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The Nubian Principle of Nature known as Bes enters the screen as Yoda…Image

Afro-Futuristic Vision #30

There is not one person from the BioSphere called the Hood who did not immediately take to liking to Yoda when they seen him in Empire Strikes Back. Maybe just as much as they did to Lando, especially since the organized push for urbanites to consume an alcoholic drink named after a gun with the kick of a bucking horse was at its peak about the same time.

If children from the hood were unable to relate to Star Wars after watching the first film because of a lack of cultural identity they were surely able to after seeing Yoda. Yoda the Jedi Master that Luke Skywalker was guided to see on Yoda on Dagobah, who exiled himself to after the Jedi Purge in Star Wars 3 (which came way later although way before).

Yoda, Master Jedi, Brilliant Fighter, Loved by the Children, Simple Speech & Clear Cut Wisdom, Small in Stature & Wide of Spirit…at one with the Force. And although it is said that his image is based on the late Tsenzhab Serkong Rinpoche, I see someone else in Yoda…the cosmic principle of Nature named Bes or Bisu. Now whether George Lucas took the image of Bes and planted it on Yoda…only he knows.
Me, I am going to take you into an AfroFuturistic Journey of Possibility…which may be fixed and naturally calculated inspiration to bring forth Yoda’s expression.

Bes or Bisu the cosmic principle of Nature that more than likely originated with the Batwa or Twa people.  ImageA people who exist in a dimension of expression which causes their height to be no taller than 5 ft. which makes it easier to move around the forest, so you see, they are not short…you are just clumsy. The inhabit Burundi, Rwanda, and the Democratic Republic of the Congo (formerly Zaire).  The Twa are known for their music and dance and hunting and primarily for agriculture (which to me includes farming, pottery, communion of the land through movement and a working knowledge of weather and environment).  Let me stress one thing again, their so-called diminutive size is not an act of genetic faultiness. In fact, it allows them to be closer to the rain-forest and more in tune with how to move through it. Closer to Earth.  Grounded in steps and in accord with the scale (size) of life around them.  As well as being able to dissipate their body heat more effectively…you are the clumsy one when you enter their realm…you are out of step with the force (I will come back to this). They are called religious by clumsy folks because some taller groups of people lack connection to Earth and its processes along with how to communicate with it…so anyone that communicates with it through movement and vocalization more than likely gets tossed into the religion bag.

When man began to shift away from being in–tune with the forces around him, there of course became the ‘Purge’ or ‘Displacement’ of folks who were are one with the Force…I mean Nature. And this dramatically lowered the population of those who stood close to the earth and increased the uprising of external technology…ahem clones…I mean machinery.

Here is a result on some further background of the Twa –

The word ‘Abatwa’ comes from South African’s mythology referring to small human-like creature, generally look exactly like primitive African tribes. In the ancient myth, Abatwa were born from, nature spirit, Vash`Nok’s tear that brust and fell to the earth[2]. Some believe that the word originally allude to the Twa people, also known as Batwa who live in the Great Lakes region of Africa what is now Rwanda, Uganda, Burundi and the Democratic Republic of the Congo, which is more credible because Twa people also have small stature, approximately 1.5 meters or only 5 feet tall[3].

Abatwa said to be the smallest human form creatures that exist in the world, about ½ inch height, small enough to ride on ants and hide beneath the grass blade. They live together peacefully with the ants in the anthill[4]. Although the myth has never mention how they deal with the ants, I think they’ve some kind of antennae similar to ants, so they’ll be able to communicate with ants and other small animals. Ant’s society is very unity and cohesion, they help each other and obviously distribute their duties and I think Abatwa might have an influence by the ants’ social structure including women role in the society. As you knew ants are a hierarchy society that rules by an ant queen and majority of the ant’s population is also female, therefore, I’ll not be surprise if Abatwa’s first president is a woman.

 

Because of their appearance, some cultures may confuse Abatwa with dwarf or fairy, even though there’re similar, unlike fairy or dwarf, Abatwa doesn’t have any magic power. In fact, they are nomadic with high hunter-gatherer skill. Abatwa are natural born hunter, despite their tiny body and peaceful personality, they can slay their preys several times larger than themselves with their tiny poisoned arrows1, which is very virulent, it can bring down small animals…

 

More can be found on a wonderful post at: http://farfromthebest.wordpress.com/2012/06/05/abatwa/

Now moving to Bes or Bisu.

Bes is seen as a cosmic principle (what tall folks call god…lol) of nature that protected the home and children, the expression of music, dance and pleasure. Seen in the homes of Nasuwt (rulers of Kemet/Nubia) and dynamically in the culture of the Twa, especially since Bes seems to be so closely related to them. Bes is said to be imported from Nubia to Kemet. And it is also said that the Twa and others like them, migrated from out the forests into the lands known as Nubia and Kemet and set up shop. Although Bes was cheerful with children, Bes is a fierce fighter able to do battle with Beasts and Man-Beasts (you know demons, evil spirits and beings made by the Umbrella corporation). He carried Tambourines and musical instruments…and sharp swords. He also was seen with ‘magic wands’ and amulets…hmmm. Some say that Bes and Tawret (Mother of Childbirth) were even found in AnkhEnAten’s household and AnkhEnAten was the one who unified all the cosmic principles (Netcheru) into Aten; doing away with individuality.

It is possible that the more warlike tendencies were added on as Bes passed through different cultures. Bes was even depicted with lion ears and tail, being that the Lion was the mightiest creature is some areas of Afrika and being that certain depiction was in the age of Leo. He also appeared on a coin being related to the god Pan. Image

Now let’s look at a few things:

Yoda lives in a swamp close to nature after the Jedi Purge

Yoda although peaceful can whip ass when necessary and is skillful with the lightsaber

Yoda has a strong communication with the MidichloriansImage  (Midichlorians were intelligent microscopic life forms that lived symbiotically inside the cells of all living things. When present in sufficient numbers, they could allow their symbiont to detect the pervasive energy field known as the Force.)

Yoda guides young Jedi in the usage of the force  Image

Yoda protects and watches over Luke and Leia

Yoda talks in a rhythm and speech reminiscent of indigenous cultures

Yoda’s life-story is shrouded and little is known about his people

Yoda has very little facial hair and ears that stick out

Yoda’s size reflects his close proximity to Nature

Yoda trains young Luke in the Swamp/Marshes out the sight of his Father Image

Bes’ origins are from the rainforest

Bes is cheerful however, is a fierce warrior that overcomes disruptive forces

Bes is very close to nature and the lifeforce of beings coming into this world through childbirth

Bes entertains Children when they come into this world

Bes protects Heru in his childhood when he hid in the marshes away from Set (as you can see below, Heru is training for his resolve in face of facets of his physical and mental selves...the reptillian brain...just like Luke above) It is interesting that Bes is right over Heru, on his back, just like Yoda was on Luke's back...

Bes uses Swords and Magic Wands (light-saber) to ward off Spirits Image

Bes has ears that stick out

Bes although seen with a Beard originally was without one since most Twa have very little to no facial or body hair. That is a trait more suited for cold weather.

And there is some speculation that the Jedi is based on a group of learned men from Kemet or one man in particular by the utterance (name) Djedi.  Djed being the pillar of Asar and the spine of main. Where the Central Nervous System relays messages through the rest of the body through MidiChlorians…I mean Neural Synapses and Cell Stimulation. The Electrical Current that flows through man.

All this is to say is that there are some very strong relations between certain aspects of Bes and Yoda. I am not saying that Mr. Lucas actually took elements from Bes to create Yoda...but the relationships are very strong with this one…

Welcome to the world of Afro-Futurism and the lifting of the veil…

More to come…

Visit my Afro-Futuristic World at: http://www.djadjanmedjay.com

Tumblr: http://djadjanmedjay.tumblr.com/

Blog: http://authordjadja.wordpress.com

Tag, Post, Share, Like, Re-Blog….Lift the Veil!!!!

