bisecting his torso. Shadows hid one side of his face, but she still saw his unblinking blue eyes.


Shawnetta drove east on Wilshire on her way to Claudine’s house. It was Saturday morning, and she called her friend an hour ago to ask her to accompany her and Rapsilico on their shopping spree. Shawnetta was eager to show off her White Man, even though she knew Claudine only had eyes for men with dark skin. But her clone was so handsome and polite, he could win over the most militant of black women. She needs to keep her options open.

Earlier, when Shawnetta arose, she nearly tumbled out of bed at the sight of the upright figure in her accent
chair, hands on his legs, lids at half mast. It took her a moment to realize that he was not an intruder. She decided to shower and dress before activating him for the day. While he was still in resting mode, she raked a wide-toothed comb through his hair, patting the yellow tresses into place. She straightened the polo shirt and shook a few drops from a sample cologne vial in his general direction. Then she called his name.

Now they cruised down Crenshaw in her Jetta, the White Man’s arm resting on the window ledge.

“I love sunny days. It’s so beautiful outside, isn’t it, Rapsilico?”

“Word.” He turned toward her with a grin. He would look even sexier wearing a pair of designer shades. “Not as beautiful as you, though.”

Shawnetta fumbled for a CD in the case attached to her visor. “What kind of music do you like to listen to?”

“Oh, I listen to whatever – Jay-Z. Snoop. Ice Cube. Whatever you like, Shawnie.”

“So, you’re a hip-hop head?”

"I always have hip-hop in my head.”

I wonder how black they made him
. Shawnie signaled to get into her left lane. Claudine’s street, Adams Boulevard, was a few blocks away. A Latino selling oranges near the freeway on ramp turned to watch as they passed. Does he only have a superficial hood knowledge, or is there some soul in his DNA?

She said, “I loved hip-hop growing up, but now most of it is so commercial. Some ugly, tatted up, gold-teeth fool is always bragging about his money and his bitches,” she said. “But we had real music back then – Public Enemy, Digable Planets, Salt-N-Pepa, De La Soul.”


“Black Sheep. Eric B and Rakim.”

Shawnetta curled her lips in disbelief. “What? You don’t know about Eric B and Rakim.”

“I know Eric B and Rakim.”

“Okay. Whatever.”

The blond Man smiled. Then nodding his head, he rapped:            

            “I came in the door, I said it before     
            I never let the mic magnetize me no more But it's bitin' me, fightin' me, invitin' me to rhyme
            I can't hold it back, I'm lookin' for the line …”


“Wow.” Shawnetta shook her head as she inserted her CD. “Color me impressed.”

She was silent for a few minutes, digesting the experience. She felt more attracted to him now. They liked the same artists. Or was he only reciting from an extensive catalog of rap music that had been preselected for him? Her White Man continued to nod in rhythm to an imaginary beat, and she turned up the volume on her Elton John song.

A few minutes later, Shawnetta pulled up in front of the pink bungalow Claudine rented. Three or four kids played catch in the middle of the street. They separated to let her car pass, and then continued to toss the ball to each other.

“I’m going to get my friend. Stay here, Rapsilico.”

“Aight.”

As she opened the gate and headed up the walkway, Claudine poked her head out the front door. She must have been watching from the window. She locked the door, then turned toward Shawnetta with a wide grin.

“If it ain’t the Colored Girl and the Clone.”

“Good morning to you too, Claudine.” 

“You know I’m just messing with you, girl.” Claudine chuckled, zipping up her sweater jacket. Although September was still considered a summer month in Los Angeles, the morning was chilly. “Can’t wait to check out your new man. How’s he treating you?”

"He just came in the mail yesterday, but so far so good,” Shawnetta said as they walked toward the car. “We went out to dinner last night.”

“That’s nice. Who paid?”

“He did.”

That wasn’t exactly true. The NNI Companion came equipped with a wallet in his back pocket, but the debit card he used to pay for their Mexican food was pre-loaded with Shawnetta’s money. He would continue to “treat” her with the card, but she had to check the balance and deposit more money when the funds ran out.

Claudine whistled, opening the gate. “That’s what I’m talking about. I need to get me a White Man. I always heard they don’t mind coming out the pocket.” She paused, staring at the pale arm hanging from the window of the Jetta. 

Part 1

Part II

Part IV

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Rent-a-Cracker Part 2

“I mean, your new companion. Shawnetta Jones.”

“Whattup, Shawnetta.”

“Hi.”

"Can I call you Shawnie?” His voice was deep, his speech clipped. She detected a New York accent.

“Sure. That’s fine.”

“Solid.” He grinned, and she almost expected to see a glint of gold, but he displayed strong white teeth.

Now that he was awake, and she was staring at him face to face, Shawnetta decided that Rapsilico was the most handsome white man she had ever seen. Since she had never dated one before, she didn’t want to go with the Golfer, Computer Geek or Suave Businessman models featured on the NNI site. She’d specified on her order form that she wanted a clone that resembled the black men she was most attracted to – thugs. Her very own synthetic wigger. Fortunately, the White Man came with a Vernacular Adjustment Module on the back of his ear that she could press to calibrate his slang if it grew too jarring. She could just hear Claudine saying, “Why in the world did you pay over $3,000 for a fake nigga when you could get the real thing for free?” She realized that her choice was hypocritical, that she resented black men for dating white women with big butts and big lips, all wrapped up in the dainty gauze of street life, when they could have had a woman of color. 

The clone, sitting amidst discarded wrappings, glanced at her, unblinking. Shawnetta remembered that her
White Man would not make a move until she ordered him to. She felt shy but powerful, a little girl who realizes her dolls are not harmless playthings oblivious to her words, but a brawny army that only she commands.

Pulling out a chair at her dinette table, she said, “Take a seat, Rapsilico, until we figure out what we’re going to do next.”

The White Man hopped to his feet, jeans sagging off his butt. His movements were not jerky and robotic as she had imagined, but feline. She scooped up the bubble wrap where he had lain, a plastic placenta, and was about to toss it into the box when she noticed another package at the bottom. Opening the item, she saw that it contained a pair of black tennis shoes, a white polo shirt and an owner’s manual. Wonder why they sent him half naked … unless they wanted to show off his body. But I don’t even need to worry about that. As nice-looking as her White Man was, she didn’t plan on having sex with a clone – if that was even possible. She might let him sleep in bed with her once she got used to him, if it wasn’t too creepy. But she didn’t need him to hold her or nuzzle her cheek as a real lover would. 

