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Well, that's a great question. I'll try to answer. You know your favorite scene in your favorite movie? You could watch it over and over again, and for those few minutes, you ARE the badass/lover/giant robot on the scene. You live that character's life, feel what they feel, and the words they say come naturally to your lips because they just fit the moment.

Each of my stories is like that. I become each character, male or female or other, I live their lives, I feel what they feel. And I do that everywhere - on the drive to work, when I have a few moments to space out at my desk, before I go to sleep at night. I live many lives, love multiple people, and the really good ones, the lives I love the most, I write down. And when the scene or moment runs out, I try on the next one. Sometimes I want to be the tragic, tortured loner, desperately seeking his love. Sometimes I want be the innocent lover, feeling her first kiss, her first moment of passion. I love my present live and my spouse, but before I met them, these other lives filled the loneliness, took away the empty hours in the middle of the night, when I had no one. It became addictive, and I haven't given it up. Today I am a mage, rescuing an innocent girl, a princess fighting to keep my land from conquest, and an alien species, holding back infected hordes with only my will.

For drawings - I see each scene in my head, like a movie, sometimes, and at a particularly good place I can freeze the moment, and then I look for source material, that is, a picture in my reference pose books that fit the image in my head as closely as I can. It is rare to find just the right pose, but when I do, I draw my best approximation of it. But sometimes, the image is so strong, I don't need reference pictures. Those come out the best.

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Exciton Condensate...

Figure 1: A Coulomb drag experiment measures the interactions between charges in two closely spaced layers. The experiment entails running a current through the “drive” layer (here, the top layer) and measuring the resulting flow of charge in the “drag” layer (the bottom layer). The panels indicate three (of many) possible drag scenarios associated with two sheets of bilayer graphene (grey). At left, exciton pairs form between holes (red) in the drive layer and electrons (green) in the drag layer, giving rise to a large drag effect. At center, holes drag electrons in the same direction (positive drag) because of momentum transfer between the charges in different sheets. At right, holes drag electrons in the opposite direction (negative drag), an observation in bilayer graphene that is yet to be explained.

Topics: Atomic Physics, Bose-Einstein Condensate, Condensed Matter Physics, Quantum Mechanics

Superfluids (fluids with zero viscosity) and superconductors (materials with zero resistance) have a common ingredient: bosons. These particles obey Bose-Einstein statistics, allowing a collection of them at low temperatures to collapse into a single quantum-mechanical state, or Bose-Einstein condensate. Bosons in superconductors consist of two paired electrons, but the pairing is weak and only occurs at low temperatures. In a quest to build devices that carry electricity with low dissipation at higher temperatures, researchers have therefore explored the possibility of engineering electrical condensates [1] out of strongly bound pairs of electrons and holes, or excitons. Now, two research groups have, independently, fabricated and characterized a graphene-based device that is thought to be a promising platform for realizing an exciton condensate [2, 3]. Neither group has yet found evidence for such a condensate—the ultimate goal of such experiments. But their measurements lay the groundwork for future searches.

Excitons form in semiconductors and insulators. The binding energy between the exciton’s electron and hole can be quite strong, greatly exceeding their thermal energy at room temperature. Unfortunately, excitons recombine quickly, too fast to allow a condensate to form. Although excitons coupled to light confined within a cavity can form hybrid particles (exciton-polaritons) that do live long enough to condense [4], such condensates require a continuous input of light.

APS Viewpoint: Chasing the Exciton Condensate
Michael S. Fuhrer, Alex R. Hamilton

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I have been writing and imagining stories since I was little, and still afraid of the dark. I also read incessantly, and my favorite books I would read over and over.

“But Ako, what does that have to do with anything? Get to the world building, already!”

I will, I will. I only mention those two things because they are pertinent. The first, imagining my own little stories, is relevant because they always reached a point where I could not drive them forward... it was as if there were no more ground to lay a road on, no foundation.

The second, reading books over and over, is relevant because the stories I loved so much and the writing styles in them that I admired taught me how to make a story do what I wanted it to do.

The culmination is this: a good story has to have a good back story, one that makes sense, is logical, even, in some cases, scientifically feasible. The story has to have a good history to give it foundation.

So here it is... the way I build a world, a whole universe, to support a story, because when all else fails, and the characters themselves cannot drive a story forward, the world that the story is based on can.

So. There are several pieces to consider. And please – these are not set in stone, this is just my process. It won’t work for everyone – I just hope it helps as a jumping-off point.

1) The world itself. And by the world, I mean the planet that the story takes place on, the star it circles, some of the nearby planets that may influence it, and of course, its moon or moons. Is there anything unusual about the planet itself? Does it have some unique quality that gives rise to the cool things in the story that I am writing? Remember, nature rarely wastes anything. If a people or a select group have an ability, in my mind, there should be something driving it, some need or use for it. I put that unusual thing into the planet itself, so that there is a logical reason that the extraordinary people can do what they do.

Is the planet Earth-type? It doesn’t have to be. Remember, the seasons are determined by the axial tilt, and not all planets will have the same tilt as Earth. Change the tilt, and you change the seasons, the kind and arrangement. And not all regions, even here on Earth, have the typical four – where I am from, the tropics, there is no winter or autumn.

Does the planet have several moons, or more than one sun? Moons influence not just the tides, but also the people. The sun or suns influence the kind of diurnal system and circadian cycle (the length of the “day” has an effect on the body of a living thing) the people have.

What is the cool new aspect that makes this world unique? Is it extra dense, making the people heavyworlders? Is it being constantly bombarded? Is it shrouded in nebulae?

I don’t’ think of all of this at the beginning of a story, of course. An interesting idea, a scene, will come to me, and I’ll just start writing, but sooner or later I knuckle down and build the world to fit the story.

2) The timeline and culture. The world and the history of your people will make a difference. Were there wars, upheavals, diaspora? Have they been in the same place for untold generations, or were they driven away, to find a new home?

How technologically advanced are they? Stone-age equivalent, medieval, modern, future, far future? What is their level of technology? Metallurgy? Are they agrarian, or industrial? Rural, urban, or nomadic?

What system of government do they have? A monarchy? A duarchy? A council? An elected body? A dictatorship?

