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"It's 1929 and a local Negro neighborhood called Jackson Ward in Richmond, Virginia is booming. In fact, it's called "The Black Wall Street of America" by economists of the day. Things are booming financially and socially for the Negro community, but then a series of what appears to be random murders of poor working class Negro women begins to happen and everyone is on edge, especially the Negro business owners. The Ward is a very tight community – strangers cannot move freely about in this segregated town. They hire haunted World War I veteran and alcoholic Sy Sanford to catch the cold-blooded murderer, but murder is not the only thing threatening to destroy "The Black Wall Street of America." The real Wall Street is about to come tumbling down and plunge Jackson Ward and its infamous 2nd Street into a debilitative financial and social state it may never recover from."

Murder, race, sex and money run wild in this soon to be American classic featuring an African American WWI veteran, Sy Sanford. Available for $1.99, get your copy of part I today, and then join the fan page for Murder on Second Street on Facebook to get updates, book signing information and to share your comments with other fans. Part II will be released July 1.

So click on the LuLu link below and order part I of this six part novel, Murder on Second Street, at http://www.lulu.com/shop/rebekah-l-pierce/murder-on-second-street-the-jackson-ward-murders-part-1/ebook/product-21048846.html?mid=social_facebook_pubsharefb.

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Q & V Affordable Editing

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Disco's Not Dead...

LARES

One of the most subtle effects predicted by general relativity is a phenomenon known as rotational frame-dragging. This is caused by a massive spinning body, such as a planet, dragging space-time with it as it turns. That causes any small rotating particles in the vicinity to precess.

 

This disco ball is an extraordinary object. It is entirely passive, with no thrusters or electronic components. Instead, it is a tungsten sphere about the size of a football, weighing 400 kg and covered with 92 reflectors that allow it to be tracked using lasers on Earth. These reflectors also make it look like a disco ball.

 

The ball’s small size large mass make it the most perfect test particle ever placed in orbit, the first aerospace structure ever made from tungsten and the densest object orbiting anything anywhere in the Solar System.

 

The ball is known as the LAser RElativity Satellite or LARES. The Italians launched it in February last year and have been carefully measuring its orbital characteristics ever since.

 

Physics arXiv:
LARES Successfully Launched Into Orbit: Satellite and Mission Description
Read more: The Extraordinary "Disco Ball" Now Orbiting Earth
From MIT Technology Review
Follow us: @techreview on Twitter | technologyreview on Facebook

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All knightz animated short.

http://allknightz.wordpress.com/2013/05/29/all-knightz-embark-on-kickstarter-crowd-funding-campaign/?preview=true&preview_id=52&preview_nonce=b7e6369fb4

Hey guys, check out the all knightz blog page, we are working on a kickstarter campaign that we shall be dropping in October but we have started the pre production for this project early.  Its going to be an animated 25 to 30 minute animated short.  

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We're Made Of Star-Stuff...


Some part of our being knows this is where we came from. We long to return. And we can. Because the cosmos is also within us. We're made of star-stuff. We are a way for the cosmos to know itself. Carl Sagan

These Hubble Deep Field images offered incredibly clear views of the cosmos in its infancy. What drew astronomers’ attention were the tiniest galaxies, covering only a few pixels on Hubble’s detector. Most of them do not have the grand spiral or elliptical shapes of large galaxies we see close to us today. Instead, they are irregular, scrappy collections of stars. The Hubble Deep Field confirmed a long-standing idea that the universe must have evolved in a series of building blocks, with small galaxies gradually merging and assembling into larger ones.

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Interrupted Journey: Part 3

The tattooed hijacker Dern dubbed Five Star paused in the middle of pacing and touched an area next to his right ear to activate a sub-dermal communicator. He nodded and turned in a slow circle. “Good news, people. We’re a few minutes out from our destination. This will all be over soon and you can get back to whatever mundane lives you were leading before you met us.”

            Ura flashed a relieved look at Dern.

            Theresa clenched Cyril’s hand tightly. “Now we have to worry about how we’ll get to Ceres 3.”

            “Cyril nuzzled closer to his wife. “Don’t worry your pretty little head about that. We’ll find a way.”

            Dern said nothing. He watched the hijackers, unable to shake the nagging voice in the back of his head telling him that the resolution to this crisis was all too easy, all too reassuring.