Rise in Excellence,

DjaDja N Medjay Image

Read more…

Afro-Futuristic Vison #18 – Sci-Fi is Dead…

Rise in Excellence,

‘For a Samurai to be brave he must have a bit of Black blood.’ Is a Japanese proverb that alludes to the reasoning that Samurai, of the beginnings of that warrior class were

of Afrikan ascent (I do not like to use the word descent in this context). Runoko Rashidi and many others cite, Sakanouye No Tamuramaro, as a pivotal military leader in early Japanese (Nihogo) history. And he was noted to be of Afrikan origin. I used google translate to get the following kanji:勇敢なるようにサムライのために彼は黒い血のビットを持っている必要があります。However, I would love to have the original kanji for this statement. When I think of this Japanese proverb, this proverb of my own comes to mind:
‘For a Sci-Fi Film to have life, it must have a bit of Black soul.’
My feeling does not come from a space of ‘racial superiority’ nor from a need to push my cultural in a venue that has already been established to be of European expression. This feeling comes from feeling the impressions I am left with while watching these films. For every Sci-Fi Film I have watched, I can immediately feel a strong depth of emotion and morality when the actor is Nubian (yeah, let’s use that term as we go forward). Most Sci-Fi films are based on one or two notions:

1) human progression through controlling the elements of ‘nature’ (which in most films they feel there is a lack of consciousness and why that consciousness is separated into a field called Paranormal and Horror/Fantasy)

2) exploitation of a new discovery/technology (which when stated gives the illusion that it never existed before rather than found) by corporations

These notions or concepts represent the expression of the poles of positive (extending) and negative (receiving). Directions. Of course, you can attach whatever intentions you want to either, extending crude ideas or receiving beneficial ideas and vice versa. In Sci-Fi’s case, the intention, which is somewhat hidden, is to control nature or to manipulate its forces. There is hardly, if any, acknowledgement to emotional content for a species, energy source or element (that is not to say we must run around bowing to everything in existence...although maybe that would help).
To put it plainly, that which gives life to all things have no life of its own. At least, that is the impression I get when I watch a movie like Disney’s Blackhole, and throughout the movie everything is about cunning calculations until they experience that truth that it is their intentions that carried them to the realms that reflected their hearts, Maximillian’s group to ‘Hell’ and Vincent’s group to ‘Heaven’. Although, this movie did touch upon Sci-Fi into the realm of emotions (internal technology), without the emotional expression of the actors being lively and colorful, it came across very, for lack of a better term...dead. All the elements were there but the elements could only speak from calculations and theorizing.
As a child, when these impressions came off the screen, it was up to me to add rhythm to it as it passed through the orifices of my senses. You know, like how you took those old 80’s songs like Square Biz and added that much more funk. Or how you took that line from Warriors, ‘Warriors come out to play’ and added rhythm to it so it came out on beat.
Anyway, there is a serious element missing from Sci-Fi Films, although visually spectacular, your heart strings are being plucked in another direction and at times left without resolve...your heart does like to be resolved...you know that right?

Let’s take a little break and look at some ‘facts’:

1) Most Sci-Fi Films are based on external technology (metal space-ships, sophisticated weaponry, artificial organs, drug-enhanced human abilities)

2) Science Fiction was coined in 1851, re-coined and brought into currency by the American editor Hugo Gemsback during the early 1930’s

3) Sci-Fi was coined in the 1950’s

4) Science means - c.1300, "knowledge (of something) acquired by study," also "a particular branch of knowledge," from O.Fr. science, from L. scientia "knowledge," fromsciens (gen. scientis), prp. of scire "to know," probably originally "to separate one thing from another, to distinguish," related to scindere "to cut, divide," from PIE root *skei- (cf. Gk. skhizein "to split, rend, cleave," Goth. skaidan,O.E. sceadan "to divide, separate;" see shed (v.)). Modern sense of "non-arts studies" is attested from 1670s. The distinction is commonly understood as between theoretical truth (Gk. episteme) and methods for effecting practical results (tekhne), but science sometimes is used for practical applications andart for applications of skill. Main modern (restricted) sense of "body of regular or methodical observations or propositions ... concerning any subject or speculation" is attested from 1725; in 17c.-18c. this concept commonly was called philosophy. To blind (someone) with science "confuse by the use of big words or complex explanations" is attested from 1937, originally noted as a phrase from Australia and New Zealand.
Fiction means - fiction
late 14c., "something invented," from O.Fr. ficcion (13c.) "dissimulation, ruse; invention," and directly from L. fictionem (nom. fictio) "a fashioning or feigning," noun of action from pp. stem of fingere "to shape, form, devise, feign," originally "to knead, form out of clay," from PIE *dheigh- (cf. O.E. dag"dough;" see dough). As a branch of literature, 1590s.

5) Dead means –
dead (adj.)
O.E. dead "dead," also "torpid, dull;" of water, "still, standing," from P.Gmc.*dauthaz (cf. O.S. dod, Dan. død, Swed. död, O.Fris. dad, M.Du. doot, Du.dood, O.H.G. tot, Ger. tot, O.N. dauðr, Goth dauþs "dead"), from PIE *dhou-toz-, from root *dheu- (3) "to die" (see die (v.)).

Meaning "insensible" is first attested early 13c. Of places, "inactive, dull," from 1580s. Used from 16c. in adjectival sense of "utter, absolute, quite" (cf. dead drunk first attested 1590s; dead heat, 1796). As an adverb, from late 14c.Dead on is 1889, from marksmanship. Dead soldier "emptied liquor bottle" is military slang from 1913; dead duck is from 1844. Dead letter is from 1703, used of laws lacking force as well as uncollected mail. Phrase in the dead of the night first recorded 1540s.

Read carefully once more and you will see, to a degree, Sci-Fi is Dead. And in Sci-Fi Films, you will see that there is always an issue when it comes to leaving the body in exchange for another life...
Dead – dull, torpid, still, inactive (although this is not so b/c everything moves constantly)
The inactivity and dullness I speak of has nothing to do with the amazing storylines nor top-notch action, the inactivity and dullness I speak of is of CONNECTION. The synergy of the heart pumping and beating in the direction of balance being an outcome at the end of a story.
In addition, the facts I mentioned do not reflect the art of story-telling from a Nubian Perspective. The Nubian Perspective does not designate who is good and evil for you to be bias and develop anger towards, but tells you of the ethics and the pathways that both lead to and instills proper reasoning.
When Nubian actors began to show up in Sci-Fi films, the story opened up, along with the message it was seeking to convey. Nichelle Nichols (Lt. Uhura) actually did bring color and soul to Star Trek, although her lines were not the best show of her acting ability in the earlier shows, her presence adding depth. You felt it.
In truth, although many say it was a breakthrough that we were appearing in Sci-Fi Films, our essence/being wasn’t given the full opportunity to express our character’s role with emotional depth, morale and soul. There a very few, if any real ‘Black Sci-Fi’ films out there. Maybe Pumzi. The current perception of Sci-Fi is still based on conquering nature.
Heart, Morality and connection to Nature, without those elements, no matter how great the storyline is, you will always be missing something and will make impressions on viewers that Nature is to be controlled or synthesized, not synergized.
Here are a few Sci-Fi Films where our presence was most necessary to guide the film:

Strange Days
Event Horizon
AVP
Matrix
I am Legend
Night of the Living Dead
Avengers
SuperNova
Blade
The Thing

When I write, I keep these things in mind, so that I can produce something innovative and at the same time somewhat familiar. My basic premise is that the Sci-Fi genre has two basic expressions:

1) External Science – the use of machines, gadgets and weaponry that run on I/O or On/Off switches and have an external energy source.
2) Internal Science – the use of machines, gadgets and weaponry that run on the energy surrounding them (along with the heart of man), have their own consciousness and have no on/off switch.

So don’t get it twisted, I will continue to watch Sci-Fi Films b/c I enjoy them and I am able to extract what I need and don’t need.
My current works, Renpet and N Eternity Reclaim, reflect my approach. And I plan to produce many more with my premise of Internal Technology.
Thank you for reading. Please SHARE, TAG, POST, REBLOG, COMMENT, SUPPORT MY WORKS:

Renpet
ISBN-978-0984175109

An inexperienced inter-dimensional being is thrust into the chaotic lives of a group of reckless young adults who survived the globally cataclysmic changes of The Great Year. With barely enough skill to keep herself from being swept by their psychologically and spiritually crippled minds...Can she keep them together long enough to realize the true cause of the dramatic transformation of the world's population into one heavily pigmented race?

N Eternity Reclaimed
ISBN-978-1475242287

A cosmic being, Neith, uncovers forgotten secrets on a hostile planet of giants. Neith finds herself forced to deal with decisions she made during the eons she spent as a warrior...the death of her son, the transformation of her husband into a malevolent beast... and the attacks by a planet that wants to kill her... Can she mend the wounds of her traumatic past before she's forced into bloodshed once more?