3) The map. It is imperative to draw a map of your world, the different land-masses, the different nations, geographic types. I found out the hard way that geography influences people, culture, even the way people think. Coastal people don’t just eat fish, they worry about storms, tsunamis, invaders by sea, trade by sea. Mountain people can be hardy, isolated, and if the mountains are tall, used to the cold – probably. They are probably good at protecting their trade routes, and may have dominion over the only pass through their demesnes. You get the idea. Rivers move from high places to low land, and influence trade in a preindustrial society.

The map also shows where everyone is in relation to each other. Vague descriptions can work for a while, but sometimes the story needs the fine detail to give it depth. The sharing of borders can be significant.

This is just a snap-shot of what goes into world-building. I am sure I have not included a lot of things that others may consider. Different stories can have emphasis on different aspects.

 

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https://studios.amazon.com/projects/121410

Check out the new ethnic sci-fi children's series called THE TIME TELESCOPE. JIM DAVIS is an agent for the Bureau of Historic Investigations. He investigates missing information to their historic files of the future. He uses a Time Telescope to go back to the past to show eight year old genius, TASHA JONES, the importance of history first hand.

Please rate so this can be greenlighted by Amazon Studios. Make your voice count. 

We are only going to get on the networks/internet if we push for diversity on screen.

Thank You, Chris Love

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A New Migration...

Topics: Climate Change, History, Octavia Butler, Politics, Science Fiction


It's been a breathtaking seven days that puts into context what a president has to do: gather information, calm fears for now the second police shooting - the first generated by Alton Sterling and Philando Castile's executions; a terrorist attack by truck in Nice, France in the backdrop of two political conventions poised to pick this president's successor in a volatile world. This election will be a reflection of our fears and our character, beyond our own self-deluding mythology, who we really are.

Some context: "The Great Migration" was of approximately six million African Americans from the rural south to northern cities for opportunities in the budding industrial revolution and (hopefully) AWAY from the De Jure and De Facto segregation, Jim Crow and racial terrorism they were all fleeing. Notable ex-patriots: The ancestors of First Lady Michelle Obama (documented in "The Warmth of Other Suns" by Isabel Wilkerson); James Lee Boggs, deceased husband of Grace Lee Boggs and author of "The American Revolution: Pages from a Negro Worker's Notebook," in which he predicted the impacts of automation and what he referred to at the time "cybernation" that we recognize as the advent of computers in what were once jobs done by humans and less robotics or apps.

Note the plot synopsis from "Parable of the Sower" written by Octavia Butler in 1993:

Set in a future where government has all but collapsed, Parable of the Sower centers on a young woman named Lauren Olamina who possesses what Butler dubbed hyperempathy – the ability to feel the perceived pain and other sensations of others – who develops a benign philosophical and religious system during her childhood in the remnants of a gated community in Los Angeles. Civil society has reverted to relative anarchy due to resource scarcity and poverty. When the community's security is compromised, her home is destroyed and her family murdered. She travels north with some survivors to try to start a community where her religion, called Earthseed, can grow. Wikipedia

Now look at the plot of the US as it relates to a heating climate (I'm sure the same applies overseas as well):


The previous migration was a drive for opportunity and fairness; the next one will be for the first level of Maslow's hierarchy: comfort. The strain on resources will split humanity along tribal and factional lines like never before. Those who "have" will hoard and build up walled cities; defended castles to maintain their bounty from the hungered herds of "have not's." For those youth that will still be around (I'm not anticipating I will), as 2050 approaches they will see how far we've actually migrated...from the caves.

Scientific American: U.S Cities Are Getting Dangerously Hot [Graphic]
A dramatic rise in “danger days” is underway, Mark Fischetti

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Scientism...

Source: izquotes.com

Topics: History, Physics, Philosophy, Science


Scientism: It's an old word, so old it has to be added to your online dictionary almost everywhere you might type it. It also at first glance sounds reasonable, and in my own oft-used urban descriptor: "science-y."

This description at the beginning of the article from The American Association for the Advancement of Science is instructive and concise:

Historian Richard G. Olson defines scientism as “efforts to extend scientific ideas, methods, practices, and attitudes to matters of human social and political concern.” (1) But this formulation is so broad as to render it virtually useless. Philosopher Tom Sorell offers a more precise definition: “Scientism is a matter of putting too high a value on natural science in comparison with other branches of learning or culture.” (2) MIT physicist Ian Hutchinson offers a closely related version, but more extreme: “Science, modeled on the natural sciences, is the only source of real knowledge.” (3) The latter two definitions are far more precise and will better help us evaluate scientism’s merit.

A History of Scientism

The Scientific Revolution


The roots of scientism extend as far back as early 17th century Europe, an era that came to be known as the Scientific Revolution. Up to that point, most scholars had been highly deferent to intellectual tradition, largely a combination of Judeo-Christian scripture and ancient Greek philosophy. But a torrent of new learning during the late Renaissance began to challenge the authority of the ancients, and long-established intellectual foundations began to crack. The Englishman Francis Bacon, the Frenchman Rene Descartes, and the Italian Galileo Galilei spearheaded an international movement proclaiming a new foundation for learning, one that involved careful scrutiny of nature instead of analysis of ancient texts.

Descartes and Bacon used particularly strong rhetoric to carve out space for their new methods. They claimed that by learning how the physical world worked, we could become “masters and possessors of nature.”(4) In doing so, humans could overcome hunger through innovations in agriculture, eliminate disease through medical research, and dramatically improve overall quality of life through technology and industry. Ultimately, science would save humans from unnecessary suffering and their self-destructive tendencies. And it promised to achieve these goals in this world, not the afterlife. It was a bold, prophetic vision.

From the seeds of this formed the basis for utopia: H.G. Wells was the first science fiction writer to tackle it; Utopia was written I think before the genre was invented by Mary Shelly ("Frankenstein," fairly dystopian to say the least). Star Trek and the proclivities of Gene Roddenberry (an atheist) embodied it in Mr. Spock and the planet Vulcan: human contact with an entire species of beings supposedly led fully by logic and reason. The Earth - post Armageddon - surviving its own hubris and learning to cooperate beyond borders, languages, religions and the previous things that separated the human tribe and made "Mutually Assured Destruction" (M.A.D.) possible in a hopefully fictional Trek timeline.