            Annually, thousands of deep space sleeper ships cruised to the farthest parts of known space and quite often beyond. Such journeys had become routine and safe enough for the most risk averse traveler to undertake with minimal concern. But they were not entirely void of hazards. A ship’s shielding could degrade, exposing passengers and crew to lethal radiation. A defective stasis system could fail in its IV delivery of nutrients to sleeping passengers, subsequently starving them to death. Engines might shut down, stranding ships or a faulty astrogation computer could veer a ship off course by years, perhaps centuries.

            Thankfully, those problems were rare to nonexistent in an age when the major wrinkles initially hobbling deep space travel were ironed out.

            And then there were occasional stories of sleeper ships disappearing enroute to their destinations never to be seen again.

Dern had heard of such occurrences over the years, but like most citizens paid little to no heed to them. Now, he had to wonder if those vanished ships had fallen into the hands of bandits and if so, what of the occupants? What was their fate? What would be the fate of he and his fellow passengers?

            Dern’s fears bounded to full fruition when Five Star and his comrades suddenly leveled their weapons on the sitting passengers and opened up. Diamond-tipped, carbon-jacketed flechettes ripped from nearly a dozen assault rifles and pistols, buzz sawing across rows of flesh. Dozens of men and women crumpled beneath jack hammering rounds. A few passengers tried to scramble away only to be riddled to shreds, their bodies twisting in mid flight and crashing to the deck in contorted positions.         

            Blood and gore splashed across polished white surfaces, mingling with flachette- gouged pack marks.

            Dern had enjoyed a relationship with violence that was disturbingly deep and abiding. But that was long ago, relegated to another life. To be so unexpectedly reunited with a specter from his past was so jarring, he could only sit, frozen in place watching death unfold around him as if he were outside his body.

A hijacker ten feet away pointed his RI4 at Dern and smiled. Dern peered into the weapon’s muzzle and saw his imminent demise, yet he still could not move.

            Ura jumped up screaming.

            The muzzle flashed.

            A spatter of flachttes punched through her body, exploding against the bulkhead. One flachette caught Dern in the collar bone. Another one grazed his head after passing through Ura’s lower back. She collapsed on top of Dern as he lapsed into anguished darkness.

           

 

            The ship entered the planet’s atmosphere, descending toward a settlement called Routh. Neither the Coalition nor the other five polities comprising the human Diaspora was aware of this settlement’s very unsanctioned existence. That was sure to change in time. The Coalition dispatched regular patrols to search for and dissolve rogue settlements on the planets it laid claim to. Most unsanctioned settlers accepted dissolution. If they were upstanding, law-abiding types, Coalition patrols, acting on the discretion of commanding officers, opted not to deport them.

Criminal settlements were another matter entirely. Routh’s unsavory inhabitants knew they lived on borrowed time. Until a patrol did discover them, they intended to squeeze as much profit from their varied criminal enterprises as possible. After that, it was on to another uncharted world… provided they escaped arrest and imprisonment.

            Tunnal slouched in the captain’s chair, his fingers drumming a delightful rhythm on the armrest. A place like Routh needed all the ships it could get, since it lacked the industry and skilled labor to build them from scratch. The latest model sleeper ship, with cutting edge propulsion, state-of-the-art spatialonics and high yield multi-range weaponry to fend off pirates (Tunnal smirked) was guaranteed to net him and his associates their biggest payday.

            His subdermal com buzzed. Tunnal sat up straight and pressed next to his ear to receive. “Go ahead.”

            An enthused voice responded. “The passengers have been liquidated, Boss.”

            Tunnal gazed surreptitiously around the bridge. Crew members sat at their stations, stupidly oblivious to the slaughter he green lighted below. Their turn would soon come…but not before they landed the ship. He lowered his voice to a near whisper. “Good job. Check the bodies. Confirm that they’re all dead.”

            “Will do, Boss. We’ll make damn sure there are no witnesses.”

 

 

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Sci-fi Fantasy Art Controversy