AVAILABLE NOW AT:http://www.djadjanmedjay.com/#!books/cnec

RISE IN EXCELLENCE – ASHE’

DjaDja N Medjay

Read more…

Afro-Futuristic Vison #18 – Sci-Fi is Dead…

Rise in Excellence,

‘For a Samurai to be brave he must have a bit of Black blood.’ Is a Japanese proverb that alludes to the reasoning that Samurai, of the beginnings of that warrior class were

of Afrikan ascent (I do not like to use the word descent in this context). Runoko Rashidi and many others cite, Sakanouye No Tamuramaro, as a pivotal military leader in early Japanese (Nihogo) history. And he was noted to be of Afrikan origin. I used google translate to get the following kanji:勇敢なるようにサムライのために彼は黒い血のビットを持っている必要があります。However, I would love to have the original kanji for this statement. When I think of this Japanese proverb, this proverb of my own comes to mind:
‘For a Sci-Fi Film to have life, it must have a bit of Black soul.’
My feeling does not come from a space of ‘racial superiority’ nor from a need to push my cultural in a venue that has already been established to be of European expression. This feeling comes from feeling the impressions I am left with while watching these films. For every Sci-Fi Film I have watched, I can immediately feel a strong depth of emotion and morality when the actor is Nubian (yeah, let’s use that term as we go forward). Most Sci-Fi films are based on one or two notions:

1) human progression through controlling the elements of ‘nature’ (which in most films they feel there is a lack of consciousness and why that consciousness is separated into a field called Paranormal and Horror/Fantasy)

2) exploitation of a new discovery/technology (which when stated gives the illusion that it never existed before rather than found) by corporations

These notions or concepts represent the expression of the poles of positive (extending) and negative (receiving). Directions. Of course, you can attach whatever intentions you want to either, extending crude ideas or receiving beneficial ideas and vice versa. In Sci-Fi’s case, the intention, which is somewhat hidden, is to control nature or to manipulate its forces. There is hardly, if any, acknowledgement to emotional content for a species, energy source or element (that is not to say we must run around bowing to everything in existence...although maybe that would help).
To put it plainly, that which gives life to all things have no life of its own. At least, that is the impression I get when I watch a movie like Disney’s Blackhole, and throughout the movie everything is about cunning calculations until they experience that truth that it is their intentions that carried them to the realms that reflected their hearts, Maximillian’s group to ‘Hell’ and Vincent’s group to ‘Heaven’. Although, this movie did touch upon Sci-Fi into the realm of emotions (internal technology), without the emotional expression of the actors being lively and colorful, it came across very, for lack of a better term...dead. All the elements were there but the elements could only speak from calculations and theorizing.
As a child, when these impressions came off the screen, it was up to me to add rhythm to it as it passed through the orifices of my senses. You know, like how you took those old 80’s songs like Square Biz and added that much more funk. Or how you took that line from Warriors, ‘Warriors come out to play’ and added rhythm to it so it came out on beat.
Anyway, there is a serious element missing from Sci-Fi Films, although visually spectacular, your heart strings are being plucked in another direction and at times left without resolve...your heart does like to be resolved...you know that right?

Let’s take a little break and look at some ‘facts’:

1) Most Sci-Fi Films are based on external technology (metal space-ships, sophisticated weaponry, artificial organs, drug-enhanced human abilities)

2) Science Fiction was coined in 1851, re-coined and brought into currency by the American editor Hugo Gemsback during the early 1930’s

3) Sci-Fi was coined in the 1950’s

4) Science means - c.1300, "knowledge (of something) acquired by study," also "a particular branch of knowledge," from O.Fr. science, from L. scientia "knowledge," fromsciens (gen. scientis), prp. of scire "to know," probably originally "to separate one thing from another, to distinguish," related to scindere "to cut, divide," from PIE root *skei- (cf. Gk. skhizein "to split, rend, cleave," Goth. skaidan,O.E. sceadan "to divide, separate;" see shed (v.)). Modern sense of "non-arts studies" is attested from 1670s. The distinction is commonly understood as between theoretical truth (Gk. episteme) and methods for effecting practical results (tekhne), but science sometimes is used for practical applications andart for applications of skill. Main modern (restricted) sense of "body of regular or methodical observations or propositions ... concerning any subject or speculation" is attested from 1725; in 17c.-18c. this concept commonly was called philosophy. To blind (someone) with science "confuse by the use of big words or complex explanations" is attested from 1937, originally noted as a phrase from Australia and New Zealand.
Fiction means - fiction
late 14c., "something invented," from O.Fr. ficcion (13c.) "dissimulation, ruse; invention," and directly from L. fictionem (nom. fictio) "a fashioning or feigning," noun of action from pp. stem of fingere "to shape, form, devise, feign," originally "to knead, form out of clay," from PIE *dheigh- (cf. O.E. dag"dough;" see dough). As a branch of literature, 1590s.

5) Dead means –
dead (adj.)
O.E. dead "dead," also "torpid, dull;" of water, "still, standing," from P.Gmc.*dauthaz (cf. O.S. dod, Dan. død, Swed. död, O.Fris. dad, M.Du. doot, Du.dood, O.H.G. tot, Ger. tot, O.N. dauðr, Goth dauþs "dead"), from PIE *dhou-toz-, from root *dheu- (3) "to die" (see die (v.)).

Meaning "insensible" is first attested early 13c. Of places, "inactive, dull," from 1580s. Used from 16c. in adjectival sense of "utter, absolute, quite" (cf. dead drunk first attested 1590s; dead heat, 1796). As an adverb, from late 14c.Dead on is 1889, from marksmanship. Dead soldier "emptied liquor bottle" is military slang from 1913; dead duck is from 1844. Dead letter is from 1703, used of laws lacking force as well as uncollected mail. Phrase in the dead of the night first recorded 1540s.

Read carefully once more and you will see, to a degree, Sci-Fi is Dead. And in Sci-Fi Films, you will see that there is always an issue when it comes to leaving the body in exchange for another life...
Dead – dull, torpid, still, inactive (although this is not so b/c everything moves constantly)
The inactivity and dullness I speak of has nothing to do with the amazing storylines nor top-notch action, the inactivity and dullness I speak of is of CONNECTION. The synergy of the heart pumping and beating in the direction of balance being an outcome at the end of a story.
In addition, the facts I mentioned do not reflect the art of story-telling from a Nubian Perspective. The Nubian Perspective does not designate who is good and evil for you to be bias and develop anger towards, but tells you of the ethics and the pathways that both lead to and instills proper reasoning.
When Nubian actors began to show up in Sci-Fi films, the story opened up, along with the message it was seeking to convey. Nichelle Nichols (Lt. Uhura) actually did bring color and soul to Star Trek, although her lines were not the best show of her acting ability in the earlier shows, her presence adding depth. You felt it.
In truth, although many say it was a breakthrough that we were appearing in Sci-Fi Films, our essence/being wasn’t given the full opportunity to express our character’s role with emotional depth, morale and soul. There a very few, if any real ‘Black Sci-Fi’ films out there. Maybe Pumzi. The current perception of Sci-Fi is still based on conquering nature.
Heart, Morality and connection to Nature, without those elements, no matter how great the storyline is, you will always be missing something and will make impressions on viewers that Nature is to be controlled or synthesized, not synergized.
Here are a few Sci-Fi Films where our presence was most necessary to guide the film:

Strange Days
Event Horizon
AVP
Matrix
I am Legend
Night of the Living Dead
Avengers
SuperNova
Blade
The Thing

When I write, I keep these things in mind, so that I can produce something innovative and at the same time somewhat familiar. My basic premise is that the Sci-Fi genre has two basic expressions:

1) External Science – the use of machines, gadgets and weaponry that run on I/O or On/Off switches and have an external energy source.
2) Internal Science – the use of machines, gadgets and weaponry that run on the energy surrounding them (along with the heart of man), have their own consciousness and have no on/off switch.

So don’t get it twisted, I will continue to watch Sci-Fi Films b/c I enjoy them and I am able to extract what I need and don’t need.
My current works, Renpet and N Eternity Reclaim, reflect my approach. And I plan to produce many more with my premise of Internal Technology.
Thank you for reading. Please SHARE, TAG, POST, REBLOG, COMMENT, SUPPORT MY WORKS:

Renpet
ISBN-978-0984175109

An inexperienced inter-dimensional being is thrust into the chaotic lives of a group of reckless young adults who survived the globally cataclysmic changes of The Great Year. With barely enough skill to keep herself from being swept by their psychologically and spiritually crippled minds...Can she keep them together long enough to realize the true cause of the dramatic transformation of the world's population into one heavily pigmented race?