New Thought: It apparently started in the 19th century originating from Phineas Parkhurst Quimby - imitated ad nauseum by opportunistic others, branching into several realms via modern communications (radio, television, Internet) from faith healers, prosperity gospel, pseudoscience and general quackery. As the link indicates, the enduring appeal is humans feeling empowered in an unpredictable and often cruel cosmos. Many traditional, non denominational, modern and/or New Age gurus have cashed in on this uncertainty quite lucratively. You can see its sustained and prosperous modern incarnations with a simple exercise of channel-surfing.

I would say scientism in its modern expression would be (a representative off-the-top-of-my-head trio) Richard Dawkins, Sam Harris and Neil deGrasse Tyson. They ARE scientists, but have made a lucrative living speaking and writing about the virtues of science; how if we all thought more rationally we wouldn't have to wait for heaven on Earth: we could design it ourselves. Sociologist Jeffrey Guhin in New Scientist challenged the idea that Tyson forwarded of a nation totally run by logic, reason and science (sounds familiar? \\//_). He posits the very simple question that gives one pause: what does "rational" mean? Things that "sounded" rational and science-y like Eugenics was used for wholesale discriminatory behavior by Hitler's Third Reich (you know: concentration camps and gas chambers). If we just "follow-the-data" of standardized test scores, then the often debunked thesis behind "The Bell Curve" sounds rational, because one does not have to take into account generations of poverty vis-à-vis slavery; sharecropping (a word that is a contradiction in terms on its own); racial terrorism; Jim Crow; De Facto and De Jure segregation; bank red lining; differentiated education (for me, torn and outdated books supplemented by xeroxed copies my teachers purchased at their own expense) and no career opportunities to climb the economic ladder to a better life. The better correlation is wealth of parents and guardians to academic achievement, most of which happens to be the dominant culture.

The National Science Foundation (I think) was right to commission a study on Science Literacy and the public good, as more than anything that will determine the outcome of nations as we share and contest resources on this Earth, or prepare as a species to inhabit other worlds to extend us beyond the fate of the dinosaurs.

The broad brush of "all we need is science" is the proportional equivalent to its antithesis: "all we need is (fill in the blank): Buddha, Chia Pets, Gaia, Jesus, Odin, Mood Rings, Mood Rocks, Positive Thinking, Possibility Thinking, Prayer Cloths, Quantum Physics (since we travel < c, highly doubtful), Holy Water; Thor."

What we could all use is a return to actually teaching civics to our respective populations, and leave proselytizing to family units. Methinks both camps need to step back and consider a true "separation of church and state" (& science). It will benefit both camps better to stay in their lanes, without either one harmfully denigrating the other. We need to survive together as a species, or in the words of Dr. King "perish together as fools." The Earth does not need us to circumnavigate the sun, and the universe if we were so foolish wouldn't blink at our hubris...or departure.
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Kollege Kids Update & Relaunch

Hello BSFS members; I am Ricardo H the co founder and creator of Kollege Kids. I am the visual/animation coordinator and  co-producer of this show.  As you know we are making major changes to Kollege Kids. We are introducing a new show called "Professor Holmes" which will be the prelude to Kollege Kids. In Professor Holmes; he will be the main character to explain the characters story and background. He will come in contact with other Kollege Kids parents as well.

We will add in a virtual world called Chessman/Africa America which will we will explore and know the story behind the world. The Kollege Kids videos have been removed off YouTube because we going to relaunch it in the fall.  We want to give you a better quality product and we plan on relaunching it this fall. Be on the lookout for Professor Holmes/ Kollge Kids in the Fall.

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Neural Networks and H2O...

Schematic showing water molecules in the denser water phase (left) and the ice phase. (Courtesy: Tobias Morawietz)


Topics: Artificial Intelligence, Computer Engineering, Computer Science


Artificial neural networks have been used to simulate interactions between water molecules and provide important clues about the remarkable properties of this live-giving substance. The study has been carried out by physicists in Germany and Austria, who used the networks to perform simulations 100,000 times faster than possible with conventional computers. Their work offers explanations for two key properties of water – its maximum density at 4 °C and its melting temperature – but the technique could be expanded to include other aspects of this ubiquitous substance.

Physicists and chemists have long found water's unusual properties difficult to explain. Its density, for example, peaks at around 4 °C, which means that frozen water floats on liquid water – a property that is vital for aquatic creatures that have to survive in cold climates. Massive computer simulations have shown that hydrogen bonds between water molecules play a key role, but these simulations do not tell the whole story.

One key challenge is understanding the role of van der Waals interactions, which arise from quantum fluctuations in the electrical polarizations of water and other molecules. Van der Waals interactions have traditionally been hard to include in computer simulations, but Tobias Morawietz and colleagues at the Ruhr-Universität Bochum and the University of Vienna have now used artificial neural networks (ANNs) to model them in water. ANNs are computer algorithms that "learn" how to perform a specific task by being fed data related to that task. An ANN could, for example, learn how to recognize an individual's face by being fed photographs of people and being told which images are of the target person.

Physics World: Neural networks provide deep insights into the mysteries of water
Hamish Johnston

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Join DJ International TV This Sunday night in Berwyn and meet Bill McCormick, one of the authors of Legends Parallel.

Bill will be discussing his transition from being a DJ on Z-95 to being a professional sci-fi writer and and how odd things can get in the real world. There will be cheap drinks, good food, and lots of fun.

Nine 30 Ten Sports Lounge - 5:00 PM / 07/17
6710 W Cermak
Berwyn, IL 60402

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Genesis Planet...

Image Source: Daily Galaxy link below


Topics: Astronomy, Astrophysics, Big Bang, Cosmology, White Dwarfs


I took the title from the Daily Galaxy's original post. It seemed apropos and succinct, but I am aware of the strong feelings it may generate.

Science strives mightily to fight "confirmation bias" : "the tendency to interpret new evidence as confirmation of one's existing beliefs or theories." The way scientists try to weed out minutiae is through peer review. Feelings are bruised, but truth is winnowed from social and preconceived chaff. Previous theories once held in high regard are thrown away. As new technology and instruments become available, this disciplined process is repeated. A scientific discovery may or may not confirm already preconceived notions. It's usually the latter. Such is not science, but the seeds of the boondoggle, pseudoscience and superstition; it is the natural tendency in an ever-changing world to reach for the comfortable instead of lighting "a candle in the dark" (Carl Sagan).