You are strictly eye candy. She sat across from the Companion. He was her antidote to spinsterhood – someone who would make her feel beautiful and desirable, who had been programmed to treasure her blackness. He would set her apart from the platoon of lonely black chicks who roamed the streets of L.A. like foot soldiers of a forgotten war.

Shawnetta thought of the blondes and redheads at the production company where she worked, the ones with pictures of smiling brown babies hanging in their cubicles, the ones who let it be known that they had a thing for brothers, who frequented black nightclubs, spit slang and punctuated their sentences with a drawn-out “Gurrrl.”

Wait ‘til they see what this gurrl has up her sleeve. She smiled at Rapsilico, who reclined in his chair, awaiting his next directive. Wait until I show up at the holiday party with my White Man.

A few hours later, Shawnetta sat across from the clone in the food court of the Beverly Square Mall, biting into a vegetable burrito. For their first date, she had decided to take him out to dinner. Nothing fancy. They were still getting to know each other, or rather, she was trying him out. A plate of refried beans and rice sat in front of Rapsilico to make it appear he was eating. She skimmed the owner’s manual before leaving her apartment and discovered that her clone was self-sustaining, and it was not recommended for him to take in food.

A gaggle of overly dressed teens walked by wearing thick eyeliner and short skirts. They tipped across the tiles so as not to fall in their high platform shoes. Shawnetta dreaded coming to Beverly Square, but it was the closest mall to her West Hollywood apartment. As soon as she entered the plaza, she felt profiled at an invisible velvet rope. She always felt that she had to wear an expensive outfit and carry a designer bag just to go shopping, as if the mannequins would frown at her casually dressed self. But tonight, she wanted to be seen. Walking with Rapsilico made her feel high end, as if she belonged among the pricey jewelry and couture clothes. Before leaving the apartment, she changed into a slinky black dress with silver stilettos, swept her permed, shoulder-length hair to the side and pinned a rhinestone barrette to the bang. We look like we just came from the prom. She wanted to look dazzling as she paraded her Companion around. So the brothers can see what they’re missing.

“You got grease on your face. Let me get that, girl.” The White Man held out a napkin, patting her chin. The skin on the back of his hands was free of lines.

"Thanks, Rapsilico.”

She wanted to glance around to see if anyone had noticed his gentle gesture.

"Don’t want to mess up that pretty lipstick.”

Shawnetta blushed, keeping her eyes on her food. Two years had passed since she’d last been asked on a date, since a man had complimented her on her hair or her perfume. She wondered if the clone had the ability to tell her how nice she looked, if he really found her beautiful, or if even his praise was pre-programmed. But he was manufactured from the cells of a real, living man, wasn’t he? He had to have some memories or original thoughts.

“So, what do you like to do, Rapsilico?”

He said, “Oh, I’m down for whatever – shooting hoops, kicking it at the car show, paint ball. Whatever you like to do.”

“I like going to the museum. The California African American Museum has an upcoming exhibit on black surfers and skateboarders.” Feeling his eyes on her, Shawnetta tucked a lock of hair behind her ear. “Might be fun to go check it out.”

“Aight.”

She rose, and the clone leaned back to pull out her chair. She gathered their trays, but he shook a finger at her with a smile and took the uneaten food over to the trashcan. She watched him walk away, a slow-moving strut. Her White Man was sexy, and several women turned to stare at him as he shoved the trash – trays, silverware and all – into the metal bin. She knew their eyes would follow him back to their table, back to her. Had he been a living, breathing white man with those same chiseled looks and sex appeal, he never would have glanced her way. Now he stuck out an elbow, and she threaded her arm though his. She was glad to be able to lean on him, because the strappy shoes were squeezing her bunions. That same egg smell clung to his polo shirt. She wondered how often he self-cleaned. She would walk him through the men’s department at Bloomingdales and grab a few cologne samples.          

An interracial couple was headed their way – a deep-brown woman wearing a yellow dress walked beside a handsome man with a goatee. When they neared, Shawnetta coughed to catch the woman’s eye, and the woman looked over. Her glance included Rapsilico, and she nodded at Shawnetta. Shawnetta nodded back. Some type of unvoiced kinship had passed between them, born of that simple nod. But was the stranger’s white man real? So busy was she calling attention to herself, she didn’t notice if he blinked or not. How many other black women were walking around with Naturally Nordic Companions?

“You know that chick, Shawnie?”

She stared at the stranger’s retreating back. “Maybe.”

It was a little after 10:00 when Shawnetta and the clone returned to her apartment. A pang of disappointment thumped in her chest. She had gotten a few curious glances from passing white women and black men as she and Rapsilico went window shopping after their meal, but not the envious daggers she’d been expecting. Some brothers had the nerve to glare at her as they strolled by with Becky on their arm, as if miffed that she had somehow rowed away from the isle of spinsterhood without needing their raft. Later for those hypocrites. She sighed as she bent to unfasten her shoe.

Rapsilico said, “Let me get that, girl.”

She started to decline, but then she said, “Sure,” and sat in a dinette chair so the White Man could remove her shoes. He kneeled and placed her foot in his lap. When she realized Rapsilico was about to yank off the stiletto, she said, “Not like that. See the strap? You have to unfasten it.”

“My bad.”

He fumbled with the buckle for a few minutes, finally easing off the shoe. He slid the other one free and placed the pair against the back of the couch – the temporary home for the shoes she discarded as soon as she came in the door. 

He’s a quick learner.

“Can I rub your feet?”


Shawnetta faltered. “If you want to,” she said with a shrug.

“I like your toe polish.”

“Thanks.”

His skin was still oily, but the pressure he applied to her instep felt good. She wanted to cry. She was getting aroused by an artificial White Man, by the sight of his long, pale fingers kneading her aching arches. She wouldn’t turn him down if he offered to draw her bath.

But he didn’t. She realized that he’d be down there on his knees for hours, rubbing her feet until the skin flaked away, unless she gave him another order.

“That’s enough, Rapsilico.” She drew her legs in and stood.

“Aight.”

“Thank you. Good night.”

“Night, Shawnie.”

She picked up her shoes and headed toward the bedroom. She paused, her hand on the light switch. The White Man was still in the dining room on his knees in front of the chair, staring at the wall, unblinking. I can’t leave him there all night.