I'm failry new to this particular site and have found it to be interesting so far. In due process, I am currently working on homework assignment and since my favorite topics involves Sci-fi/ fantasy/Comic art, I have decided to post a series of questions for my homework assignment here.They are as follows:In the past, or during your childhood, was there a particular work, theme or image in the category of science fiction/fantasy artwork or films that you favored but was considered “wrong or “demonic” by either : your relatives, friends religious groups? Why was that particular piece of art your favorite? Why would the others that you knew view it as “bad” or “demonic”? If misunderstood as being “bad” what was your explanation or evidence to clarify the image to being harmless or just a misunderstanding? If you came to the conclusion that the image was bad as a final result what is your reason? How is it looked upon today?How do you compare some of the sci-fi works that are created today in comparison with what you have experienced in the past? What do you think would cause society to look at that particular type of art/film differently and/ or change their way of looking at it? Is the controversy still evident today as it is in the past? And what reasons do those individuals (or yourself) have to back up those reasons?Just to give a brief example, during my childhood, I grew up in the south (Central Florida) and I had a fascination for drawing dragons anthros and mythical creatures. I was condemned and judged by church members and a few folks in my family because their hypothesis is based on just a few scriptures in the Bible, giving them circular reasoning as to why all dragons are evil. Not only that, I was always pestered with questions such as, "why can't I draw landscape sceneries, or people?" Grant it, I can draw people and just about anything I lay my eyes across, I just find it boring to draw. Since at that particular time I was at a very young age, I had difficulty explaining my intended purpose for drawing mythical creatures and that my art had no evil intentions behind them. Besides,the dragons I created doesn't look like anything that the scriptures describes.

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How Microsoft insulted me...

I don't normally rant about consumer electronics.  I don't like cell phones.  Computers are slow, and there's nothing genuinely new under the sun.  However, I'm a gamer, and I've just been insulted.  About a week ago, Microsoft told the world about its upcoming game console, the XBox ONE.  They spoke extensively about all the new features, which were cool, but weren't enough to allay disdain at the "not-so-cool" features, features like it won't play used games. 

For non-gamers, I'll let you know the secret to gaming in poor communities.  It's called GameStop.  It's a retail store dedicated to video games.  It also functions as a pseudo-pawn shop.  When you're tired of playing a video game, you can bring it to them and you'll get store credit towards another video game.  The game you turn in is then sold again as a used game for a slightly lower price.  So if you wonder why Pookie doesn't have a job, but he's knee-deep in video games, this is why. 

What Microsoft is trying to do is stop this practice because, quite frankly, they hate GameStop.  Oh, and poor people.  They obviously hate poor people too.  But this isn't the insult for me, the poor, Black gamer.  No, it isn't.  Even though the XBox ONE has a camera that's ALWAYS on and watching you, in a time where every American can rightly assume that Big Brother is watching them through their Twitter and Facebook accounts; this is not Microsoft's insult to me. 

I can tell you how Microsoft tried to impress me with a Blu-Ray drive in their new machine, even though no one cares about Blu-Ray.  If someone had the excess cash to care about extra sharp pictures on their DVDs, they would wisely buy a Blu-Ray player or an HD TV for this effect.  They would not buy a new game system.  The PS2 and PS3 game systems tried similar tactics, but the DVD drives in those systems were more of a bane than a boon. 

I'll even push aside the fact that the new XBox ONE will not play old XBox 360 games, even though those games were published by the same company for a system that uses the exact same programming language.  Thus if you buy an XBox ONE, you'll have to wait a couple months before you can play more than just one game.  To put this in perspective, a gamer with no spouse or children can finish one video game in 2 days.  I'm married with a kid, so it takes me longer, i.e.,  a week.  It will be MONTHS before you can play more than ONE game on the XBox ONE. 

None of these things alone can compare to the insult Microsoft has tossed in my direction.  What is the insult, you say?  At their press conference, they refused to mention the price of the system.  They said that the price for the XBox ONE would be released at a later date.  Excuse me, Microsoft?  Do you think I'm stupid?  I've been playing video games since 1982.  It's 2013 right now.  That's right.  I've been into games for 31 YEARS, and I'm a young gamer.  You think I, and gamers like myself, don't pay attention to market trends in the video game industry?  Your system is going to cost $600.  You know it.  I know it.  Stop playing games with grown men. 

The average gamer is 35 and is married with kids.  The PS3 was a paperweight with a Blu-Ray drive and wouldn't play old PS2 games.  It cost $600 at launch.  Why is Microsoft pretending that they're not about to make the same mistake?  They're not going under $600 because they want to offset development costs.  They're not going over $600 because they're not completely insane.  Only ignorant children, who have not seen the rise and fall of Sega or the political firestorm set by Mortal Kombat, would sit idly by wondering how much Microsoft's new system is going to cost.  So before they launch their system, (which should be in August or September) let me tell you what's going to happen if they don't want their stock price to fall

1.  They're going to make the system play used games.

2.  It WILL be backwards-compatible (play games from their older systems).

3.  The camera on the system will turn off when I turn off the system. 

These things will happen or the XBox ONE will join the ranks of TurboGraphX 16, Atari Jaguar, 3DO, Sega CD, and the Sega Saturn.  If Microsoft doesn't remember these systems, that's fine.  I've been playing games longer than they've been making them.  I know a paperweight when I see one. 