“There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy.”

William Shakespeare, Hamlet

"I would rather have questions I can't answer, than answers I can't question."

Richard Feynman

In 2015, NASA's Hubble Space Telescope precisely measured the mass of the oldest known planet in our Milky Way galaxy. At an estimated age of 13 billion years, the planet is more than twice as old as Earth's 4.5 billion years. It's about as old as a planet can be. It formed around a young, sun-like star barely 1 billion years after our universe's birth in the Big Bang. The ancient planet has had a remarkable history because it resides in an unlikely, rough neighborhood. A few intrepid astronomers have concluded that the most productive to look for planets that can support life is around dim, dying stars white dwarfs.

"In the quest for extraterrestrial biological signatures, the first stars we study should be white dwarfs," said Avi Loeb, theorist at the Harvard-Smithsonian Center for Astrophysics (CfA) and director of the Institute for Theory and Computation. Even dying stars could host planets with life - and if such life exists, we might be able to detect it within the next decade.

The ancient planet orbits a peculiar pair of burned-out stars in the crowded core of a cluster of more than 100,000 stars. The new Hubble findings close a decade of speculation and debate about the identity of this ancient world. Until Hubble's measurement, astronomers had debated the identity of this object. Was it a planet or a brown dwarf? Hubble's analysis shows that the object is 2.5 times the mass of Jupiter, confirming that it is a planet. Its very existence provides tantalizing evidence that the first planets formed rapidly, within a billion years of the Big Bang, leading astronomers to conclude that planets may be very abundant in our galaxy.

The Daily Galaxy:
Hubble Space Telescope Reveals "The Genesis Planet" --The Oldest Known Planet in the Milky Way (Today's Most Popular)

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cQED...

A. Houck/Princeton

Figure 1: Scanning defect microscopy provides a map of photons in a resonator lattice. Houck and colleagues demonstrated the technique using 49 resonators (grey lines) that were coupled together to form a kagome lattice. This configuration consists of a triangular arrangement of three resonators at each point in a honeycomb lattice.

Topics: Electrical Engineering, Nanotechnology, Quantum Electrodynamics


A scanning probe detects the quantum states of photons in a microwave circuit, providing the information needed for quantum simulations.

Quantum mechanics rules the dynamics of light and matter. Yet performing a quantum-mechanical simulation of a material from first principles is practically impossible on a classical computer because the complexity of the simulation increases exponentially with the number of particles involved. The solution, according to Richard Feynman, was to build a machine out of quantum building blocks that could directly emulate the material itself [1]. Prototypes of such quantum simulators that are based on ultracold atoms, ions, photons, and superconducting microwave circuits are now available [2], with the latter, in particular, having attracted Silicon Valley’s interest. The challenge with these circuit-based simulators, however, is that they are 2D, which complicates the readout of their constituent elements. Andrew Houck from Princeton University, New Jersey, and colleagues have now delivered an attractive solution by developing a technique [3], called scanning defect microscopy (Fig. 1), that determines the number of photons occupying each mode of a 2D microwave circuit. It is this information that would serve as the fundamental input and output for certain quantum simulations.

Superconducting microwave circuits combine electronic and photonic degrees of freedom [4, 5]. The main element of the circuit is a transmission line, which is made up of a central superconducting wire separated by a gap from two grounded plates. All of these structures are on a single plane, as if one had taken a 2D slice through a coaxial cable. When truncated, the transmission line becomes a resonator, which can host discrete photon modes within its gaps. Large lattices of resonators can be engineered in various 1D or 2D geometries by coupling two, three, or more resonators together via a capacitive interface. In many ways, photons in such devices behave similarly to electrons in a solid.

To make microwave circuits that can simulate quantum phenomena faster than a classical computer, however, resonator lattices have to be integrated with superconducting qubits. Such qubits are controlled with electrical currents in a Josephson tunnel junction, and in many respects, they behave like artificial atoms, which couple to the photons in the circuit. As a result, superconducting microwave circuits can be used to explore the coupling between the quantum states of light and matter, the regime of circuit quantum electrodynamics (cQED). Photons in these devices often exhibit striking matter-like behavior [6, 7], providing the basis for the simulation of complex materials. Such circuits can be fabricated on a substrate using standard lithographic techniques, with qubits and resonators that are hundreds of micrometers or even millimeters in size.

APS Viewpoint: A Bird’s Eye View of Circuit Photons
Sebastian Schmidt, Institute for Theoretical Physics, ETH Zurich, 8093 Zurich, Switzerland

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CFP: Afrofuturism in Time and Space

Sharing this post from the Science Fiction Research Association (SFRA-L) Listserv:

Dear Comrades:

 

I'm delighted to announce that Isiah Lavender III and I seek essay proposals for an anthology called "Afrofuturism in Time and Space." Please see the CFP below and attached for more details. Also, please note that we thought we'd posted this sooner, and so the deadline in is just a few weeks.... If you are interested and need a bit more time to develop your proposal, please contact either me or Isiah off list.

 

Thanks, enjoy, and please pass along the good word. I hope to see proposals from some of you soon!

 

Best, Lisa

 

CFP: Afrofuturism in Time and Space

 

Co-editors Isiah Lavender III and Lisa Yaszek seek essays on black speculative art across

centuries, continents, and cultures for a new collection called “Afrofuturism in Time and Space.” When Mark Dery coined the term “Afrofuturism” in 1993 to describe art that explores issues of science, technology, and race from technocultural and science fictional perspectives, he did so primarily in reference to postwar African-American art, music, and literature. Over the past decade, however, scholars and artists alike have begun to redefine Afrofuturism, pushing its temporal boundaries back to the 17th-century roots of modern science and industry while expanding its geographic boundaries to include diasporic black and pan-African speculative fictions. As editors, we seek scholarly essays and artists’ case statements that demonstrate how to productively rethink Afrofuturism as a globe-spanning tapestry of creative voices and aesthetic practices linking historic African American, contemporary black Atlantic, and pan-African authors together in provocative new ways. That is to say, we are looking both backward through

history and outward from the U.S. At the same time, we also welcome works that treat what we might now call “classic” Afrofuturist authors and themes from new methodological perspectives.