“You don’t have to stay like that, Rapsilico. Come here.”

 

 Part I

Part III

Read more…

Rent-a-Cracker

As Shawnetta Jones rounded the hallway leading to her apartment, she saw, covering her welcome mat, the plain brown carton containing her White Man. She walked around the package, which was the size of a washing machine. I can’t believe it’s really here. Going to be a bitch getting him inside. Naturally Nordic Industries was stamped on one side of a box that was slightly darker than her skin. She waived her signature upon delivery because no one in her building would try to steal so heavy an item. Besides, there was little foot traffic outside her door.

Shawnetta slid her key in the lock and turned the knob. Pushing her purse up on her arm, she rocked the carton from side to side as she pulled it across the door sill. It’s actually not that heavy. Hollow squishy sounds met her ears. It was like dragging a sedated child over the threshold. She closed the door, pausing in the foyer to listen. Overhead, her neighbor’s bulldog scampered across the floor, nails clicking on the wood. In the kitchen, the refrigerator crackled as it made ice. The carton was still. She was anxious to open the package, but afraid of what she would unleash not only in her one bedroom apartment, but in her life. But the White Man wasn’t a threat. The sales rep at Naturally Nordic Industries had boasted that their clones were “100 percent docile and loving. They do whatever you want them to. Just give the order.”

Well, I have six months to find out.
Shawnetta stepped out of her heels near the back of the leather couch and dropped her purse on a cushion. Once in the kitchen, she retrieved a pair of shears from the wooden storage block by the stove. She returned to the box and sliced the clear sealing tape with one quick motion. As she peeled back the flaps, an odor like rubbing alcohol and burnt eggs escaped from the opening, not the wet fur smell she had anticipated. Her order slip was placed face down on a mound of bubble wrap, and she was tempted to squeeze the air-filled ovals that resembled a mosaic of transparent eyes. Instead, she read her receipt:


Qty: 1 Naturally Nordic Adult Male Companion
Features: Blond hair, blue eyes. 75 inches. Chin cleft. Small scar on neck. Hair and skin are self-cleaning. DO NOT submerge in water!
Name: Answers to Rapsilico. If customer reprograms to different name, please restore to default upon return to NNI.
Rental charge: $3,350. Prepaid. Customer billed $100 late fee each day Companion is held past return date.

Although Shawnetta couldn’t see the clone’s face, she felt giddy. All that was visible through the plastic wrap was downy yellow hair. But he was hers. Her very own White Man. A companion to play with for the next six months. I can’t lift him out. Should have turned the box on the side before I opened it. She grabbed one of the flaps and tugged. The box fell to the floor with a dull thud. The bubble wrap popped as she hauled the sleeping form out of its resting place and across the hardwood flooring. She severed the plastic covering with the open blade, and the body sighed as she removed the wrapping. The Man lay on his side, knees pressed against his chest. He was barefoot, clad only in jeans. His hands were tied in front of his legs with a black ribbon.  

Probably to prevent too much shifting during delivery. Shawnetta knelt before the clone and untied the ribbon. One hand fell free, the hairless knuckles brushing her leg. She was about to toss the band in the trash but thought she’d need it to  tie his hands again when she shipped him back, so she tucked it in the pocket of her cardigan. She stretched the White Man out to his full length, wiping her hand on the leg of her pants when she was finished. It would take some time getting used to the feel of his skin. The flesh was life-like, but warm and greasy, as if they’d oiled him up with Vaseline and left him to bake in the sun for a few hours before packaging. Now he lay facing the ceiling. His milky blue eyes were open. That was one quirk in the duplication process, the NNI sales rep explained. The clone didn’t blink. “Makes him seem all the more human that way,” the man on the phone said. “Just think of it like this: you’ll always be the object of his gaze.”

Her White Man – Rapsilico – seemed as real as she did, and part of her expected the thin lips to part as he
poked out his tongue or spit in her face. But his mouth was still. He had arched light-brown eyebrows, separated by a few stray hairs. His nose was thin and slightly tilted to the right, as if a jealous sculptor had given it a final twist. His hair was of medium length, flattened by the bubble wrap. She reached out to fluff the golden locks, but paused midway to his head. She had never touched a white man’s hair before. Had never dated or been intimate with anyone but black men. Had never desired to. Now she stared down at the supine figure who would be her boyfriend for the next six months. She blushed, staring at his muscular chest and rippling abs.

“Why you want to rent a cracker?” Claudine asked a month ago when Shawnetta told her of the ad for NNI. They sat on the outdoor patio of a raw foods restaurant in Santa Monica. Shawnetta bit into a piece of flax seed bread laden with nut cheese and chewed slowly before answering. It was a hassle just getting Claudine to dine with her. Her friend was strictly steak and potatoes and turned up her nose at what she called “white people’s food.” But Shawnetta had to tell someone of her intentions. She hadn’t made many friends since moving to L.A. from Columbia, Maryland five years prior, and the woman sitting across from her with the fuchsia dreadlocks was the one she confided in most.    

“Every time I go to dinner, or the movies or the museum, it’s with you, or I’m by myself,” Shawnetta said. “I’m tired of being alone. Let’s just say I’m investing in male companionship.”

“But why a cracker?” Claudine frowned at the vegetable wrap placed before her by a skinny redhead.

Shawnetta kept her eyes on her plate, hoping the server had not heard the slur. Claudine was the kind of black woman who said “nigga” in mixed company, who asked her white coworkers at the insurance company why their hair smelled like mayonnaise. She had about as much couth as the rolled-up veggie-filled collard green she was sniffing suspiciously, but Shawnetta loved her because she always spoke her mind.

"Me and black men are officially over. Done,” Shawnetta said. “They don’t look at me. They don’t like me. Fine. I’m thirty-one, and I’m not getting any younger. I don’t have time to sit around in my apartment waiting for Hakeem or Jamal to decide I’m worthy of their attention.”

As she spoke, a blonde woman in a convertible slowed for the stoplight, hip-hop blaring. She wore shades and a wide smile, and she said something to the black man sitting next to her. Shawnetta looked away. She always acted as if she never saw such couples, would stare at the sky or the ground if they walked toward her, as if the act of turning her head somehow caused them to disappear. She dreaded venturing to Santa Monica or Culver City because of the large number of black male/white female pairings. It was one of the reasons she fled Columbia, Maryland, which was an interracial Disneyland. It would be different if sisters dated outside our race as much as brothers do, to even things up. She sipped her carrot juice cocktail. But she passed so many single black women in L.A, their ring fingers as empty as their eyes.