Buy my new book "Squirrels & Puppies"!! 

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Overdrawn Account...

Yeah, right

Call me selfish...

Today, an asteroid the size of the one that destroyed the dinosaurs (with its own moon, no less) will pass by our planet harmlessly, illustrating the need to increase STEM knowledge prolifically such that we can deal with the "shooting gallery" that is our solar system. In half a century of living, reading, thinking and breathing, I've become rather fond of the rock we're on, and have no interest in becoming "smooth skinned dinosaurs" for the fossil comsumption of the next sentient species (or in the case of Mars, rust).

So, it's smart, I think to encourage kids in STEM versus sports; critical thinking versus flexing and postering; building things of collective value versus just acquiring wealth for its own sake, and the avarice/self-centeredness that it typically encourages (I admit, it does not always).

A really good question: if the projections of these articles are correct, we've got seventeen years until 2030 - what then? Then tipping points in global warming won't matter; the Census population of the US in 2042 won't matter; your favorite bloviating, over-the-top, education-of-a-flea, pseudo science, know-nothing-at-all-but-soak-your-fears-for-cash talk radio host won't matter; how much you have in the bank, who you think should run the country in the 2032 election won't matter.

Until someone develops new sources of energy, Solar Sails, Warp Drive or a migration plan, we won't have many options on humanity's table...

The over-use and pollution of Earth's natural resources have become so extreme that, at current rates, a second planet will be needed by 2030 to meet the world's needs, a new report warns.

The planet's 6.8 billion people were living 50% beyond Earth's sustainable means in 2007, the latest year for which figures are available, according to the biannual "Living Planet" report by WWF, a conservation group previously known as the World Wildlife Fund.

"Even with modest U.N. projections for population growth, consumption and climate change, by 2030 humanity will need the capacity of two Earths to absorb CO2 waste and keep up with natural resource consumption," the report says, adding that four and a half planets would be needed if everyone used as many resources as the average American.1


**********

Humans are using resources at such a pace they need another world to meet demand for land to grow crops and forests and raise animals, WWF International said.

People required 18.2 billion hectares (45 billion acres) of land by 2008, with 12 billion productive hectares available, WWF said today in its biennial Living Planet report. About 55 percent of land needed was for forest to absorb carbon dioxide emissions. The Earth takes one and a half years to regenerate natural resources used annually by human inhabitants, WWF said.

“We are living as if we have an extra planet at our disposal,” WWF International Director General Jim Leape said in the report. “We are using 50 percent more resources than the Earth can provide, and unless we change course that number will grow very fast. By 2030, even two planets will not be enough.”2

1. USA Today: Second Earth Will Soon Be Needed
2. Bloomberg: Another Earth Needed to Meet Humans' Demand for Resources

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Tea, Earl Grey, Hot...

...realizing, upon original transmission, it should have been "Earl Grey," I just went for it. Too many links to correct now. Smiley



NASA has doled out a research grant to develop a prototype 3D printer for food, so astronauts may one day enjoy 3D-printed pizza on Mars.



Anjan Contractor, a senior mechanical engineer at Systems and Materials Research Corporation (SMRC), based in Austin, Texas, received a $125,000 grant from the space agency to build a prototype of his food synthesizer, as was first reported by Quartz.



NASA hopes the technology may one day be used to feed astronauts on longer space missions, such as the roughly 520 days required for a manned flight to Mars. Manned missions to destinations deeper in the solar system would require food that can last an even longer amount of time.


Space.com: NASA Funds 3D Pizza Printer Denise Chow, SPACE.com Staff Writer

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Xerox has a bunch of full-color templates for many business communications documents, including Press Releases.

If you have to put something like that together, and you have little experience in composing compelling business visuals, you might want to take a look at these suggestions for the print-at-home crowd, or for creating your own PDF to take to the local Office MAX, Office Depot, Fed-X/Kinkos, etc.

http://www.office.xerox.com/small-business-templates/enus.html

Additionally, If you're looking for a free - four color separation PDF generator that acts like a printer driver in any version of Microsoft's Windows operating system, I highly recommend this one. It has produced perfect PDF files for any use:

http://www.pdfforge.org/pdfcreator

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SAN FRANCISCO (Reuters) - Amazon is once again shaking up traditional publishing models. This time, it's giving fans a chance to add their own personal touches to their favorite fiction - and get paid in the process.