N Eternity Reclaimed
ISBN-978-1475242287

A cosmic being, Neith, uncovers forgotten secrets on a hostile planet of giants. Neith finds herself forced to deal with decisions she made during the eons she spent as a warrior...the death of her son, the transformation of her husband into a malevolent beast... and the attacks by a planet that wants to kill her... Can she mend the wounds of her traumatic past before she's forced into bloodshed once more?

AVAILABLE NOW AT:http://www.djadjanmedjay.com/#!books/cnec

RISE IN EXCELLENCE – ASHE’

DjaDja N Medjay

Read more…

Once More...


I took a break yesterday, having an off-line life with family and friends here, here, here and here. Hence, I was too exhausted to blog.

I liked Tom Hiddleston in "Thor" and "The Avengers." Along with Henry V, these are works of fantasy. I'm sure this is how our leaders see themselves...

 

David H. Freedman wrote in Scientific American:

 

Financial-risk models got us in trouble before the 2008 crash, and they're almost sure to get us in trouble again

When it comes to assigning blame for the current economic doldrums, the quants who build the complicated mathematic financial risk models, and the traders who rely on them, deserve their share of the blame. [See “A Formula For Economic Calamity” in the November 2011 issue]. But what if there were a way to come up with simpler models that perfectly reflected reality? And what if we had perfect financial data to plug into them?

Incredibly, even under those utterly unrealizable conditions, we'd still get bad predictions from models.

The reason is that current methods used to “calibrate” models often render them inaccurate.

Model - Science Definition: A systematic description of an object or phenomenon that shares important characteristics with the object or phenomenon. Scientific models can be material, visual, mathematical, or computational and are often used in the construction of scientific theories. See also hypothesis, theory.

 

Models are a starting point, then they must bow to the unrelenting outcomes and consequences...of reality.

 

The educator in me challenges our congress to a simple test: the exit TAKS on social studies. Curious with your displayed acumen on governance what your scores would be.

 

Scientific American: Why Economic Models Are Always Wrong
Money Morning: Fiscal Cliff 2013

Read more…

Honor...

Here, the Edinburgh-based physicist stands in front of a portrait by artist Ken Currie

Physicist Peter Higgs, after whom the Higgs boson particle is named, has been recognised in the New Year Honours.



In the 1960s, Prof Higgs and other physicists proposed a mechanism to explain why the most basic building blocks of the Universe have mass.



The mechanism predicts the existence of a Higgs particle, the discovery of which was claimed this year at the Large Hadron Collider.



Prof Higgs has been made a Companion of Honour.



The recognition confers no title but is restricted to a select group of 65 for achievements in the arts, literature, music, science, politics, industry, or religion.



His discovery announced in July this year of a particle consistent with the Higgs boson immediately led to calls for the 83-year-old to be knighted.



He is now also considered to be a candidate for a Nobel prize, perhaps in conjunction with other physicists who reached similar conclusions at the same time.

BBC News: Peter Higgs: honour for physicist who proposed particle
By Paul Rincon
Science editor, BBC News website

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New PBS...


Ins and outs. In all four experiments, three photons run through an optical maze like this one.

Credit: J. B. Spring et al., Science (2012)

 

You've heard the hype a hundred times: Physicists hope to someday build a whiz-bang quantum computer that can solve problems that would overwhelm an ordinary computer. Now, four separate teams have taken a step toward achieving such "quantum speed-up" by demonstrating a simpler, more limited form of quantum computing that, if it can be improved, might soon give classical computers a run for their money. But don't get your hopes up for a full-fledged quantum computer. The gizmos may not be good for much beyond one particular calculation.


Even with the caveats, the challenge of quantum computing has proven so difficult that the new papers are gaining notice. "The question is, does this give you a first step to doing a hard calculation quantum mechanically, and it looks like it might," says Scott Aaronson, a theoretical computer scientist at the Massachusetts Institute of Technology (MIT) in Cambridge and an author on one of the papers.


Instead of flipping ordinary bits that can be set to either 0 or 1, a so-called universal quantum computer would manipulate quantum bits, or "qubits," that can be 0, 1, or, thanks to the weirdness of quantum mechanics, 0 and 1 at the same time. Crudely speaking, the quantum computer could crunch many numbers at once instead of doing them one at a time, as a "classical" computer must. So it could solve problems that would overwhelm a regular computer. For example, a full-fledged "universal" quantum computer could quickly factor huge numbers, an ability that could be used to break today's internet encryptions schemes.

 

Science: New Form of Quantum Computation Promises Showdown With Ordinary Computers

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Lost: 93,000,000 Miles from the Sun - Part I

Darkness envelops me. An empty, weightless sensation reminiscent of forever is all that I feel. I am falling. Lost. 93,000,000 miles from the sun.

I awaken, my dreams chased away by a rippling, crimson glow: it is the morning sun, warm against my closed eyelids. I open them, blinking against the radiation bathing the room in soft tones. Next to me, a huddled form shifts beneath a thick, formless mass of linen.

She is my partner. My wife. My daughter slumbers also, in the room beyond. The day, my life floods my thoughts and the fantasies of night fall away, into oblivion.

Some time later I am tossed against the beaches of an oceanic humanity. The city is my hive, drone, my station. The state of alienation lies within an alien nation that perceives reality through media-encrusted eyes. Hyper-consumption and love of self define the time.

Just do it. Here today, gone tomorrow. No fear. Quick glimpses of life’s diversity crease my brow.

A portly gentleman reeking of whiskey brushes past, mumbling, “Buy low, sell high. Buy low, sell high. Buy low”

A woman, her voice trembling, speaks to another. “He doesn’t deserve me. And that’s why I’m cheating on him.”

The rush of sensory data is overwhelming and I am disoriented. I stumble, prevented from falling only by those around me, bearing me along in a swelling flood of discontent. Amoeba-like streamers of traffic branch off into office buildings and subway tunnels as other tendrils of the great beast regulate the flow while maintaining the unforgiving pace.

My body is on autopilot and I allow my legs to disengage from the main artery, bearing me to my own impersonal prison. I shuffle through security in a daze, drop my keys in the bowl and raise my arms for the man with the metal detector. I pass through the foyer and find myself standing before a bank of elevators – five on either side of the receiving area – each busily humming up and down the building, depositing drones by the dozen upon their respective floors.

The hall is wide and stately. The floor beneath consists of irregular marble tiles that gleam with the reflection of the ambient light.

Cologne, perfume and other odors permeate the air, a viscous soup of pheromones, sending unconscious signals of distress and delight. I intercept further snatches of conversation. There is laughter, disagreement and confrontation.

“He’s going to make the offer. If he doesn’t, we’re dead.”

“If he does, he is.”

“Did you see the game last night?”

“That bastard owes me, by god.”

“I got so drunk at the party that I don’t even remember buying the first drink.”

“Of course these are designer shoes. What did you think?”

“He must be crazy. Or lost. Staring into space and eavesdropping.”

The last stated directly before me. A wizened black man stands there – between the elevator and I – dressed all in gray. He wears gray shoes, socks, pants, shirt, a coat and bowler. He reminds me of old, black and white photographs of ancestors long passed from this plane of reality. He stares up at me with eyes like smoldering coal and I stare back at him, aware that he is aware of me. His voice is thin but captivating.

“Well? Is that all you’re going to do? Stare all day? You don’t have time for that. You must find yourself. Life doesn’t rewind!”

At a loss for words, I stumble over the few that come to mind. “Excuse me? What did you say?”

“Life doesn’t rewind! There is only one you and you are he!”

“What? What did you say? Who are you? What do you want from me?”

He ignores three of my four questions. “I’ve come to help you.”

“Help me to do what?”

“To find yourself.”

“I’m sorry, but I’m not lost.”

“Are you certain?”

I pause, lured by his question. My life is what it is, what the lives of most people that I know are. Each day, hour, minute, orchestrated.

Each night passed tossing and turning, comatose or drifting in a drug-induced stupor.

I shake my head as firmly as I can. “Yes, I am certain. I know where I am and who I am. I am not lost.”

He smiles knowingly. “I see. Would you mind telling me where you are, then?”