"Oh, I see what’s up.” Claudine watched the couple in the convertible drive off. She was a cherry-brown woman with a smattering of black moles on her cheeks that she called freckles. “Trying to get even with Becky.”

“I’m not trying to get even with anyone. I’m just keeping my options open.”

“With a robot? And a white one at that.” The mother and daughter at the adjacent table glanced over at her loud chuckle.

"The NNI models are not robots, Claudine. They’re life-like Adult Companions. You’ve probably seen them around and didn’t know it,” Shawnetta said. “One hundred percent docile and loving – guaranteed.”

Claudine played with a lock of hot pink hair, amusement shining in her eyes. “If you wanna hook up with a
brain-dead somebody who gives you compliments, I can introduce you to a few Negros at the post office around the corner from my place,” she said. “They love redbones with hazel eyes like you.”

Now Shawnetta leaned over the White Man, recalling her friend’s words. She hadn’t been truthful with
Claudine. She selected the clone solely on the basis of his white skin. While skimming black women empowerment websites, she found the advertisement for Naturally Nordic Industries. The ad featured a dark-skinned woman with an afro smiling into the face of a pale suitor. It read: “Still Looking for Mr. Right? Let a Naturally Nordic Companion Sweep You off Your Feet until Your White Knight Comes Along!” 

Mr. White Now.

Her face was a few inches from the clone’s, as if she would awaken him from his dreamless coma with a kiss. Instead, she whispered into his ear: “Rapsilico.”

The White Man sprang to life, yanked upright by an invisible cord. He stared straight ahead. Shawnetta fell
back with a cry, hitting her head against the couch. The clone turned at the sound, and she glimpsed the scar on his neck.

“I’m your new owner,” Shawnetta said when she finally found her voice. She stood and backed toward the door, just in case she needed to run...

 

Part II

Read more…

 

"The night gives new meaning for only you remain bringing your starving love I keep feeding you. Like a wild she-wolf snarling from intense love making added with pleasure and delicious pain as your nails dig into my back..." 


With his debut release, Quinton Veal has gives us a collection of erotic poetry and art created for grown and sexy audiences. Her Black Body I Treasure has love, tenderness... and of course raw, delicious sex. Her Black Body I Treasure is an erotic treat for the senses. Pick up your copy at Amazon Kindle.

Read more…
Flowering disappointment
By: William Landis

Purple, pink, and white, they were the perfect flowers. He would give them to her in a bouquet, or maybe a vase. He wasn’t sure right now, but he would worry about that after he got them, somehow. The flowers were in one of the lunar greenhouses of A.B.A.R.S (Asteroid Belt Agricultural Research Station). ABARS was one of the few places in space where flowers were grown.

A Beautiful waste
Why grow flowers
On an asteroid?
 
The facility was known to have high security, though that was not an issue for him, because he was an employee. No matter how hard it was to get those flowers, he was going to do it she was worth it. The next night he closed that airlock behind him, and began to pick the most beautiful of the flowers. She was worthy of the best. He knew he was destroying months of groundbreaking research, but the smile on her face would be worth it. After carefully clipping the flowers , and avoiding security he returned to his room in the main building.

Bundle of flowers
No one will see them
In his space helmet

He placed the carefully assembled floral arrangement in an old glass vase, with just the right amount of water. He would come back, and make small changes to it as his date with her approached just to make sure it was perfect. The time came and he put the flowers in his personal rocket, where she would see it as soon as she got in. He approached her dwelling with anticipation of how she would be delighted with the flowers, and the smile on her face that they would cultivate. He docked his ship at the space station. She boarded, and they exchanged pleasantries…. But she didn’t notice the flowers. They were right in the center console between them, and it was as if she didn’t see them.

Ignored
A purple petal
Floats in zero gravity

Anger filled him, all the work he had put into it, and she ignored the flowers. He maintained his composure, and they proceeded to the restaurant on the Mars orbiting station. He told her he was beginning to feel ill, and that the date would have to be cut short. He returned her to the space station, and put the plan that he was formulating in to action. He loaded the flowers, and vase into the airlock and pressed the button.

Foxglove flowers
Maybe she will notice them
Hurtling towards the sun
Read more…

IMMORTAL III: STEALER OF SOULS

"On the other side of time a fair skinned daemon stood atop a rocky precipice. His long robes undulated in the winds, making him look like a great bird of prey . . . "

 

Valjeanne Jeffers' IMMORTAL III: STEALER OF SOULS has it all -- vampires and werewolves, mirrors that are portals into other realities, folks who "walk between the raindrops," centaurs, mermen, merwomen . . . it's kind of mind-blowing to wonder what she'll come up with next!  What imagination!  What originality!  What a unique concept!  (Listen to me -- I sound like I'm writing ad copy for an old movie studio!!!)

 

I enjoyed these novels and look forward to what Valjeanne's cooking in her literary cauldron of ideas and characters, plots and themes.  Whew -- I'm jealous!

I highly reccommend the IMMORTAL series.

 

Have fun and enjoy it, everyone!

 

Read more…

Afrofuturism's Stranger Blues

X-Posted at Nunez Daughter

1993 Cover of Parable of the Sower by Octavia Butler


[For audio, see original post]
...I woke up this morning And I put on my walkin' shoes
I'm goin' down the road
Cause I got them walkin' blues

I'm just a stranger here
I'm just a stranger there
I'm just a stranger everywhere
Sometimes I know that I would go home (I would go home)
But I'm a stranger there...

I'm just a stranger here
I'm just a stranger there
Good God, you know
I'm just passing through
Passing through your town.

I would stay
But your people keep on doggin' me 'round....
"Stranger Blues," Sweet Honey in the Rock

Bernice Johnson Reagon and Aisha Kahlil of Sweet Honey in the Rock composed “Stranger Blues.”  It was released in 1985 on the group’s album The Other Side (Flying Fish Records).

And when I heard it, I heard these lines:


I'm just a stranger here I'm just a stranger there
Good God, you know
I'm just passing through
Passing through your time.
That's right.  Just so.
Passing through your time.
Afrofuturism has always had the stranger blues.

Part of it is, as Mark Sinker notes, we are convinced the apocalypse has already happened.  Slavery.  Colonialism.  Segregation.  Military and prison industrial complexes.  Nuclear war.  Climate upheaval.  There is no waiting for a punishing Judgement.  The future is now.  We are meta.