This week, Amazon.com Inc announced "Kindle Worlds," which offers aspiring writers an opportunity to pen their own takes on franchises in books, TV, movies, even games and comics. The world's largest Internet retailer plans to license content, then accept submissions online that may then be sold through its Kindle ebook store.

Things will kick off with Amazon licensing three teen TV series - "Gossip Girl", "Pretty Little Liars" and "The Vampire Diaries" - from Warner Bros Television Group's Alloy Entertainment, Amazon said on its website. More content deals will be announced in coming weeks.

Amazon has in the past decade emerged as the most disruptive force in publishing. It popularized digital books with its Kindle store and e-reader, contributing to the demise of traditional bookstores such as Borders.

In its effort to legitimize fan fiction, the company is establishing a model under which it acts as publisher and pays fan-writers between 20 and 35 percent of sales, depending on length.

"There's probably not an author/fangirl alive who hasn't fantasized about being able to write about her favorite show," budding novelist Trish Milburn enthused on Amazon's website. "The fact that you can earn royalties doing so makes it even better."

(Reporting by Edwin Chan; Editing by Phil Berlowitz)

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Dern Lowtower is a passenger on board a sleeper ship, headed to a planet where he'll begin a new job and a new life. A group of ruthless hijackers have different plans, forcing Dern to fight for his life on a journey that takes a bloody turn for the worse!