 

While we, of course, welcome proposals on Samuel R. Delany, Octavia E. Butler, and Nalo

Hopkinson, we also seek essays that address:

 

• Early African American literature

• Slave narratives and neo-slave narratives

• Jim Crow and Apartheid

• Poetry, film, graphic narrative, and sonic fictions

• Black Atlantic and other black diasporic aesthetic traditions

• Pan-African and regional African speculative fictions

• Little-known artists, understudied artists, emerging artists, and mainstream artists

working with Afrofuturist themes

• Occult or native scientific practices as they inform Afrofuturist texts

 

The editors invite submissions that respond to the focus of the volume and also welcome general inquiries about a particular topic’s suitability. Please submit 250 word abstracts, a working bibliography, and a brief CV electronically as MS Word attachments to Isiah Lavender III at isiahl@lsu.edu and to Lisa Yaszek at lisa.yaszek@lmc.gatech.edu by July 30, 2016.

 

Accepted articles should be between 5000 and 6500 words in length, including “Works Cited,” and prepared in MLA style, and forwarded as MS Word attachments.

 

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The Death of Justice

The Death of Due Process

 

Well, Texas has just put the final bullet in due process. Is that offensive? Too soon? GOOD!

 

They sent in a BOMB to assassinate the Dallas shooter. No arrest, no arraignment. And then the Governor of Dallas, Greg Abbott, proudly got up on television and proclaimed that "the sole suspect", Michael Xavier Johnson, "now has received his justice." The same justice that Sandra Bland got? The same justice that Philando Castile got? The same justice that Alton Sterling got? Or Tamir Rice? Or Freddy Gray? Or Treyvon Martin? Or Deven Guilford? Or the many, many others who were shot or otherwise killed by police without cause? Do I have to name them all?

 

It's not enough that they can practice civil forfeiture, and take private property as part of the income of the police department. It's not enough that they can come in without warrants to the wrong house and shoot an old lady to death. It's not enough that these people, who are supposed to PROTECT AND SERVE do nothing of the kind, but rather sow fear and distrust, and don't even get indicted when they commit these murders.

 

No. Now they are sanctioned ASSASSINS in our midst, and they can send a robot with a bomb into YOUR home, and blow you up, too. And why even wait for Black, Latino, Women, Underprivileged, whoever, to do wrong? Why don't they just set up stands on the highway and pick us off as we drive past? Why not just send some plastique to expectant, non-white, or non-rich mothers, and take out the next generation before they even take their first breath? Why not make flu-shots in non-affluent areas hot-shots, and smile as you cheerfully eradicated the surplus population?

 

And let's not forget that one of the top ten professions that draws psychopaths is Police Officer.

 

Are we surprised? Are we scared enough, yet, to do something? Is there anything we can do, besides saw friggin Texas and all other deeply red states off of the continent and set them adrift, to safe-guard the rest of us?

 

I have a home I can go to... The Caribbean holds some sanctuary for me. But what about the millions who call this nightmare place home, who have been here twice more generations than their affluent oppressors, because they die younger and more frequently due to exactly the circumstances we are witnessing before our eyes? The average American citizen should NOT have to leave their homes with a reasonable expectation of DYING due to a police stop, but that is exactly the way things are going. The thin veneer of civilization that the middle and upper middle class so fervently believes in is being stripped away to show what has ALWAYS been happening.

 

We are seeing the extraordinarily horrible as the everyday commonplace. And now Texas has just wiped its ass with the Constitution. So please, Republicans, no more bullshit about protecting the Constitution, and believing in the equality of all people. Your Poster-Boys of Conservatism have just shown their asses, and it is Rich, White, and the boys in Blue. Now stand up and tell ME to say the pledge of friggin Allegiance!

  

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Fuels and Futures...



Figure 1. The correlation between hydrocarbon-based power consumption and economic output for most countries on Earth. A power-law fit finds that annual GDP per person is G = $10 500 (C/kW)0.64, where C is hydrocarbon-based energy consumption per second per person. The tight power-law relationship indicates that economic prosperity is not currently feasible without consumption of hydrocarbon fuels. The power law is reminiscent of scaling laws in biology; 15 the flow of petroleum through economies resembles the flow of blood in mammals. On average, the hydrocarbon power consumed in the US is 8 kW per person, the same as 80 incandescent 100 W bulbs burning continuously. If the US were to rely only on its currently available renewables—biomass cogeneration, wood, hydropower, geothermal, wind, passive solar, and photovoltaics—power consumption would drop to four bulbs per person; eliminating hydropower and biofuels would reduce the number to one or two. The reduction would entail such a change in lifestyle as to make the US unrecognizable. 16 (Data source: Central Intelligence Agency, World Factbook, 2015; DOE/Energy Information Administration, 2015.)



Citation: Phys. Today 69, 7, 46 (2016); http://dx.doi.org/10.1063/PT.3.3236



Topics: Alternative Energy, Economy, Green Energy, Green Tech, Politics


President George W. Bush famously said: "we're addicted to oil." That's an understatement, as it is evident this is the underpinning of the planetary economy.

The sad part is, without physics to give an intervention of sorts, the kind of utopia envisioned by Gene Roddenberry in Star Trek is highly unlikely. We're already showing the strains of automation, globalization and trade deals without a forethought on the impacts with populations at the bottom of societal ladders. It makes way for demagogues in the US, the UK and elsewhere that don't quite have a clue how to solve the problem, but play into xenophobic fears (as evidenced) to their advantage.

To contend with the challenges of fueling modern society, the physics community must collaborate with other disciplines and remain broadly engaged in research and education on energy.

For how long and in what ways can humans sustain the energy-intensive way of life we take for granted? That consequential question is one that physicists must help answer. As we pass the middle of 2016, oil prices are at a 10-year low, partly because of the surge in production of oil and natural gas from fracking. The current fracking boom may ease the transition to a new mix of energy resources. Conversely, it may make us complacent and delay the transition or incite popular resentment and impede the transition.

The physics community must participate in shaping how energy issues play out over the coming decades. The development of fusion reactors, photovoltaic cells, and other potential energy sources clearly requires contributions from physicists. As educators, many of us occupy the central position of teaching students the very definition of energy and the fundamental limits on extraction of free energy from heat. Beyond the classroom, we should all be concerned with the public’s understanding of what energy means. Even in the specific case of fossil fuels, there is room for our increased technical engagement through collaboration.