But part of it is that these violences are central to the Afro-diasporic experience.  Slavery as a moment of rupture, dispersal and forced immigration.  Colonialism that literally transforms home into hostile territory.  Structures of segregation and apartheid that reshape you as a foreign object when you move into the wrong spaces (e.g. school, lunch counter) or walk down the wrong street without your pass or papers.

When Will Smith played a lone ranger scientist in I am Legend, we didn’t blink an eye.  When Denzel Washington played lone ranger spiritualist in Book of Eli, we were not surprised.  Walking among the ruins wondering if you are the last man or woman on Earth?  We know that feeling.  And Janelle Monae can ask as easily today as fifty years ago (as five hundred years ago)

So you think I'm alone? But being alone's the only way to be
When you step outside
You spend life fighting for your sanity
This is a cold war
You better know what you're fighting for
This is a cold war
Do you know what you're fighting for?
Stranger blues is beyond black.  The genocide of tens of millions of First Peoples across an entire hemisphere is a meme in speculative fiction that has been turned inside out by writers like Eduardo Galeano.  The liminal status of brown “aliens” in U.S. immigration policy supplies another storyline, another discordant note.  Latin America’s "modernization" over the last century (with the help of a little bit of tyranny, white-washing and hyper-militarization sanctioned by the U.S. and at the expense of its black and brown peoples) is so much like a real-life Star Wars or Lord of the Rings saga, that Junot Diaz based the childhood fantasies of his most famous character on it.
Sunrise Ceremony on Alcatraz, November 25, 2010 by masa (Click)
Afrofuturism is #sablefangyrls and  #sablefanbois whistling in the dark at the disaster around them but holding hands with hermanas and hermanos across the universe.  We are Pan-Alien.

(to be continued....)


via NPR Music: “After 34 years of making music, Sweet Honey in the Rock has kept its flavor and its fan base, even as its lineup has changed. The group recently visited NPR for a performance and interview, sharing old favorites and songs from its latest CD, "Experience...101."”



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The Sable Fan Gyrl joins Kismet Nuñez is one of the Skillsharers of the of the 3rd Annual INCITE! Shawty Got Skillz workshop at the 2011 Allied Media Conference!  Help us get to Detroit!  Click here!  
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X-Posted at Nunez Daughter

*breathes in deep*  *looks around*

This isn’t the world I remember.  It smells...toxic.  Noxious.  What is going on here?

No matter.

I’ve decided to build an army.  No, not a harem.  An army.  We will fight with brown gold and yellow jade and ride black unicorns.  We will make magick and cross worlds.

And I’m recruiting.

That shooting star up there?  That’s me, skipping across the digi-verse, looking for womyn and gyrls of color who are making radical womyn of color art.

Like Andrea Hairston:





Hairston’s newest book, Redwood & Wildfire is out. 
Redwood & Wildfire is a novel of what might have been. At the turn of the 20th century, minstrel shows transform into vaudeville, which slides into moving pictures. Hunkering together in dark theatres, diverse audiences marvel at flickering images. This ''dreaming in public'' becomes common culture and part of what transforms immigrants and ''native'' born into Americans. Redwood, an African American woman, and Aidan, a Seminole Irish man, journey from Georgia to Chicago, from haunted swampland to a ''city of the future.'' Gifted performers and hoodoo conjurors, they struggle to call up the wondrous world they imagine, not just on stage and screen, but on city streets, in front parlours, in wounded hearts. The power of hoodoo is the power of the community that believes in its capacities to heal and determine the course of today and tomorrow. Living in a system stacked against them, Redwood and Aidan s power and talent are torment and joy. Their search for a place to be who they want to be is an exhilarating, painful, magical adventure. Blues singers, filmmakers, haints, healers.
Her first novel, Mindscape, opened me up and led me on a tour around the stars.

Then there's Malinda Lo.  Her Huntress bespells me:



And yep, she’s gay and out about the pleasures and perils of writing young adult queer characters of color:
This past weekend I left my house in the country and spent two days San Francisco to celebrate Pride. This year Pride felt especially special because, well, this is the first year in a long time in which I don’t live in a major metropolitan area where there are tons of gay people. I am enjoying the small town I live in, but it’s not within walking distance of the Castro. Small-town life is just an entirely different experience from walking down the street and spotting half a dozen dykes with lovely tattoos peeking out of their T-shirt sleeves and/or a gaggle of gay boys with perfectly coiffed haircuts.
So. Pride. It felt good to be among the queer folks again. It was comfortable. Practically everybody I saw was gay; they all probably assumed I’m gay — we had a gay old time.

It was basically the opposite of what I’ve had to do more and more this year: come out to total strangers. I know that I’m going to have to continue to do this as Ash is published and I meet more people, who don’t know me, in non-gay settings like bookstores or conferences. I’ve already had to do this a lot this year, and so far, it hasn’t gotten any more fun. Let me show you what typically happens:

AT A BOOK EVENT

Me: Hi, I’m Malinda.
Person I Just Met: Hi! Are you a writer?
Me: Yes. My book, Ash, comes out in September.
PIJM: Oh! What’s it about?
Me (steeling myself): It’s a lesbian retelling of Cinderella.

[Note: I could leave the lesbian part out, but really, that's why my book is different. And somehow that will come out anyway, while the person asks me how my retelling differs from the original tale. It's better, I've concluded, to just shove Ash out of the closet right away.]
Read the rest here.

And Nnedi Okorafor doesn’t fear death:


In a post-apocalyptic Africa, the world has changed in many ways, yet in one region genocide between tribes still bloodies the land. After years of enslaving the Okeke people, the Nuru tribe has decided to follow the Great Book and exterminate the Okeke tribe for good. An Okeke woman who has survived the annihilation of her village and a terrible rape by an enemy gen-eral wanders into the desert hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her child Onyesonwu, which means ―Who Fears Death? in an ancient tongue.
The book won several awards and is being turned into a film.  At the helm of Who Fears Death? (the movie) is Kenyan director Wanuri Kahiu, who may be best known for her mind-blowing short film, Pumzi (trailer below):

Hoodoo, hunting and hope.  Who want war?

Which radical womyn of color are writing, creating or critiquing science fiction & fantasy today?

Who do you read & recommend?