“I’m in this city, on this block, in this building. Talking to you, when I should be going to work.” I can tell that he is not impressed with my wit.

“Not exactly. You are wrong and I am right. You are lost and I will help you to find yourself.” He promises, dusting off his jacket and chuckling in satisfaction.

I look around to find that the hall has emptied and the elevator banks stand idle. Their occupancy lights stutter seductively. I shudder as I envision myself boarding one of them and find that I cannot. At this realization, a sudden lifting of a weight barely acknowledged is effected and I feel lighter, more buoyant. For a moment, I teeter upon the edge of something but stumble and fall back into nothing.

I glance down to find the little man grinning widely.

“You see? Already you are remembering.”

“Remembering what?”

“That you are lost! What else? Come!”

With that, he turns, his heels clicking and walks away, daring me to follow. I pause momentarily, burdened by the realization of unlimited possibility. An intense deja vú magnifies the moment and I envision paths of probability branching into the unknown as my myriad choices become one. I follow him.

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Lost: 93,000,000 Miles from the Sun - Part II

As we walk, his voice echoes in my ears and the sun-washed hall grows brighter in syncopation.

“This planet, adrift in space, dances in the stately process of creation alongside a cohort of 12 sisters and brothers wooing Sol, the source of life, star of your destiny. One star among many; one solar system among innumerable solar systems, one galaxy within the macro-constellation of over 125 billion galaxies, one universe within the greater Omniverse.”

The little man stops for a moment and removes his gray bowler, scratching his shining, black head. He peers up at me suspiciously as if I were a stranger, which, I remind myself, I am. Then he continues.

“Physically speaking, you are stardust, born of Sol with the breath of life infused within flesh. Your body is imprinted at conception with electromagnetic patterns that determine individual and group behavior; Sol is the beginning of the end and back again. Your flesh is one with all flesh, one with earth, water, fire and air. There is no ‘they’ or ‘it’ at the level of quarks and mesons. All is one. Dark matter is the fabric of creation, its aspects differentiated by vibration alone.

He rubs the black skin on the back of his hand with a stubby finger. At the same time, your body seeks to experience the moment with every breath. It seeks to indulge in the pleasures of the flesh and to subdue your soul, obscuring the memory of who you really are. As a result, you are torn, your intentions misled.”

At some point during his lecture, the building disappears. The shiny marble remains beneath our feet but the walls and halls vanish, to be replaced by a portentous, glowing mist. I am unconcerned by this transformation and continue to pace the strange, little man. Nothing else is important. He walks silently, his hands clasped. His aura is peaceful but my agitation is too immediate to contain.

“Who are you? Why are you helping me?”

“It is enough for you to know what I have already told you. I am here to help you find yourself; to help you remember who and what you are. Clear your mind of small matters. You must concentrate upon the journey to come.”

“But do you have a name? Surely you possess a name.”

He sighs theatrically. “Can you explain your meaningless preoccupation with definitions? With defining the indefinable, naming the unnamable? How does one of limited understanding know the wind? Or how to capture the essence and purity of a star with a syllable or two? What about the beauty of a moment or the joyful exuberance of a summer’s storm? Or how to encompass a reality as awesome as eternity’s cyclic procession? It cannot be done. Without meaning, naming alone is inadequate. “

He glowers for a moment more then relents. “If you must call me something, call me Aum. And listen to these words that I speak. Words of power.”

I nod dutifully and bend my ear to him.

“It must be emphasized that all things are connected. The web of life spans all existence, finds purchase in the most inhospitable of terrains. Life upon this planet, within this solar system, galaxy and universe is tied to life elsewhere. The Omniverse prefers holism to segregation on a grand scale. In order to truly find yourself, to finally remember who you are and what your purpose is, you must intuit the reality of these words; you must investigate for yourself. You must be decisive. There is no space allocated for meandering thoughts. Clear intentions are required.”

Accordingly, there is no hesitation on my part. “Lets begin.”

Black, star-tossed space extends above. There are mountains all around us. We straddle weighty stone powdered by the dust of ages that puffs in gentle whirls around our feet and I shift and ogle in wonder. The horizon rises impossibly high and distant, affirming my realization that we are no longer upon the Earth. This planet is larger by far, ancient and sad. Somehow, I know that she is dead. The fire that burns within, extinguished.

Cresting the craggy peaks, gargantuan machines work, chugging, humming and belching furiously. The massive, interlinked construct obscures the entire northern horizon. It is impossible to determine its function from this distance but I try anyway. There are processors, factories and what look to be dormitories, malls and city complexes, bustling with activity. Dense, noxious smog huddled jealously about the structures corrode their exteriors. High overhead, small shapes flit between the gleaming towers and I realize that they are ships. The foundations of the megalopolis are stained a sooty black and the carcasses of rusting, metal machinery languish in the shadows.

Dazzled, I turn my eyes from the spectacle to find Aum forming miniature cyclones out of dust. With subtle twirls of his fingers and silent spells, three, five, then nine rise from the ashes as others continue to form, undulating gently. I ask him again: “Where are we? Why are we here?”

Impatiently, he waves my question off. “Have you found yourself yet?”

I think for a moment then shake my head. His attention remains focused upon the twisters as they skip across the rock but he rises briskly as he answers. “Then we have not yet reached our destination. Come. Let us walk further.”
It is then that I notice that the marble path is still beneath our feet and we stroll leisurely, trailing a cohort of thirteen miniature cyclones as they forge the way ahead.

“We must speak of intentions. And purposes. Do not let me forget to speak of purposes. “

I assure him that I won’t let him forget.

“Intentions can be your worst enemy if formed upon false premises. Often they begin as subtle insinuations; placed in the path of your spirit by your ego like so many little mines, set to go off when their detonators are triggered. This is how you are sabotaged from within. The flesh is programmed for servitude but, for most blessed with physical bodies, ends up becoming the master. How is this done, you ask? “

I did not ask, but I try to appear more attentive.

“By the misdirection of intention. The ego masked as self aggregates the functions of the body. This leads inevitably to physical, emotional and spiritual sickness, then death. Lacking the power to direct or change behavior, the ego manufactures intentions that lure the body, intellect and spirit along the path of its choosing. Eventually, all must arrive at the crossroads. Do you understand?”

“I think so, I allow, “but what of the world we just visited? Surely it is an example of the triumph of the rational mind! Intelligent beings envisioned it and created it through the harnessing of technology and the forces of nature.”

“That is true . But that world is dead, its inhabitants devoid of compassion and slave to that very same technology they once controlled. As a consequence of their ignorance, nature itself turned against them. Their greed resulted in the total consumption of their planet’s biosphere. Do you see the lesson in this tragedy?”

I nod but do not respond. The marble path has twisted into the sky at some point along our journey and in the space of timelessness I recollect vague impressions of starbursts, super novas and black holes lurking, evoking sublime delight as the implications of our fateful sojourn gestate within my mind. I have no idea how much time has passed, but the distance we have traveled appears to be vast.

“Where are we now?” I ask.

“Have you found yourself yet?” He counters.

I dodge a twisting vine ambling past, intent upon its destination. The sky is suddenly adrift with vegetation: purple, green and a deep, midnight blue flora predominating. There is no soil, or ground. Only dense cloudbanks and rustling forests of kelp-like trees that whisper in the moist, hyper-oxygenated atmosphere.

“No. Where are we?” I repeat.

“We are in a nebula, ” Aum explains, “an oxygen bubble billions of miles in diameter within which entropy has blossomed. Life finds purchase in the most inhospitable of terrains.”

The marble path sweeps through the radiant sky, twisting and looping between billowing, gaseous formations, diving into the greenery and emerging on the other side to rise again into the cloudy distance. The thirteen cyclones continue to dance into the future, drawing us forward in their wake. Crystalline reptiles bloated by gaseous air-pouches float upon the currents, blown by anal eruptions of flatulent energy, trailed by crackling wisps of fire.

I laugh despite myself and am surprised to be joined by Aum.

“What are these creatures? Are they intelligent? They certainly are funny.”

“No funnier than you and your misguided intentions. Humor derives from judgments that require introspection as well as empathy. Right now, you are sorely lacking in both. I was laughing at you, not them.”

He eyes me smugly. “These beings know exactly who and what they are. They are not lost at all. Can you say the same? Do you understand that they possess the knowledge of self? Can you feel the profound peace in their lives?”