Interrupted Journey: Part One

Bio displays inside the stasis tube registered an increase in the subject’s heart rate, breathing and neural activity. Dern Lowtower opened his eyes. Fluorescent patches covering his arms and legs vibrated, transmitting soothing muscle regenerative electrical stimulation. Nutrition IVs embedded in his right arm retracted, and the tube’s plas-glass cover slid open.
Dern breathed in deeply, exercising lungs that had not been exerted in quite some time. He sat up, his body bare save for a pair of black shorts. There were six other tubes around him. Covers opened and their occupants rose. Murmurs of greeting resonated throughout the stasis chamber.
An elderly man named Cyril hopped out of his tube.
Dern recalled the retired engineer’s energy and vitality before the voyage. It didn’t surprise him that the man was first in the chamber to set foot on the ship’s rubbery deck.
Their eyes met and Cyril grinned vibrantly. “Did you sleep well young fella?”
Dern climbed out of his tube much less nimbly than the older man. He wasn’t entirely sure that his electrically stimulated legs would hold him up after so much inactivity. He stepped lightly, cautiously to test his limbs sturdiness. “I suppose.”
“It’s your first time in extended stasis. As you can see it’s no different than if you were under for six months,” said Cyril.
“Which, by the way was close to my longest voyage,” Dern replied, heading to the locker room. “I guess five and a years isn’t so bad after all.”
“Except it hasn’t been five and a half years,” a woman named Ura said. She was three tubes to the right of Dern. He didn’t know her history. She had been quiet to the point of withdrawn at the beginning of the journey. Now, her round face radiated concern. “Check your tube chronos, see if the date accords with the reading on mine.”
Dern peeked inside his tube at the chrono display next to the bio-monitor. June 5, 2565. Four years three months. He frowned. “Strange. Our tubes revived us ahead of schedule. There must be a malfunction.”
“Could be faulty programming,” Cyril speculated, or a glitch in the hardware operating the tubes. “I think I’ll take a look.”
His wife, Theresa, gently grabbed his arm and tugged playfully. “The captain has a full staff of capable engineers to handle such matters, honey.”
Cyril looked crestfallen until his wife planted a peck on his cheek. “Let the professionals who aren’t retired deal with this.”
Dern darted into the locker room and hurriedly donned coveralls and soft soled boots. When he stepped out, he headed for the chamber exit. “I’m going to see the captain.”
The section housing the stasis chambers was beginning to fill with newly awakened passengers. The realization that they had been revived prematurely shown vividly on their faces. A few looked to Dern for an explanation, but he was as much in the dark as anyone. On his way to the elevator he met Alita, a ship technician assigned to astrogation. He and the tech went way back, from his days serving on board a system patrol boat.
“Good morning…I guess,” Alita greeted with a gruff air.
Dern understood the sentiment. “We’ve certainly been thrown off. Any idea what caused it?”
“Not a clue. I’m hoping the captain will have answers. I’m anxious to get back to my ‘nap’.”
The two stepped into a lift leading to bridge level and rode in silence. When the door opened rough hands reached into the lift, grabbed Alita and Dern and hustled them onto the bridge.
Dern took quick measure of the situation. Six gunmen, four wielding RI 4 assault rifles, two with semi-automatic Viper pistols, all donning carbon lamellar flak vests and boot-sheathed combat knives. Nine bridge crewmembers, including the captain lay sprawled on the deck, their hands clasped behind their heads.
Dern raised his hands.
“What the hell!” Alita was not so level headed. A spurt of resistance earned her a rifle butt to the base of the skull.
The gunman who issued the blow watched his victim crumple to the deck, then pointed his rifle at her head and snarled. “Bitch.”
Dern stood poised to disarm the criminal before he could get a shot off.
“Stand down, Josik. I don’t think she’ll be a problem from this point on.”
A gunman Dern presumed to be the leader of this gang stepped forward. His blond close-cropped hair was as sharply cut as the angled contour of his jawline. Ice blue eyes cut deeply into Dern, assessing, dissecting. “You won’t be a problem either, will you?”
Dern put on his most passive face. “No. Not at all.”
The leader’s gaze lingered on Dern like a toxic fog for a few more seconds. Finally, he turned away, gesturing. “Get them on their feet.”
The criminals grabbed crewmembers, hoisting them upright.
The leader approached the captain. “Turn on the monitors. I want everyone here to see video feeds of the stasis level.”
Dern glimpsed the bruises on the captain’s face.
Evidently, these criminals were as impatient with the captain as they were with Alita.
The captain flicked a look at an officer and nodded.
The officer moved nervously to a console and tapped a control.
Display screens above the console flashed to life, showing harrowing images of armed thugs terrorizing passengers.
Dern’s jaw clenched.
“My name is Tunnal,” the leader announced. “As you can see, my associates and I have taken control of this ship. You were scheduled to arrive at Ceres 3 in little over a year’s time. There’s been a change of destination.”
“Impossible,” the captain snapped. “The coordinates to Ceres 3 were programmed into the guidance computer at the beginning of this journey and locked in. No one can alter the destination once a ship of this class is in motion.”
Tunnal shot a hard, but mirthful gaze at the captain. “And yet here we are. Check for yourself.”
The captain brushed past a criminal and pulled up a star chart on the locator screen. His face went slack. He stepped back, looking at the leader with wary eyes. “What do you want?”
“Your cooperation first of all. After that we’ll settle for your ship.” Tunnal pointed to a star shaped icon on the chart. “This is where we’re going. System 382.”
The captain’s brow knitted, befuddled. “There’s nothing there.”
“That’s the problem with you ship captains,” Tunnel said in a tone dripping contempt. “Nothing exists unless you say it does.”
Alita stirred and Dern, disregarding the guns on him, knelt down to her. “You alright?”
Alita squinted in pain, rubbing the soreness on the back of her head. “Dern…?”
“Shhh…don’t try to talk…”
“That’s right,” Tunnal interjected coldly. “Don’t try to talk. Whatever your duty is on this ship, get to it. That goes for the rest of you. We’re going to the 4th planet in that system. Do what you’re trained to do to get us there as quickly as possible.” He focused on Dern. “You’re not dressed like a crew member.”
Dern forced an amicable grin. “Oh…I just came here to see what was going on. I’m a passenger.”
“Well, now you know.” Tunnal beckoned a large brute of a gunman forward. “Welch, escort our curious passenger back to the stasis level.”
The brute nodded a granite head. “No problem, boss.”
“What are you going to do with us?” The captain asked.
“Nothing as long you’re well behaved. We’re going to make a stop on the planet, drop you off and borrow your ship. Don’t worry. You won’t be stranded. We’ll leave you with a long range transmitter so you can contact a rescue patrol.”
The large gunman prodded Dern with the muzzle of his rifle. Dern walked toward the lift, suppressing an aching urge to glare at Tunnel. Stay calm, don’t piss the bastard off and we may all get through this alive. He wasn’t entirely convinced of that.
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Market Forces...

LIGO Hanford Observatory

Over the past several months, Congress has gotten rather upset by some of the research funded by arms of the federal government, such as the National Science Foundation and the National Institutes of Health. That displeasure eventually prompted the House Science Committee's chair, Lamar Smith (R-TX), to float a bill that would require the head of the NSF to certify that every single grant its organization funded was either in the national interest or groundbreaking.

 

As we pointed out, the mission of the NSF is to fund research in fundamental questions in science (typically called "basic" research). As such, the research isn't intended to have immediate commercial or military applications; those would come decades down the line, if ever. And it's generally considered impossible to predict which areas of research will eventually be viewed as groundbreaking at some point in the future.