Physics Today: Physics, fracking, fuel, and the future
Michael Marder, Tadeusz Patzek and Scott W. Tinker

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Story Formation and Polishing

I go through a definite process to make a finished story. There is the initial writing - I might write the beginning and ending, or some intermediate scene, that the story works towards. Sometimes stories start with a single great scene, a beautiful beginning, that drives the plot for a while, a good long while. But eventually that impetus runs out, and other things are needed to keep the story moving forward. A great ending can help, for it gives the story the goal to strive toward, but I have found that not even that can completely fill a story out. 

 

I world-build - I set up the world and the rules, and keep a little library of them for each story that i consult as I am filling in the details. This can also help drive the story, because the plot and the people must obey the rules, and that can help inform the actions that they need to take, and what must come next.

 

When I write, the initial manuscript is full of holes - places where i skip words when i cannot think of exactly the right word, so I put a space-holder, or entire scenes where I can't or don't want to try to come up with the next logical scene, but work on the juicy ones, the dramatic ones that are easy to write.

 

Once all the juicy parts have been written, I try to find a good ending place. It might not be the ending I originally wrote, in fact, most times it is not. As I write, it may be that my original ending needs to come later, or too many things are happening, and the story would be too long to reach that ending. Things get rushed, details get glossed over, so I push that scene back and look for another ending.

 

Ending in place, (possibly), I screw around for a while, reading and chewing over what I have, but then I knuckle down and get serious about filling in all the holes. I make sure that the story is self-consistent, that I have gotten all the plot threads, and if it is not the first book in a series, but the second or third, I reread the preceding books to make sure I have everything right.

 

Then comes the polish - making sure that I don't repeat a descriptive word too many times, replacing all y place-holders with just the word I want, adding descriptions, making sure the transitions are just right.

 

Last is the error and spell-checking - this is the hardest part, and some errors do get past me and my editors (my family members pressed into service). But once they give the green light, I copyright, and put the story up as soon as the copyright payment is confirmed. If your next question is: do i wait for the copyright certificate before I post the book, the answer is no. I post it as soon as I finish the online copyright form. Why? Because works are actually copyrighted as soon as you create them - registering a  copyright is just your back-up legal defense if someone tries to claim it as theirs. Once the file is uploaded to the Library of Congress, I feel safe enough to put it on amazon.

 

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Michelle Malkin | Posted: Jun 29, 2016 12:01 AM

It is not a theory that delegating the protection of our embassy and military personnel to other countries risks lives. It is a reality bathed in American blood.

The latest reports on Benghazi released this week underscore the persistent dangers of outsourcing security.

By all accounts, the security conditions at the State Department's consular facility in Libya were "deplorable," as the House Benghazi committee's final summary report described it. Then-Secretary of State Hillary Clinton had been warned a month before the attack that violence was "on an upward trend" and "unpredictable;" "lawlessness was increasing," and local militia groups that were providing security in many areas were at the same time "undercutting it in others."

One of those local militia groups just happened to be in charge of providing interior armed security at the Benghazi Mission compound: the February 17 Martyrs Brigade militia.

Yes, we entrusted armed Islamic strongmen -- linked to the Muslim Brotherhood, supportive of al-Qaida, and financed by the Libyan defense ministry -- to guard our diplomats. No, this is not an Onion parody.

Instead of serving as a "quick reaction force" as they were contracted to do, the Muslim militiamen fled. (What's Arabic for "cut and run force"?) Two days before Ambassador Chris Stevens was scheduled to arrive in Benghazi, the "martyrs" informed State's Diplomatic Security Agents that they would no long provide off-compound security during transport or meetings off-site. "The meeting underscored that the militias in Benghazi controlled what little security environment existed there," the House Benghazi final report noted.

The other entity providing internal security support was the British-operated Blue Mountain Guard Force, which employed unarmed personnel at three entrance gates and inside the compound. As documents previously obtained by Judicial Watch revealed, BMG guards had been abandoning their posts for three months before the attacks out of fear for their safety. Officials warned the State Department that they were "undermanned."

Reuters interviewed the Libyan commander in charge of the local guards at the mission, who had applied with BMG after hearing about the company from a neighbor. "I don't have a background in security; I've never held a gun in my life," he told the news service.

As Judicial Watch's Tom Fitton concluded, the internal communications showed that the "U.S. Special Mission at Benghazi was a sitting duck. ... All security indicators were flashing red and, perhaps, with a show of strength to secure the Benghazi mission, U.S. Ambassador J. Christopher Stevens, Sean Smith, Glen Doherty and Tyrone Woods might be alive today."

The same is true of two U.S. Marines, Lt. Col. Christopher Raible and Sgt. Bradley Atwell, who lost their lives three days after Benghazi. Remember Camp Bastion? On Sept. 14, 2012, three days after the deadly siege on our consulate in Libya, the Taliban waged an intricately coordinated, brutal attack on the base in Afghanistan. Fifteen Taliban infiltrators decimated eight U.S. aircraft, refueling stations, and a half-dozen hangars, in addition to killing the heroic Marines and wounding a dozen others.

As I've reported over the past four years, the Bastion families discovered to their horror that watchtower security at the besieged and vulnerable facilities had been outsourced to soldiers from Tonga who had been widely known on base to fall asleep on the job. Compounding the insecurity on base, President Obama's politically correct military leaders insisted on disarming Marines out of respect for their Afghan allies.

Two years after Benghazi and Bastion, the Obama administration still had learned nothing. A November 2014 federal inspector general's audit exposed how the State Department's outsourced contractor in Kabul, Aegis Defense Services, failed to properly vet guards hired from Nepal and failed to obtain proper training documentation from explosive detection dog handlers. A separate contractor, Armor Group North America, shelled out $7.5 million to settle claims it had misrepresented the work experience of 38 third-country national guards it contracted to do work at the U.S. embassy in Kabul.

From Benghazi to Bastion and beyond, cutting corners has cost too many of our best and brightest. American forces and American diplomats deserve the best in American-led protection and security abroad. If we can't look after our own people, we have no business sending them to look after the rest of the world's.