Regards,

The Sable Fan Gyrl


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The Sable Fan Gyrl joins Kismet Nuñez is one of the Skillsharers of the of the 3rd Annual INCITE! Shawty Got Skillz workshop at the 2011 Allied Media Conference!  Help us get to Detroit!  Click here!  
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Interlude II: Sable Fan Gyrl Approved

X-Posted at Nunez Daughter




*possible spoilers ahead*


The block itself comes into its own as a setting: the grim inhuman geometry of housing estates makes for a dystopian fortress suddenly under siege. Shot at night, with dim lights flickering off wet pavement and any number of long corridors, sharp corners and twisting staircases, it brings home the hostility of the environment just as the boys show their mastery of it. It is the way that the street gang occupy the space of the estate – that same habit of roaming proprietorially with bicycles and dogs in tow, seen by the state and media as antisocial behaviour – that makes it possible for them to confront the invaders in a fair fight. The cold, sinister backdrop of the estate throws the lively and sharp human drama into relief.
Read the rest of the Racialicious review (by Emma Felber) here.


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 The Sable Fan Gyrl joins Kismet Nuñez is one of the Skillsharers of the of the 3rd Annual INCITE! Shawty Got Skillz workshop at the 2011 Allied Media Conference!  Help us get to Detroit!  Click here!  


Read more…

Interlude: Sable Fan Gyrl Approved

X-Posted from Nunez Daughter



I’ve always been a science fiction buff. From my elementary school days with Bruce Coville’s “My Teacher Is An Alien” series, to my teenage obsession with “X-Files,” to my current RSS feed of the Cyberpunk Review, throughout my life I’ve been fascinated by all things out of this world, beyond this galaxy, and foreign to this dimension. But growing up a person of color, I’ve always felt that the stories that tickle my imagination seldom speak to my identity. For a genre known for depicting obscure creatures, new concepts of civilization, and future predictions for humanity, sci-fi sure has a hard time being about more than white people.

It seems that when it comes to sci-fi, cultural experiences of the melanin-inclined are merely reserved for exotic backdrop (ahem, “Stargate”) and half-assed tokenization (ahem, the horrible Mandarin in “Firefly”). But fear not! I have scoured the cosmos and unearthed 10 fantasmic films, books, and records to transport you to the unreal—while still letting you keep it real. Keep in mind, this is no “Billy Dee in Star Wars” list—I’ve chosen stories by people of color and about people of color. So enjoy. This is for all the disappointed moviegoers who felt the title “Minority Report” was misleading.

PS: I’ve taken the liberty to step outside the zone of the obvious, by excluding from this list Octavia E. Butler. Not because I don’t absolutely love her work about vampires, shapeshifters, and post-apocalyptic telepathy, but because every other minorities-in-sci-fi list I found online is basically a cut-and-paste of her bibliography. If you haven’t checked her out, I recommend the “Imago” series.

For all the rest of my geeks in the struggle, I hope you find something new in this...
"The Ultimate 21st Century People of Color Sci-Fi List" by Adriel Luis for Colorlines.

ps.  Kismet didn't get to the interludes last week so I'm bringing you two for the price of one.  All Sable Fan Gyrl approved.


~*~*~*~*~*~~*~*~*~*~*~*~*~

 The Sable Fan Gyrl joins Kismet Nuñez is one of the Skillsharers of the of the 3rd Annual INCITE! Shawty Got Skillz workshop at the 2011 Allied Media Conference!  Help us get to Detroit!  Click here!  


Read more…

Wanting to Create

I want to start writing a story but I'm having a hard time creating an outline for the story. Must I have an outline for everything that I write, or can I just start writing now, creating the story as I go? My brain is telling me no no no -- if I want to create the crazy, wonderfully explained, fantastical world that I want to create, I really need to plan it out. I can't just write any ole barely pieced together story...

 

... but then again, I just feel like writing. I wanna express myself. I feel like getting lost in my own characters and the problems that consume their lives.  Writing is fun. It stimulates me.  And I've missed it. 



Read more…
X-Posted at Nunez Daughter

Rihanna’s video for “Man Down”  dropped last week and set the web on fire.  The way justice and rape, innocence and violence work in the video--and the non-sensical responses to it--have already been outlined by better writers than me.

I’m writing this post to take the video to its logical conclusion:

In the future, do we kill our attackers?


 ~*~*~

This description of the plot is by Akiba Solomon, writing for Colorlines:
“The video begins with a tense Rihanna perched in the upper balcony of a crowded train station. When she spots a tall man with a “buck 50” scar on his cheek (in this context, visual code for “badman” or gangsta) she shoots him in the back of the head then winces. Toward the end of the clip, we learn why the tearful singer “shot a man down, in Central Station, in front of a big old crowd”: Because the night before, at a sweaty dancehall, she sets physical limits with him and he retaliates by following her home and raping her.”
Solomon’s description is the best I’ve seen for all it doesn’t take for granted and for all it explains.  The video was shot in Jamaica but the signifiers of "place" are actually quite unclear (even less so to an African-Americanized audience).  There are no Jamaican flags waving.  The name of the train station in the beginning is not shown.  Ads for things like Vita Coco proliferate but globalization has made such things international staples from Miami to Accra.  English decorates signs and insignia, distinguishing this as a particular diasporic space but there are few other markers of Anglo-ness.

Instead, the “place” of the video is steeped in symbols from across the global African diaspora.   It is ambiguous but familiar, universal but distinctly (global) Southern.  Warm sun.  Linen hanging on the line.  Young boys hanging out at the corner store.  Young women throwing themselves into the wide, swinging grind of a dancehall beat.  Children running around in backyards.  Elder women shopping or fanning themselves in the canopies of shops.  Elder men on bikes.

Black bodies, all ages, all genders, going about their work and their lives.  Black bodies everywhere.

Rihanna like a blazing yellow light, fierce-skinned, flame-haired, drifting between.  Happy.  Innocent.  Spirited, sensual and laughing in their midst.

This isn’t heaven.  The young boys at the corner store have guns.  And this isn’t some primitive past.  The music, the clothing, the technology don’t point us back to another time.   But this also isn’t any one place.  It is Dakar and Lagos and Cape Town.  It is Paris and Marseille and Liverpool.  It is New York and Miami and parts of Chicago.

It is Port-au-Prince, B.t.E. (Before the Earthquake).

It is New Orleans, B.K.  (Before Katrina).