 

Now, scientists who have served in the NSF are saying the same things. In a letter to Smith obtained by Science magazine, they point out that the draft bill "frankly requires the Director [of the NSF] to accurately predict the future." And they point to a technology that's currently having a huge commercial impact—the laser—that grew out of basic research using microwaves. In fact, in their view, "many basic research projects in every field supported by the NSF would likely not qualify for certification under this bill."


"You can lead a horse to water, but you cannot make them drink. You can send your rep to congress, but you cannot make them think!" (Old chemistry professor's sign outside his office: his wording was "child" for rep; "college" for congress - same concept.)

Arguably, this is "market as deity," i.e. using market-driven motivations in research, education, government and all other aspects of life, liberty; the pursuit of happiness. Question: what market forces still have our military larger than anyone else's: 41% of the world total? Some estimates put the total number of countries between 189 - 196. Let's round down to 192: we have more military might than 53 nations combined. Even with the best intelligence in the world, 9-11-01 and now 9-11-12 was a complete surprise to two administrations, except to conspiracy theorists that manage on the most part to not have formal degrees or command of critical thinking skills, but dangerous influence on our elected officials that parrot their nonsense. Science makes decisions in probabilities, so even a 90% assurance will not be "sure enough" and stymied bill passage; filibuster is more likely. Terrorism is a method, needing counterterrorism, i.e. Special Forces, not forces for the Battle of the Bulge. What's "market driven" about that?

My own "conspiracy theory": this is designed to put us effectively and efficiently in last place on the globe in science. Else, this is flat-out, Chiroptera-excrement crazy (and will result in the same fate)!

 

"There are also Idols formed by the intercourse and association of men with each other, which I call Idols of the Market Place, on account of the commerce and consort of men there. For it is by discourse that men associate, and words are imposed according to the apprehension of the vulgar. And therefore the ill and unfit choice of words wonderfully obstructs the understanding. Nor do the definitions or explanations wherewith in some things learned men are wont to guard and defend themselves, by any means set the matter right. But words plainly force and overrule the understanding, and throw all into confusion, and lead men away into numberless empty controversies and idle fancies." Sir Francis Bacon, Aphorism 43.

 

Ars Technica:
Proposed bill that would regulate NSF research funding faces backlash
Scientists not amused, bill's backers appear confused.
by John Timmer

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The Pencil is Mightier...



LEMONT, Ill. – Sometimes, all it takes is an extremely small amount of material to make a big difference.






Scientists at the U.S. Department of Energy's Argonne National Laboratory have recently discovered that they could substitute one-atom-thick graphene layers for either solid- or oil-based lubricants on sliding steel surfaces, enabling a dramatic reduction in the amount of wear and friction.


Graphite is a commonly used solid lubricant. However, it works best in moist air and does not protect the surface from tribo-corrosion. New studies led by Argonne materials scientists Anirudha Sumant and Ali Erdemir show that single sheets of graphite, called graphene, work equally well in humid and dry environments. Furthermore, the graphene is able to drastically reduce the wear rate and the coefficient of friction (COF) of steel. The marked reductions in friction and wear are attributed to the low shear and highly protective nature of graphene, which also prevents oxidation (tribo-corrosion) of the steel surfaces when present at sliding contact interfaces.

 

Argonne National Laboratory:
Graphene layers dramatically reduce wear and friction on sliding steel surfaces

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I am working my way through the Mass Effect Trilogy.  I know, a bit late to the party. While the story so far is great (i am in the middle of ME2) I am aware that there is some disappointment coming in the form of multiple shady endings in ME3. From what I hear, this has been compounded by Bioware's attempt to correct the problem by asking people to buy a better ending.

Outrage at customer gouging aside, this is all besides the point.  Right now, my Shepard, who happens to be black-ish, is having a great time working for the Illusive Man and whipping the Normandy-2 around with Miranda and Jacob.  What struck me was that this was the first time I had ever experienced a Space-Opera with Non-white males as the leads. Sure, some Sci-fi (Avery Brooks and DS9 is the gold standard) feature non-white leads. However, that is baritone exception to the rule.   Space Opera, as a genera, is consistently homogeneous is its heroes.

However, in ME I am able to change the dynamic. Between myself, Miranda and Jacob; the majority of the speaking roles in ME2 main are taken by non-traditional voices. This would be even more the case if I had decided to play as female Shepard. (Lesbian space commander FTW!).  What really struck me was that this situation is not explicitly called for by the game designers. Alternatively, the selection of ethnic identity and gender is not forbidden or frowned upon. There is no downside for a dark-skinned Shepard, Reapers are equal opportunity villains.