I can. They interact harmoniously, their voices rising and falling in what is clearly measured speech. I sense their connection, one to the other, as something deep and pervasive, allowing no space for individuality or deception. There are no artifacts to be seen, nor do these beings seem to indulge in self-centered pastimes. But I am not satisfied. Rather, I am disturbed and lash out.

“Why did you bring me here? What lesson am I supposed to take from this encounter? Surely you do not believe that the lifestyle of these aliens is transferable? These beings live idyllic lives, with all of their needs met by their environment. There appears to be no over-crowding, no wars or discontent of any kind. In no way does this situation approximate that of the Earth.”

Aum does not respond and I stalk the marble path in a swirl of emotions, barely acknowledging the splendor of the extra-terrestrial garden. I feel remorse, but do not act to clear my conscience. Instead, I dwell upon my outburst and realize that my attempt to emotionally manipulate the little man has resulted in the opposite of my intentions. I have moved only myself.

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Lost: 93,000,000 Miles from the Sun - Part III

The stars remain silent, as does Aum. We traverse an area of sublime perfection: a vast sea of dark matter – interstellar dust and quantum-level particulates conjoined in a sea of impermeability – interspersed with looping nebulae and black holes evidenced only by light-hoarding event horizons. I gasp in wonder and tears blur my vision.

A correlation bubbles to the surface of my thoughts. As with quasars, we are all emissaries of destiny, outward bound, the Omniverse our destination. It recedes, leaving only prescient awareness in its wake. Spiral and elliptical galaxies rotate in stately harmony as proud coteries of asteroids and comets spend themselves in vain attempts to escape the orbits of their destinies. I observe it all in solemn amazement, awed by the majestic beauty of creation. Aum breaks the silence abruptly.

“There is one final destination.”

Only one, I ask.

“Yes. Only one.”

“And where is this place?”

“It is here.”

We have come to a featureless, golden plain. I look around, finding nothing of consequence. There is no vegetation. No mountains, valleys or minor perturbations disturb the flatness. The marble path cuts a straight line to the horizon, the only differentiation between form and formlessness. The cyclones have left that path and wander in a seemingly aimless fashion across the desert.

“I do not understand.” I complain.

“Your understanding is not understandable,” he mocks, “you have only to be still and remember.”

I cannot prevent a sense of panic from setting in as I realize that our sojourn is almost complete. That, if I have not found myself by its end, some unspeakable destiny will befall me; a failure of character and intentions, fit only for one tied to the flesh for yet another turn of the wheel. I look around wildly, searching for some indication of who I am. Still there is nothing. Aum’s voice is gentle and soothes my distress.

“You have forgotten to remind me to speak of purposes.”

I apologize profusely, stumbling over my words once again, as I had when we first met. I ask him for patience, for him to work with me. I ask him for more time. His denial is expansive.

“In the end, your soul shall encompass all of the time in the Omniverse, time being relative to existence upon the gross material plane. There is no place for the linear progression of consciousness in the higher levels of vibration, where your eternal soul resides. Only the mind and certain aspects of the spirit are bound within time’s confines. The now contains a seed of memory – of eternity – a chance for you to transcend the cycle. But you must decide now. This opportunity may not manifest so clearly again.”

He pauses, his midnight eyes boring into mine. “My purpose is to help you to find yourself. To show you who and what you truly are, because you have forgotten. Most of the people on your world have forgotten and as a result, the Earth is dying. The premature transmigration of a planets soul is an occasion for great sadness. Our shared purpose is the prevention of this tragedy.”

“What do you mean?”

“As above, so below. The salvation of one soul becomes a template for the salvation of all souls. Through you, they may be saved.”

I struggle to understand. How is it possible to save all by saving one? Aums discourse replays in my mind. I am stardust. Everything is connected. My ego is not my self. I am the sum of my misguided intentions. Through me, we may be saved. As I contemplate eternity peace suffuses my soul and warmth born of compassion gathers upon the shore of my thoughts.

The little, black man peers at me with extraordinary intensity. “Tell me. Do you know who I am?”

I nod hesitantly. “Of course. You are Aum. You told me your name earlier, remember?”

“Yes, I do. I am Aum, but do you know what my name means?”

“No. Names have meaning?”

“Yes. Names contain the essence of things. No-thing is the absence of things. Formlessness. Names provide structure. Form. They facilitate the differentiation into some-thing. My name, Aum, is divine. My name contains the true will to power. My name is a primeval force, vibrating to the beat of the cosmos. Through my name, creation is become. Through my name you may find God within. Through my name you can find yourself.”

A flash of understanding increases the intensity of the vibratory energy flowing through me. I mouth his name, breathing deeply. Aum.

Then again, and once more. Aum. Something changes. The vibrations grow stronger and I reexamine the plain while simultaneously superimposing the vistas of our previous destinations atop the current one.

My vision is flawless, my hearing potent. The smallest sounds rush to my ear. The cyclones now move purposefully; converging, growing larger as each contributes its energy to the whole. They become a hurricane, twisting and screaming in reckless abandon, churning the golden sand into a stormy conflagration. The space around us remains calm and Aum watches me, his eyes shining.

I look deeper and discover hidden within the simplicity of this place the complexity of the others and, in the space of an instant, the connection becomes clear. Synapses flare as the synthetic ability of my brain bypasses the feral protestations of my ego and I observe from a space beyond as words, pictures and feelings manifest. Scenes of my life predominate.

There are my wife and daughter at home.
There are children playing beneath a cloudless, azure sky.
There are men dying, fighting in wars across the Earth.
There are elders, wasting away in hostels and filthy apartments.
There are women, men and children praying at the alters of their choice.
There are flowers, mountains, deserts and forests, fighting against encroaching pestilence.
There are streams, lakes, rivers and seas poisoned by waste and misuse.
There is the air, bearing death upon the intake of every breath.

Lust, hatred, envy, greed; the entirety of the world’s torturous ecstasy lies before me as a tapestry of life, woven of the fabric called death. Isolation, one from the other, marks the lives of the soul-lost upon the third planet from Sol, called Earth.

Suddenly, I know. I remember who I am.

The realization frees me from the chains of the flesh and I burst forth, a flaming ball of life-essence, dancing upon the astral-wind. My memory has returned and eternity beckons. My cellular database awakens and I hear the ancestors singing joyfully, their voices harmonizing with the heavens. I no longer see Aum but feel him, for he is a part of me and I still hear his voice ring out from within.

Have you found yourself yet?

Yes, I answer. I have.

Remember. Life doesn’t rewind.

An elevator chimes and I start, returned from trance. The hall remains empty of traffic and I note that time has resumed its irregular march. I turn from the confines of my past, an extraordinary sensation of peace suffusing my thoughts, and exit the building without a backward glance. No longer do I fear the day and the night holds the promise of further explorations of the inner, and outer, reality. Aum is my mantra and I exit the flesh at will to find myself encapsulated within a cocoon of love and compassion, connected to the formative void by the purity of my intentions. Sol beckons, his corona caressing my spirit and I revel in the gift, and promise, of life.

Darkness envelops me. I am rising and a formless but all-encompassing sensation reminiscent of forever is all that I feel. I was lost but now I’m found, 93,000,000 miles from the sun.

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Neuristor...

A cartoon showing spikes of activity traveling among neurons.

Computing hardware is composed of a series of binary switches; they're either on or off. The other piece of computational hardware we're familiar with, the brain, doesn't work anything like that. Rather than being on or off, individual neurons exhibit brief spikes of activity, and encode information in the pattern and timing of these spikes. The differences between the two have made it difficult to model neurons using computer hardware. In fact, the recent, successful generation of a flexible neural system required that each neuron be modeled separately in software in order to get the sort of spiking behavior real neurons display.

 

But researchers may have figured out a way to create a chip that spikes. The people at HP labs who have been working on memristors have figured out a combination of memristors and capacitors that can create a spiking output pattern. Although these spikes appear to be more regular than the ones produced by actual neurons, it might be possible to create versions that are a bit more variable than this one. And, more significantly, it should be possible to fabricate them in large numbers, possibly right on a silicon chip.

 

Ars Technica: Neuristor: Memristors used to create a neuron-like behavior

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Reliable Physics Prophesy...

Electricity can run between two superconductors even through electrically insulating barriers (yellow). Now researchers have found that a magnetic field (curved arrows) can switch the amount of heat that flows from a hot side (red) to a cold one (blue).