*MY TAKE: I can't add much more to what Michelle said but, well said. Can't cut corners on domestic and international security. It's getting close to Election Day. Who do Americans trust to protect us from this persistent threat? Think long and hard and listen to the Trump and Clinton camps readers. It's almost time to decide which direction the United States will go for the next four years. I've heard how important the Election is for the last three or four, but with this one, which choice are you more comfortable with: Someone we already know what to expect from or someone we don't know what to expect from and frankly both choices are fraught full of potential danger. Stay prayed up and keep informed.*

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Current WIP - STRONGHOLD - By Jessica Cage

Stronghold

by Jessica Cage

Her afro had chunks of gray flesh accompanied by a thick sticky grey substance, the blood of the alien beast she had just cut down. She caught a quick glimpse of herself, a reflection in a darkened window and smiled hungrily. Ranish had just taken out three Larken with no assistance from her team who were still in route and she had no intent of stopping. The war was underway. They'd gotten word in advance of the approaching vessels and were able to get most to safety. Ranish was a fighter, one of the best and now, in the midst of battle, was her when she really got to show out.

“Ra, let's go!” Her commander called to her and she moved back into action cutting down another of the slimy beasts on her way. The Larken were hideous things, nine legs that lined their circular bodies, the front most acted as a weapon to stab its enemy and inject it with a deadly toxin. The key was to get beneath it. The common attack was long range, this often proved ineffective as the hard outer shell protected the monster from most gun fire. If the shooter wasn't skilled, they were ineffective and likely the next item on the meal plan. Just underneath the exoskeleton was a soft underbelly, the monsters’ weak spot.  Ranish easily slid beneath, blade at the ready, and slit each one from ass to throat.

It didn't bother her, the mess of the slaughter. She actually enjoyed the close up kill more than the distance shot. There was nothing better than witnessing first hand, the life drain away from her enemy. This was the method of her train which started early on in her childhood. The golden rule was to never show fear, never back away from what you needed to do. To show fear, to let your enemy know that you were afraid, was to present a weakness. The day Ranish let fear control her actions on the battlefield would be the day she would lay down her weapons for good.

Her tactic was made easier knowing that her opponents were mindless creatures with no real skill for fighting and nothing driving them but their foundation of death. Larken were beasts that were bred for destruction. They were brought to Earth in crates and dropped from the skies. Packages that shattered and spewed forth waves of hungry beasts that caused the deaths of countless people. Their masters were the Sav, aliens from another world who had called for war with Earth some 90 years earlier. Nearly a century later and Earth was still holding on, but only just barely. The Sav knew that they were close to a victory and if Ranish and her team could help hold them off just a bit longer, their weapon would be ready to deploy. The launch would turn the tides in favor of the human population. It took nearly a century to understand the Sav’s technology but it had been replicated and their weapons would soon be able to penetrate force fields that once proved impervious. The playing field would finally be leveled.

Ranish took a higher sense of pride in her kills as her weapons were hand crafted by her father. Her tools were made from the very metal of the first Sav ship that had fallen, taken down by her father’s crew. It was stronger than any found on earth and her father made her two perfect knives and a double tipped spear that not only expanded into three points on both ends but could be detached at the middle for ease of use in combat. The weapons were lightweight which meant that they were easy to maneuver and cut those beasts like butter.

The target was the control room. It was still secure but under heavy attack. If the damn things made it inside, their city would be the first to fall, and if they allowed that to happen, others would collapse quickly after. Additional artillery was on its way, they just had to keep the center secure until the cavalry arrived. Inside those doors, a timer was counting down. Just 48 hours until the missiles would launch, 48 hours until the Sav would finally come to see that earth wasn't for the taking and the human population wouldn't just lie down and die.

War was in her blood. The only daughter of a war hero, the granddaughter of a highly awarded soldier, she had been raised, built for battle. Ranish and the captain came up on the tail end of the group of monsters trying to break through the strong hold. Three of their men lay dead in the room, the Larken fed on their lifeless bodies. Ranish wanted to make her move as soon as she took in the sight and begin to dismantle the disgusting things limb by limb. The captain, who knew exactly where her mind was going, signaled her to hold. The rest of her team was coming. They were grossly outnumbered and needed as much backup they could get. She wanted to rush forward but held her position. She wouldn't get expelled from duty for not following a simple command.

Three long minutes later, backup arrived. Three men joined them; Jemal, the tech, Lex, the shooter, and Tone, that strategist. Together with Ranish, they were the top of their class, the best of the best and hand-picked by the Captain to fight by his side. It had been nearly a decade that their team operated together, a single unit protecting their home. Their first outing, Ranish had proved herself among the team of men and had earned their respect when she saved Lex from two Larken who had him cornered. She often wondered if the Captain had put them in that situation for that very reason. From that moment forward, she never felt anything but camaraderie and a sense of family, a welcome feeling after the death of her mother and father.

She was away at training when it happened. Bombers took out a nearby city, but masses of Larken fell right on top of them. Her father was bombshell ready but they weren’t prepared for the Larken. The doors closed, but it was too late, one of the damn things had made it inside. It was the first time those beasts were dropped and they took her parents from her. Ranish did everything she could to never think of her parents last moments alive.

Eagerly she waited for the signal to move forward. Her job was always the same. Take down as many of the damned things as possible. Keep moving, keep killing. Two silent taps the captain's right thigh was her confirmation. Show time.

It was instantaneous, the transformation that happened almost like the flip of a switch. Skilled killer emerged and like a ballet of bloodshed she moved through the mass of alien intruders. Lex was on her flank making sure that she wasn't taken by surprise. Jemal and the captain headed for the main panel. The secondary wall of defense to the control panel had jammed and they hoped like hell that their tech guy would be able to get the damned thing closed. Once there, Jemal was protected as he worked.

Ranish kept in motion. More Larken were coming, the pounding of clawed feet hitting the ground sounded like a storm of hail rushing in their direction. It didn't matter what was coming, all that mattered was what they were already facing. The screeching cry of the beast as she dismembered the back two legs gave her pleasure and motivation to keep moving.

“Jemal, get that door shut!” Ranish yelled out as she finished another kill. The floor had become slick with the blood that spilled from the dying bodies of the Larken.

“I’m almost there; just hold them off a bit longer!”

Tone and Lex took the lead, with the immediate threat subdued; it was their time to keep the approaching threat at bay. Long range fire arms which shot out nets of lasers take down groups of the beasts at once but they are still coming and their line is quickly closing in.