The press of dancehall, which, like hip hop, is more global than local, only adds to the meta-africana setting presented.   Even Rihanna, a Bajan born, internationally known superstar, shooting a video bound to be a mega-hit on a neighboring island, and writing a song whose lyrics are set in New York is a part of this diasporic narrative.

 

This is now.  And...this is the future.

In the May/June issue of the Boston Review, Junot Diaz wrote:
"I suspect that once we have finished ransacking our planet’s resources, once we have pushed a couple thousand more species into extinction and exhausted the water table and poisoned everything in sight and exacerbated the atmospheric warming that will finish off the icecaps and drown out our coastlines, once our market operations have parsed the world into the extremes of ultra-rich and not-quite-dead, once the famished billions that our economic systems left behind have in their insatiable hunger finished stripping the biosphere clean, what we will be left with will be a stricken, forlorn desolation, a future out of a sci-fi fever dream where the super-rich will live in walled-up plantations of impossible privilege and the rest of us will wallow in unimaginable extremity, staggering around the waste and being picked off by the hundreds of thousands by “natural disasters”—by “acts of god.”"
He was speaking of Haiti.  And of tipping points.  And of can’t-turn-back-nows.

But he was also speaking of everywhere.

This is now.  And this is the future.

And in the future, we kill our attackers.

~*~*~

So is Rihanna’s video a post-apocalyptic (in other words, afrofuturist) ethnoscape with an alien #comecorrect black girl?

OR

Is it a post-apocalyptic (in other words afrofuturistic) ethnoscape where the #comecorrect black girl is still an alien?  In other words,
“In the future, we kill our attackers”
OR
“Even in the future, black girls who own their sexuality, who demand justice, who are in process, who are not walking vaginas to be touched, fondled, kissed without permission, street harassed, followed, honked at, beaten or raped are aliens?”
From some quarters, it would seem that black girls owning their sexuality is still alien, foreign, dangerous, toxic behavior and gawd forbid it spread to your daughter.

Otherwise known as, gawd forbid she not spread, for the next man/boy/child/uncle/adult who decides she is too uppity for her own good.  God forbid she own the place between her legs.
“‘Man Down’ is an inexcusable, shock-only, shoot-and-kill theme song. In my 30 years of viewing BET, I have never witnessed such a cold, calculated execution of murder in primetime. Viacom’s standards and practices department has reached another new low.”
In the future, apparently, to walk through the world at peace with yourself, secure, loved and loving, kissing grandmas, hugging little sisters, teasing the boys, wearing clothes that let the sun touch your skin, let the wind rush past the skin of inside your thighs--all of this will still mark you as a being from outer space and out of bounds, subject to immediate discipline.  A sentencing and a silencing.
“Once again BET has chosen the low road over the high road. Violence is a pervasive problem in all corners of our society and today’s youth need more positive strategies for dealing with conflict than those portrayed in the Rihanna video. This video is one among several frequently played on Viacom music video networks that lyrically or graphically glorifies violence and other behavior inappropriate for teens and youth....”
Because the only positive role for black girls is quiet, is cornered, is clothed, is virginal and vaginal and covered.

And this sun-kissed, pink-haired alien, just dropped right from outer space, just all wrong and inappropriate, just all incorrect because--

she let her heels ride high above the ground (extra-terrestrial) walking tall and taller and didn’t walk with her arms hidden,

she didn’t hang her head when HE passed,

she didn’t divert her eyes when THEY looked (and she winked back),

her head is lifted and unafraid,

her #HairFlips smoke and smoulder and glitter,

and she shook HIM off when HE tried to bend her back.

Good lord!  We need to bottle up that kind of incorrect, parcel it out and SELL it on the streets, on the shelves of Black Girl Power shops EVERYWHERE.  That kind of incorrect could forever tilt the world on its axis.

The violence she did to the fabric of respectable behavior was complete BEFORE SHE PUT A GUN IN HER HAND.

But on top of that, she is incorrect because she ran for the gun (instead...what?) and then cried when she used it (cold, you say?).

~*~*~

Because in the future, we are still raped.

In fact, rape plays such a central role in the speculative fiction imaginary, that campaigns have been started to raise awareness of the phenomenon.  Not because rape should not be used as a literary device, per se, but because it is often used without critique and without analysis, particularly by (older) (white) (straight) male authors in the same way murder is.  SQT wrote:
“Whenever this topic comes up, it's inevitable that someone will say something along the lines of murder is worse than rape and walk away from the subject as if that was some kind of conversational coup de grâce. End of discussion. I win. You lose. ...
The thing with rape is that it is primarily a crime against women. There are still cultures that blame the woman if she is victimized. Even worse, there are societies that know women will be rejected by their family if they are raped, so it becomes a very effective tool of war. Women know that every man has the power to victimize her in a very particular way and that we cannot know when this threat will surface. We can't walk to our cars at night free of worry and we have different standards for safety when it comes to our sons and daughters because of it--how many sons have to be told to guard their drinks when going to a bar against date-rape drugs? This is the bogeyman of a lot of women's nightmares. “
This is more than a matter of how hard it is to imagine a future where women are safe, are whole, are healthy, wear pink and white, kiss boys, kiss girls and touch themselves without violence.

This is about the widespread, pervasive acceptance of a particular brand of gendered, sexual violence--so widespread, so pervasive, so accepted, that this violence is timeless, is automatic, does not require critical, is knee-jerk, does not need to be explained or justified, ISN’T EVEN SEEN when we are looking DEAD AT IT.

This violence is also ancient.  Rihanna’s “Man Down” black girl isn't alien or futuristic because she is assaulted.  This already happened.  The Magical Negro solved all of our problems before we knew they existed but the Magical Negress was raped with impunity and a new modernity built from the ruins of her broken womb.  Society can wipe its hands off.  This has already been done.

No.

She is an alien because black girls who #comecorrect are still aliens.  And aliens need to be probed.  And quarantined--a desperate Now to contain the Future.

And she is walking through a black futurist dystopia, because in the future, black girls who #comecorrect are still aliens AND we kill our attackers.

Imagine that.  Imagine that the abduction, doesn’t stop there.  If instead, after the probing and the drugging, there wasn’t a quarantining and a silencing and the machinery of the press and courts and judges and a global prison industrial complex.

Imagine, instead that there was an alternative justice, there was an alternative court, and an alternative violence that could occur.

What would we do then?

What could we do?