The strange world of quantum mechanics just got a little stranger with the discovery that a magnetic field can control the flow of heat from from one body to another. First predicted nearly 50 years ago, the effect might some day form the basis of a new generation of electronic devices that use heat rather than charge as the information carrier.


The research stems from the work of physicist Brian Josephson, who in 1962 predicted that electrons could 'tunnel' between two superconductors separated by a thin layer of insulator — a process forbidden in classical physics. The Josephson junction was subsequently built and used to make superconducting quantum interference devices (SQUIDs), which are now sold commercially as ultra-sensitive magnetometers.


In the latest work, Francesco Giazotto and María José Martínez-Pérez at the NEST nanoscience institute in Pisa, Italy, measured the devices’ thermal behaviour — that is, how the electrons inside them transfer heat. The duo heated one end of a SQUID several micrometres long and monitored the temperature of an electrode connected to it. A SQUID consists of two y-shaped pieces of superconductor joined together to form a loop, but with two thin pieces of insulating material sandwiched in between (see figure); as the researchers varied the magnetic field passing through the loop, the amount of heat flowing through the device also changed. The effect was in line with a theory put forward by Kazumi Maki and Allan Griffin in 1965.

 

Nature: Magnetism flips heat flow

Validation of long-predicted quantum effect points the way to thermal electronics.
Edwin Cartlidge

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The Top Ten...


The Physics World award for the 2012 Breakthrough of the Year goes "to the ATLAS and CMS collaborations at CERN for their joint discovery of a Higgs-like particle at the Large Hadron Collider". Nine other research initiatives are highly commended and cover topics ranging from energy harvesting to precision cosmology.



Of course, topping the list:
CERN discovers Higgs-like boson

 

Physics World: Physics World reveals its top 10 breakthroughs for 2012

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Black Hole Firewalls...

An illustration of a galaxy with a supermassive black hole shooting out jets of radio waves.
Image: NASA/JPL-Caltech

Alice and Bob, beloved characters of various thought experiments in quantum mechanics, are at a crossroads. The adventurous, rather reckless Alice jumps into a very large black hole, leaving a presumably forlorn Bob outside the event horizon — a black hole’s point of no return, beyond which nothing, not even light, can escape.

 


Conventionally, physicists have assumed that if the black hole is large enough, Alice won’t notice anything unusual as she crosses the horizon. In this scenario, colorfully dubbed “No Drama,” the gravitational forces won’t become extreme until she approaches a point inside the black hole called the singularity. There, the gravitational pull will be so much stronger on her feet than on her head that Alice will be “spaghettified.”

 


Now a new hypothesis is giving poor Alice even more drama than she bargained for. If this alternative is correct, as the unsuspecting Alice crosses the event horizon, she will encounter a massive wall of fire that will incinerate her on the spot. As unfair as this seems for Alice, the scenario would also mean that at least one of three cherished notions in theoretical physics must be wrong.

 

Scientific American: Black Hole Firewalls Confound Theoretical Physicists

If a new hypothesis about black hole firewalls proves correct, at least one of three cherished notions in theoretical physics must be wrong.

By Jennifer Ouellette and Simons Science News

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Boss Lady

Boss Lady

When I said:
“All I need is a computer
notebook, and pen
to make me happy.”

He sipped his drink
eyed me appreciatively
and called me:
“Boss lady”

Boss lady?

Definition:
an urban colloquialism
for a sister
who takes care of business
and only needs -- wants --
a man to hold her
in between the times
he’s taking care of business

I smiled,
thought of
all the things
I’ve been called
for my independence
for the temerity
to think I’m equal to a man

Bitch
Ball buster

Funny how a name
can make you feel so ashamed
Akin to calling white liberals
nigger lovers

Boss lady
I like it
It’s running neck and neck
with: “thunder and lightening”

My brothers sure know
what to say
and I love it
when they recognize
that strength

makes a woman real

Valjeanne Jeffers-Thompson copywrite 2007 all rights reserved

This is another poem that I had a lot of fun writing, even more so because it based on actual events. As always, comments and critiques are welcome (smile).

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The Light at the End of the World

I woke up excited for the first time in fifty years. It was the end of the world.

This time we were certain of it. Scientists confirmed it. I saw it on the news. I got up and put on a nice shirt I stole yesterday. First time I shoplifted since I was a kid. It was a riot going on that day, too.

People have quieted down since the countdown clock has been running everywhere that still has power.

People started setting their watches to the recordings that will interrupt radio broadcasts. Where you can still get radio, that is. My clock was set and reset until scientists had calculated it down to the last second.

The end of the world will be exactly 12/21/21 at 3:33 AM GMT. My pants were pressed for the first time in twenty years. I had gotten out of the habit since my wife left me. Something about my lack of driving ambition. That and the fact she thought I was crazy.

You see, I knew this was going to happen. I told everyone but no one believed me. You wouldn't either but that's okay. At the time, I didn't either. I dreamed this. The date, the time, everything. I just didn't know what I was seeing at the time. My psychiatrist called it a prescient delusion and it wasn't anything to worry about. He said after some therapy I'd be fine. At two hundred dollars an hour, he picked fine time to be wrong.

Until newscasters started talking about it, I admit I didn't even know what a comet was.

Yes, they talked about it in school when I was a kid, but I admit science class was not someplace I admit to paying much attention to, except when we got to cut up frogs and make their legs move when we connected them to batteries. Science, I figured who ever used it anyway.

The first time I had the dream, I was a child. It was a dark, except for fires I could see burning all around me. The city was aflame. The buildings on my skyline were all dark, like a blackout in the summer. I could hear people wailing in the distance. No cars moved, and the summer air was hot, filled with stinging smoke, which would have made my eyes water, if I could dare close them. I look up. I wake up.

I put on dress shoes and tied my tie. I learned to finally tie one four years ago because I went to a job I positively loved. They required a tie and jacket. After all those years working as an unwanted project manager for ungrateful companies, I made it into lower management. That was three years before it was discovered.

My years in the workforce were as monotonous and crushing as everything in my life had ever been. Ill-used, ill-favored, no decision I ever made worked out right, and I absolutely never got the girl. I had been told every man is the hero of his own story.

Don't believe that. We are all extras in some famous person's life. Just ask them. They'll tell you.

Then I had The Dream one more time four years ago. It had been decades since I had it and I knew it immediately. I was walking the street in a nice suit. One from my new job where I was in a position to make changes I thought were important, where my voice was heard and my projects came in on time and under budget. I pushing past people on the street, running to my brownstone. They were all looking up. I knew I had to be somewhere and they were in my way.

I was running out of time. It was three AM and I promised I would be there.

Though there were no street lights, everywhere was lit, with a foxfire brilliance, light, soft, diffused, set people's faces in an eerie glow, shimmering, beautiful, except for the rictus of horror twisted in every face I saw. Mothers holding their children, lovers embracing, people running through the streets holding TVs, their cords dragging behind them.

Despite all of this, the only thing you ever hear is the wind and the weeping. It is a constant thing, the wind. Newscasters tried to explain it but no one was listening. Something about the size and mass of the Comet. People stopped listening once they learned it would strike the Earth.

Doomsday cults appeared like roaches under a kitchen sink, first jubilant their day had finally arrived; then petulant because no one believed them, they had been right. Being right has become so important to some people. Then they grew truculent, dangerous as their righteousness overwhelmed their moral imperatives and the growing realization the end of the world included them. Fortunately, most people simply killed them outright, fearing moral and judicial authorities no longer mattered.

There was surprisingly little violence after people screaming the end of the world from every corner were silenced from a populace grown tired of fear. It was a strange precipitous thing, because it was thought to have occurred all over the world within a single day. I think a subconscious shudder through the collective mind shouted back at them. We got it. The end of the world is nigh. Now shut the hell up.

People slowly tapered off from going to work in the last year. That is where I met her in my last years working, the only job I ever loved.

She was beautiful, not the classical sense of beauty, but in a way I could be comfortable with. Not the awe-full kind of beauty which makes men stupid. A quiet beauty, one that drew me inexorably to her. She was kind even in a world gone straight to hell. I learned she was married and that didn't matter much to me at the end of the world. She came to my house and eventually she took me to hers. Her husband had stopped speaking once you could see the Comet during the day. At night it dominated the sky but once it could be seen during the day, people began to do strange things. His lack of speech was far less dramatic than most. Suicide suddenly became a competition sport.