Ranish fell back; she caught her breath while taking inventory of the slaughter on the floor. Anything that twitched got another blow from her spear. Too many times she had seen someone lose their life because they didn't take the time to make sure their kills were clean and final. She never claimed her victories until she was sure the job was done.

“They’re closing in Jemal! Tell me you found gold.”

“Just give me one more minute!”

Ranish looked out the approaching herd. The beasts were nearly at their door. She took a deep breath and centered herself. She would go down fighting. She lifted the spear and engaged the release to turn one into two. Holding the weapons at her side, she stared ahead. The thunderous sound of the Larken approach was now paired with strong tremors in the floor.  

“As soon as that door closes, hit the kill switch! All of those bastards will burn!” Jemal told the Captain who left his side to access the panel just a few feet away. He lifted the glass casing that protected the controls. His hand hovered just above the switch, his eyes were trained on the door.

There were just a few yards left between them and the threat. Tone and Lex were doing their best to hold the line back, but there were just too many of them to shoot down. Those yards turned into feet and their hope of securing the control room diminished.

Just as Ranish centered herself, ready to flip her internal kill switch, the doors initiated and begin to slide shut. Three of the bastards managed to get in before it closed. The Captain slammed on the kill switch and the cries of the Larken rang out and echoed the sounds of their monster brothers who managed to make it inside. The smell of burning flesh seeped into the room through small overhead vents as once again Ranish confirmed her kill.  Lex did the same with the two he had taken out.

“Yeah!” Tone high-fived Lex who hooted his excitement, the two did their usual battle field dance as Ranish and Jemal laughed.

“Let’s not get too excited.” The Captain patted a sweat covered Jemal on the shoulder. “We still have to keep this room secure for the next 17 hours. Once that missile launches, then we celebrate.”

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Octavia, One Day...

Image Source: Fusion Article
Why is Hollywood ignoring this incredible black science fiction writer?

Topics: #BlackLivesMatter, Biology, Diaspora, Diversity, Diversity in Science, Science Fiction, Women in Science

You probably haven't heard of Octavia Estelle Butler unless you've read her work, or follow online forums like Black Science Fiction Society (as I do). It might not be important to you if you're not a part of the culture. What will likely be somewhat related and familiar is Justin Timberlake's first #inspired to Jesse Williams' speech at the BET Awards and his rejoinder to black twitter (when they accused him of appropriating the culture, but not the struggles for profit). It's unfortunate, but not equivalent to the dismissive #alllivesmatter (just clumsy). Daily there are those who strive mightily to make the Diaspora infantile based on its concerns, political choices, perspectives...and tastes in science fiction. The deaths... no: the executions of Alton Sterling in Baton Rouge, Louisiana and Philando Castile in Falcon Heights, Minnesota proved again "we're all one bullet from being a hashtag." The Dallas shooting, opposite the peaceful protest of these assassinations was an action-reaction to congressional inaction to previous mass shootings; action-reaction to a Justice System blind and mute to black bodies abused by overzealous officers. This "post-racial society" isn't.

In my readings on the subject of "Afrofuturism," I've come across the notion many times that the transatlantic slave trade was essentially the first "alien abduction," replete with advanced technology; different dialects; aloof foreign-looking men appropriating black bodies on mother ships - the 1st christened hauntingly as the "Good Ship Jesus."

In a post February 3, 2015 I titled "The Grand Dame," I said this:

I came to Octavia Butler in "Mind of My Mind" midway in the Patternist series; followed by "Parable of the Sower" and "Parable of the Talents." It was a respite from often, science fiction clearly written without other cultures in mind. Literary whitewashing tends to translate in realities where diversity cannot be tolerated. She sadly left us in 2006 due to poor health. It is a wonder some of her books haven't made it into the theaters, especially the Parable series. I can only hope they will be one day.

I purchased her novel "Dawn" at the news on Facebook (via io9) it was optioned to be made into a television series. As with most of her works I've read, it is exciting and disturbing at the same time. The aliens seem to have three genders: male and female Oankali and Ooloi - a third sex. When it was written, it was groundbreaking but not without precedent: some Native American tribes recognized FIVE genders before the European invasion and the imposition of authoritarian rule. In today's expansion of LGBT rights, it could be a hit in the current zeitgeist post the Supreme Court ruling last year. The Oankali and Ooloi, if depicted as my mind's eye does during the rapt reading on my Kindle, have to be digested in bites; sexuality between not just humans, but whole other alien SPECIES (through the Ooloi) is a bit much. I envisioned Amazon Prime, Hulu or Netflix would at least take it up, since traditional network television tends to go for the what I call the "dominant default": the space hero must be a clone of Buck Rogers and John Wayne; any minorities other than Lieutenant Uhura being conveniently placed in the infamous "red shirts" with short series and/or screen time.
I literally just found this here, but it's what I see in my mind's eye some FX guru could bring to life.

One day...
Kinda...The artist had a different definition, but some of his comments recalled Butler's book.

Then I read this article in Fusion:

There is no better time for Octavia Butler’s work to be adapted. Unlike most of her contemporaries, she did not deal with robots, mechanized suits of war, or quantum physics. She eschewed these to explore aliens, mutants and mutagens, space travel, and biological manipulation. Her hyperspace was the body. With body hackers and body modification techniques experiencing exponential growth, and scientists engaging in genetic tinkering with the likes of Crispr, Butler’s Xenogenesis saga would be the visual representation of the early 21st century’s zeitgeist, despite being written decades ago.

We should be seeing Butler’s work on screen. We need more science fiction film and television from a black perspective. We have seen multiple visions of utopian and dystopian futures from white men. We’ve yet to see science fiction worlds from a hyper-marginalized lens.

When you see the world as one not to be conquered or defended, but as one that is oppressive and limiting and dangerous, you will tell more than just good-versus-bad stories. You will avoid the typical tropes of science fiction. And you will give voice to, and render visible, the voiceless and the unseen. Octavia Butler does this, and so much more. The question is still out there: Why hasn’t any of Butler’s work been adapted for the screen?

We, her many fans, are still patiently waiting...one day.

Related link:
Octavia Butler’s Xenogenesis Trilogy: A Biologist’s Response
by Joan Slonczewski, presented at SFRA, Cleveland, June 30, 2000

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