If Darryl A. Smith’s elucidation of afrofuturist rage and pain and zombie apocalypse is the “Pit” to mainstream (read: white) science fiction’s “Tip” (read: final frontier, better pastures beyond, brave new world, Columbus-complex), then violence against women of color is the Pit’s rotting core.  And we would do well to listen to the screams coming from the cellar instead of reacting to fantasies of invasion from above.

Because in the future, we RUN for our guns.

And we kill our attackers.

[youtube https://www.youtube.com/watch?v=sEhy-RXkNo0]

EDIT:  Normally Zora Walker holds my footnotes.  But this is Sable Fan Gyrl week.  For a list of readings related to afrofuturism that helped inform this post, click here.


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Kismet Nuñez is one of the Skillsharers of the of the 3rd Annual INCITE! Shawty Got Skillz workshop at the 2011 Allied Media Conference!  Help us get to Detroit!  Click here!  
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X-posted from Nunez Daughter

"War Elf" by Mark Knox, Artist/Writer, Member of the Black Science Fiction Society

Greetings Fen & Fen of Color,

For the next seven days, Nuñez Daughter is mine.

I’ve wanted her for awhile.  Kismet is a bit of a control freak.  Runs a tight ship.  Almost like a slave mistress.  She doesn’t like it when we step in.  We shuffle things around.  We confuse her.

But my back has borne more than whips and chains.  And while I laid in the grainy liquid at the bottom of the flask, I pressed my back to the wood.  And waited for another dark hand to rub me out.

Here I am.  Lucky you.

She’s torn, you see.  Between so many identities.  Spaces, places.  I can’t help but laugh when she tumbles around the web asking her childish questions:

What is slavery?
Why be mixed-race?

How do we stop violence against women?

How do we live sex-full lives?
The truth?

We have already seen this world made and destroyed many times over.  And we survive deep in its recess, in the black quiet of its refuse.

What do questions of this world matter when there are so many more to explore?

And I’ve seen them all.

Come with me.

Regards,

The Sable Fan Gyrl



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The Sable Fan Gyrl joins Kismet Nuñez is one of the Skillsharers of the of the 3rd Annual INCITE! Shawty Got Skillz workshop at the 2011 Allied Media Conference!  Help us get to Detroit!  Click here!  
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WHITEOUT!!

if you want to read what some folks are saying about WHITEOUT, go to Barns & Noble and check out the reviews. Peter D Chisholm has additional books joining WHITEOUT titled,.. DELROY, and  ANGEL. Check them out when you have a moment!1
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The enemy is coming ashore! The Chief of the Aesir though in his homeland has not found his missing men or his own people. However, he and his companions from the Valley are determined to hold off a force of hostile sea-raiders from slaughtering a small settlement of villagers. The stakes for the Chief are far larger as his very life depends on the outcome of the coming battle! Will the Chief, Valley Knight and the boy Little Fish be capable of stopping a small army before it's too late? Read the exciting conclusion to the second phase of the Priestess Saga, "All Things Sown Before Harvest" Part IV!

All Hail The Priestess

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Mocha Memoirs Press, LLC is a new electronic publishing company that seeks to add new flavors to the realms of speculative fiction and romance. We’re actively seeking submissions to add to our catalog. We’re inviting authors to submit works of 8k to 30k for possible publication in our catalog. Mocha Memoirs Press, LLC wants to see titles that include excellent writing, superior storytelling, and fantastic creativity. We want our readers to lose themselves in the worlds the authors have created, and to care about the characters populating those worlds. Moreover, we’d like to see ethnic diversity in stories as well.

 

 

We’re currently looking for titles in the following genres: horror, science fiction, fantasy, and romance. We’re most excited about seeing stories in the subgenres of cyberpunk, steampunk, near-future sf, and space opera.

 

 

We do publish paranormal romance, science fiction romance, fantasy romance, and dark fantasy romance. We’d like to see submissions in these areas as well. Our interracial romance titles have been very successful, so feel free submit those also.

 

 

Special Call for Sizzling Steampunk Stories!

 

 

Mocha Memoirs Press is seeking submissions for our latest erotic romance series titled, Sizzling Steampunk Stories. Just like our other stories, we’d like to see ethnic diversity in these stories. The stories must have a Happy Ever After or Happy For Now ending and fall into the erotic steampunk romance genre. Read Valjeanne Jeffer’s THE SWITCH for an idea of what we like to see.

 

 

Please keep in mind that although a new company, we're by no means accepting every submission or submissions that are poorly edited, offensive, crude, or sloppy. Please only submit your absolute best work. As a publisher, we'll make sure you get the best from us in return. We have over 12 years of electronic publishing experience; so please don't submit low quality or unprofessional work.

 

 

To submit your work to us, send a cover letter and your completed novel or short story to mochamemoirpress@gmail.com.

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Do you want to be in GALTOW?

 

 

INDIEGOGO Xmoor Studios NYC Comic Con

Help us complete the GALTOW Collected Edition for New York Comic Con 2011

Here’s the Link for Indiegogo: http://igg.me/p/30427?a=4753&i=shlk


Do you want to be a CLAN HOUSE MEMBER of GALTOW?
We are offering 12 people a chance to be illustrated into issues 5 & 6 of the story arc finale…
Xmoor studios need all our loyal fans and followers to step up to the plate… We need your support! I’ve posted up a project fundraiser at IndiGoGo and Eric and I are trying to raise some funds to finish off our indie publishing flagship title GALTOW. We have four issues completed and have compiled those into a full color trade paperback and we need help finishing off the last two issues we’re looking to make a completed trade book of the entire first story arc which will be ready in time for this years New York Con in October.

Rob: xmoor2 (@) yahoo.com & Eric: goldmane.net.

Eric will be adjusting some poster art he created a while back for GALTOW to make it into a signed pitch cover. Below is the newly adjusted line art and I will post a pic of the full color version soon being digitally colored by the uber talented Julian Aguilera. Eric has never been asked to do cover art before but we know his first shot will be well received. Thank you all for any and all support as Rob G. and I will Continue to put our best creative feet forward and strive to continually make exciting projects!

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dial "H" for hero

Wasn't there a comic book story Dial "H" for hero a ways back? It would be good a movie or TV series. Since everybody's got a cell phone. Some secret alien justice agency dials you up when needed, sends you text opportunity to be a hero. Of course if you say yes, you are transformed on the spot with the tools and the mission. Once over you don't remember so much.
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