In comparison her husband Dave, just sat in his living room looking out the window at the damn comet. He didn't talk. Only got up to replenish his drink, go to the john, go outside to get food. He listened to us making love frantically, desperately, in the next room. We made love under the light of the end of the world. I wanted him to be angry. I wanted him to say something. I wanted things to be normal. I wanted to believe we had a future. He never made a sound. Never moved a muscle.

I heard the pigeons on the fire escape in front of his chair fly away. The pigeons were always there and only moved when he did. It was three months ago he got up and staggered past us. We didn't bother to close the door anymore. I can only assume he thought we were sleep, he looked in at us and then he walked out the door. He never came back.

On the last day I wanted to look my best. I told her I was going to go home and change. I didn't live too far away, I thought today would be like any other. People had started staying home, doing very little. No one picked up trash, and it was amazing we hadn't lost water over much of New York. I guess, unlike the garbage men, water treatment found someone willing to work during the apocalypse.

The power went out for the last time in New York at midnight. It was the only blackout we knew would happen. I had grown used to walking to her house, first in the dark, and now in the light at the end of the world.

The people were in place. The roving bands stealing right up to the end. We were all where we were supposed to be. Except for me. A traffic accident I didn't see in my dream slowed me down. Now I would be late. I couldn't be late. I ran. My shoes pinched my feet. I didn't remember that from the dream either. I saw people just staring up. My alarm on my watch went off at 3:20 and I was still ten blocks away. I tore off my shoes and ran barefoot, shoving the statues staring skyward out of my way. No one objected. Most of them didn't even notice me; and to be honest I didn't care either way.

Fires from nearby buildings lit the street as I ran and my eyes watered and teared but nothing was going to stop me from reaching her. My alarm sounded again at 3:30 and I saw her running down the street to me.

She was wearing my favorite white blouse. The one I met her in. So many years ago when I was certain my life had turned around. It was her sad smile that told me I would spend all my life with her. I grabbed her and the smell of honey-suckle filled my nostrils. She was warm and soft. I closed my eyes. I drank in those last seconds. The wind picked up, gusting strongly now, the cries grew louder in the distance, a collective gasp against the coming night. She squeezed me tight.

She turned me and said "Look."

My alarm went off. I looked into the light.

The Light at the End of the World  © Thaddeus Howze 2012. All Rights Reserved


Thaddeus Howze

Hub City Blues

Veni, Scribo, Vici (I came, I wrote, I conquered)

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“Is the commander’s shuttle clear yet?” Lian asked, switching gazes back and forth between Grimes and the display tank.
“Not yet, XO,” replied the ops chief. “Our fighters are still tied down with the enemy. His shuttle’s in the thick of it.”
A wailing vibration from an enemy missile that impacted perilously close to the bridge shorted out a row of display screens. Images in the tank fizzled out, leaving a gaping void of black. Instantly, a redundancy kicked in reconstituting the footage.
The behemoth ship covered a third of the display. Like an encroaching storm front, the massive ship’s image soon blotted out everything else in the tank, energy bolts surging forth from its many emitters like strokes of lightning.
A much larger bolt stabbed outward from the behemoth’s center node, piercing the Far Walker’s upper bow. The enormous green-white beam bit into shielding, draining it dry, then cut into layers of super hard hull plating. A seething, powdery burst of atmosphere erupted from the ensuing breach. Like a gargantuan fire sword, the beam thrust deeply into the Far Walker, turning vast areas of its interior into a star’s core.
Two similarly destructive beams ensnared the King and the Gujarat, penetrating each missile frigate on one side and exiting out the other. Charred, blackened debris jetted out of breaches in both frigates’ hulls. The Cane received particularly harsh dosages of the massive beam. Successive bolts burrowed into the troop carrier’s outer thrusters and mid section, shattering its shield generators.

“Fall back!” Lian turned to the pilot. “Try to outflank that ship!”
“That beam ripped through fifteen levels,” Hilburn reported. “We’ve got massive internal damage!”
“I’ve sourced those beams’ output,” said Weapons Specialist Domos. “Targeting!”
The XO extended a forestalling hand. “Belay that, Fahid. I’ve got something else in mind. Prepare Judgement One missiles.”
Domos tossed the XO a wary glance. “For a J1 launch we’re going to have to put distance between us and the target.”
The pilot, Janet Kiowa, adjusted controls. “Increasing fall back speed.”
“Tell the Task Force to clear the target zone,” ordered Lian.
Domos tapped a console key with a grim finality. “J1 is online.”
“I want every ship to implement a mass launch of lower grade missiles to screen the J1’s approach.”
Grimes acknowledged and disseminated Lian’s order to the task force.
Lian stepped closer to the display tank, barely suppressing an urge to cough from the hazy acridity of damaged, overloaded consoles. She fixed pitiless eyes on the dreaded behemoth, and a spirit of vengeance coiled enticingly around her heart when she snapped the next command, “fire!”

Clouds of Flail and Terror Rod missiles from every ship in Task Force Arrow descended upon the massive Erekdenit vessel.
The behemoth threw up a howling wall of point defense fire, wiping out a host of incoming missiles. Numerous task force missiles, nevertheless, broke through a gleaming barricade of enemy fire to smash into their target. Miles upon miles of the behemoth’s hull boiled beneath a restless, gaseous ocean of multiple missile eruptions. A slower moving J1 plunged into that searing ocean, detonating upon contact.
The J1’s explosion breached the target’s hull, channeling tremendous anti-matter laced forces into its interior, before whipping outward in a secondary blast that dislodged enormous chunks of dense hull.
The behemoth listed severely, its batteries silenced as large pulses of chain reactions assaulted its mighty framework, tearing it apart.
A collective pause seemed to come over the remaining 14 Erekdenit ships as their crews witnessed the death throes of their lead ship.

Lian smelled blood and swooned in its headiness. “Target the heavies and mediums with J1s and open fire.”
Eight J1 missiles, hidden beneath a blanket of screening fire, struck the behemoth’s medium and heavy companions. Individual blast waves from eight explosions merged into a single, moon size spatial disrupting wave that swept over the Task Force ships like a tsunami. One of the heavies broke in half, one segment consumed in a blazing aura, the other plummeting toward the planetoid’s surface.
A fiery typhoon consumed a large swathe of area where the segment impacted, producing a florescent crater that marked the planetoid like a glowing red eye.

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Tau Ceti...

...yet another reason to live and discover something close to 'warp drive' (OK, maybe a tenth light speed to begin with). A pick-me-up post, post the now-deflated Mayan apocalypse:



A sun-like star in our solar system's backyard may host five planets, including one perhaps capable of supporting life as we know it, a new study reports.

Astronomers have detected five possible alien planets circling the star Tau Ceti, which is less than 12 light-years from Earth — a mere stone's throw in the cosmic scheme of things. One of the new found worlds appears to orbit in Tau Ceti's habitable zone, a range of distances from a star where liquid water can exist on a planet's surface.

Space.com: Potentially Habitable Planet Detected Around Nearby Star


"Still Here": by Langston Hughes (and so are you)
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tales from a cat herder

She was gracious yet crumpled for her age. Her love for the feline persuasion beyond most of you. The pet door on her home always open. The traffic heavy and she pampered them all. The town couldn't nail her on violations as she never hoarded and contained them, just feed and consoled. Still they regarded her as a nuisance and made secret to remove her as if she alone was the cause of a plague of cats.

At night when the whisper of star light appears I swear you could here the purring, seemed the whole town was in the rumble of contentment. The old lady died and the town roughly divided her estate and disposed of her remains the same as any pulper. I was near the town on the first anniversary of her passing, thinking about my own cats at the time. I kept seeing them along the road, one and then a few, them droves. So many they stopped my car, as if to caution me, warn me. Just beyond the road that surrounded the town, thousands of cats sat and watched. My heart wailed up with thoughts of the old lady, tears came. I don't know why I opened my car door, stepped out. The cats comforted me. They purred together and purred loudly. After a few minutes the purring resounded and echoed and became deafening. The wind whipped, the ground shook violently. I lost my footing went down, banged my head.

Felt cold wet raspy licks on my face, a small purr revived me. I stirred up, a few cats here and there running off into the woods. Near day break, I was out all night. I gathered my wits, got in my car, drove off as if nothing had happened. Glancing across the road into the morning mist, I jerked my brakes to a screeching stop, got out in a gasped panic. It wasn't mist, it was smoke, the town was leveled, the town was gone.

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