This all begs a question. If interactive story telling is the wave of the future, does it matter who is telling the story and what their point of view is? Is it even important to worry about the background of major and minor characters.  For instance, there was a dust up with certain fans of the Hunger Games reacting negatively to the character of Rue. While I thought it was clear that she was a person of color (even a bit heavy-handed ) a great number of readers were shocked (and sadly) disappointed when they went to the movie and saw Amandla Stenberg. If the future, authors might try to obscure the ethnicity of their characters so as to avoid the problem altogether. This works even better if your hope is to have a movie made. Let the director decide what the characters look like.

people got mad I was accurately depicted as I was described in the book

Alternatively, interactive media reduces, if someone wanted to, these unpleasant circumstances. The writer merely tells a universal story; the hero's journey; the fight against the evil empire; the war against the un-dead, and then lets the recipient pick the look of the character.

This creates a frame work for the user/reader to import their own ideas of the character.

final thoughts at Moorsgate Media

Moorsgate media

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High-Speed Measurements...



Scientists have discovered how to measure greenhouse gases 200,000 times faster as the result research by an award-winning PhD student from The University of Western Australia and a US team.

The discovery - which is already being used by NASA scientists in Space - has major implications for global warming research, breath analysis (to detect illness), explosives detection, chemical process monitoring and a range of other applications, including fundamental quantum theory.

UWA physics graduate Gar-Wing Truong used highly-sensitive rapid laser scanning technology to help lead US scientists from National Institute of Standards and Technology (NIST) in Maryland to build new gas measurement equipment with unparalleled speed, accuracy, precision and spectral coverage.

NASA's Jet Propulsion Laboratory in California has begun using data from Mr Truong's research to calibrate carbon monitoring satellites in orbit around Earth and better understand carbon dioxide molecules.

University of Western Australia:
High-speed discovery helps measure greenhouse gases from space.

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Star Trek Into Darkness and BrownFace

Star Trek Into Darkness opened this week. My review in a nutshell is that it's essentially alternate-timeline Wrath of Khan, for anyone who has seen it and is familiar with the character of Khan from the Star Trek universe. The main villain is a mysterious super-man named John Harrison, portrayed by Benedict Cumberbatch, who then reveals himself to be Khan.

 If he really is Khan Noonien Singh, then I am not laughing. Khan, the Khan, is of Sikh/East Indian heritage. In Star Trek: the original series (1966-1969), he's portrayed by Ricardo Montalban, a Spanish-Mexican actor, who also portrayed him in Star Trek 2: Wrath of Khan. Montalban, as talented as he was, was a white actor in brownface. 

Fast forward to this movie, and the same Indian character is being portrayed Cumberbatch, a white, pale-skinned, British actor. We have a classic case of brownface on our hands here. Brownface, for those who don't know, is the brother of Blackface, which involves casting an actor, usually white, to portray a "brown" character (South Asian, Native American, etc). 

 Why did director J.J. Abrams and his team not cast an Indian actor for the role of Khan? Off the top of my head, I can come up with these Indian actors: Naveen Andrews, formerly Sayeed on ABC's Lost. There's the Maori actor (not South Asian), Cliff Curtis, and even the Pakistani actor, Faran Tahir who played the captain in the first sequence in Star Trek 2009.

On the Star Trek movie board, Damon Lindeloff, the head writer for the movie, left a message saying he'll be back to discuss Khan's race-change, but so far, he's been quiet.  I am curious about the bogus excuses he'll use if he ever gets around to addressing the issue. Will he try to say Northern Indians are/were white, like the director of The Prince of Persia, after he was confronted about casting Jake Gyllenhaal? There are too many excuses being passed around already. On IMDb, the excuses range from, "Ricardo Montalban was white, so Khan is white" to "it doesn't matter. Only the actor matters."
 

The only excuse that's remotely plausible is that it's not the same Khan. He's simply using the title, Khan, as homage to Noonien Singh. Yet, this is without explanation in the movie, as Harrison simply says he's "Khan." It's obvious that we're supposed to accept that he's Khan Noonien Singh of "Space Seed" and "Wrath of Khan."  Why would J.J. Abrams and his writing crew of Lindeloff, Kurtzman and Orci purposely mislead people by referring to the character as "Khan"? And why would they use the Spock Prime (Leonard Nimoy) cameo to confirm/discuss Khan?

In this day and age, they still don't care that people don't like brownface or blackface, etc.

 

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